shots' most watched spots of 2022
Incorporating chicken cheating, ice-cream eating, boxer competing and landscape pleating, we've analysed all of the views through our Work and Craft posts, plus our monthly Showcases, to bring you the top-ten clips you couldn't stop clicking.
10. Yorke hits the pits
Credits
powered by-
- Production Company Bullion Productions
- Director Mark Jenkin
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Credits
powered by- Production Company Bullion Productions
- Director Mark Jenkin
- Executive Producer Joel Spencer
- Managing Director Jack Newman
- Production Designer Joe Gray
![](https://d17mj1ha1c2g57.cloudfront.net/v1/6zTpRYfNdAX9G1TXjpZUyl4O0mk/1024x576%23/80/shotsmag/production/clips/ff73661a-fb1f-4be2-9ac4-dfd46aeaa8bb/screenshot-2022-03-17-at-15.24.58.png?v=1&quality=80&format=jpeg)
Credits
powered by- Production Company Bullion Productions
- Director Mark Jenkin
- Executive Producer Joel Spencer
- Managing Director Jack Newman
- Production Designer Joe Gray
Thom Yorke is no stranger to unusual, ethereal music videos, with Radiohead having created a number of iconic promos over the years.
This time, Yorke collaborates with Bullion director Mark Jenkin on a promo for the former's Covid-borne band, The Smile.
See what we said about the spot here.
9. Sofa, so good
Credits
powered by- Agency Wieden + Kennedy/Amsterdam
- Production Company Riff Raff
- Director Vedran Rupic
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Credits
powered by- Agency Wieden + Kennedy/Amsterdam
- Production Company Riff Raff
- Director Vedran Rupic
- Audio Post Grand Central Recording Studios
- Editor Business Club Royale
- Post Produciton Business Club Royale
- VFX Dupp Film
- VFX Haymaker VFX/Sweden
- Executive Producer Tom Berendsen
- Producer Christian Kuosmanen
- DP Nico Poulsson
- Production Manager Savvas Stavrou
- Assistant Director Benji Edwards
- VFX Supervisor Thorsten Rutz
- Post Producer Henning Szpiro Eriksen
- VFX Supervisor Anders Nyman
- VFX Producer Rickard Germundsson
- Colorist Julien Alary
- Art Director Cecilia Pignocchi
- Art Director Teresa Montenegro
- Copywriter Jake Barnes
- Copywriter Tyler Andre
- Copywriter Andrew Duncan
- Creative Director Ramona Todoca
- Creative Director Edouard Olhagaray
- Creative Director Andrew Watson
- Executive Creative Director Eric Quennoy
- Executive Creative Director Mark Bernath
- Executive Producer Endy Hedman
- HP Joe Togneri
![](https://d17mj1ha1c2g57.cloudfront.net/v1/FmBFSaEaIPs3qEZ-5K6HyecA_P8/1024x576%23/80/shotsmag/production/clips/3e5c6b8d-e86b-4640-9ad9-7ea748642e9d/samsung.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Wieden + Kennedy/Amsterdam
- Production Company Riff Raff
- Director Vedran Rupic
- Audio Post Grand Central Recording Studios
- Editor Business Club Royale
- Post Produciton Business Club Royale
- VFX Dupp Film
- VFX Haymaker VFX/Sweden
- Executive Producer Tom Berendsen
- Producer Christian Kuosmanen
- DP Nico Poulsson
- Production Manager Savvas Stavrou
- Assistant Director Benji Edwards
- VFX Supervisor Thorsten Rutz
- Post Producer Henning Szpiro Eriksen
- VFX Supervisor Anders Nyman
- VFX Producer Rickard Germundsson
- Colorist Julien Alary
- Art Director Cecilia Pignocchi
- Art Director Teresa Montenegro
- Copywriter Jake Barnes
- Copywriter Tyler Andre
- Copywriter Andrew Duncan
- Creative Director Ramona Todoca
- Creative Director Edouard Olhagaray
- Creative Director Andrew Watson
- Executive Creative Director Eric Quennoy
- Executive Creative Director Mark Bernath
- Executive Producer Endy Hedman
- HP Joe Togneri
Created by Wieden+Kennedy and directed by Vedran Rupic, through Riff Raff, The Awesome Product Adventure is an ode to comedy adventure movies. It follows the pair on an expedition through a fantastical land with talking animals, super villain hackers, and deep dark caves, as they discover the inspiring features of the new Galaxy phone. spearheads Samsung’s new 'awesome is for everyone' campaign.
See what we said about the spot here.
8. KFC's poultry offering
Credits
powered by- Agency Ogilvy Johannesburg
- Production Company Romance Films
- Director Greg Gray
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Credits
powered by- Agency Ogilvy Johannesburg
- Production Company Romance Films
- Director Greg Gray
![](https://d17mj1ha1c2g57.cloudfront.net/v1/mx5f5m86eL_dN2fChtaXzjc6a9Y/1024x576%23/80/shotsmag/production/clips/5a8f3a01-5095-4b5f-b687-d360e3491c99/kfc.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Ogilvy Johannesburg
- Production Company Romance Films
- Director Greg Gray
You’ve may have heard of The Tinder Swindler, but another shameless trickster is rumoured to have been darkening the doorways of KFCs across South Africa.
This two-and-a-half-minute spot, created by Ogilvy Johannesburg and directed by Romance Films' Greg Gray, is inspired by a viral report and is a brilliantly observed, tongue-in-cheek homage to comedy-laced crime caper films that leans into the cinematic conventions of the heist movie genre.
See what we said about the spot here.
7. Foldable filmmaking
Credits
powered by- Agency Leo Burnett/Dubai
- Production Company Good People Film
- Director Ahmed Hussein
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Credits
powered by- Agency Leo Burnett/Dubai
- Production Company Good People Film
- Director Ahmed Hussein
- Post Production Lzrd
- Chief Creative Officer Kalpesh Patankar
- Head of A/V Production Shereen Mostafa
- Executive Producer Khaled Zaki
- Producer Chantal El Haber
- DP Kamal Samy
- Art Director Omar Alaa
- Editor Amr Rabee
- Colorist Karim Mira
- Sound Designer Hosny Ali
![](https://d17mj1ha1c2g57.cloudfront.net/v1/-t06y00zuJSAIjjtLXBekh8X2uM/1024x576%23/80/shotsmag/production/clips/bd17b8e7-8588-4dfa-8b01-d2cce5895857/samsung-hero.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Leo Burnett/Dubai
- Production Company Good People Film
- Director Ahmed Hussein
- Post Production Lzrd
- Chief Creative Officer Kalpesh Patankar
- Head of A/V Production Shereen Mostafa
- Executive Producer Khaled Zaki
- Producer Chantal El Haber
- DP Kamal Samy
- Art Director Omar Alaa
- Editor Amr Rabee
- Colorist Karim Mira
- Sound Designer Hosny Ali
Egyptian actor/comedian Ahmed Helmy stars in BREAK FREE as a put-upon worker who raps his woes to an increasingly dynamic camera, bouncing between locations and styles with flair.
Created through Leo Burnett Dubai and production company Good People, the film's crackling vigour and witty choices from Hussein and editors Amr Rabee and Amr Mekky made for a rip-roaring start to the new year.
See what we said about the spot here.
6. Back To The Footer
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Iconoclast
- Director Megaforce
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Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Iconoclast
- Director Megaforce
- Executive Creative Director Ryan O'Rourke
- Executive Creative Director Alberto Ponte
- HP Orlee Tatarka
- Producer Katie Schaller
- Senior Creative Tim Arts
- Senior Creative Stefan Van Den Boogaard
- Senior Producer Byron Oshiro
- Managing Director Charles-Marie Anthonioz
- Executive Producer Caroline Pham
- Edit Company Rock Paper Scissors
- Editor Lauren Dellara
- Managing Director Eve Kornblum
- Executive Producer Shada Shariatzadeh
- Head of Production Andrea (Dre) Krichevsky
- VFX Company Framestore/Los Angeles
- Executive VFX Producer Dan Roberts / (Executive VFX Producer)
- Senior VFX Producer Carla Attanasio
- Creative Director Alex Thomas
- CG Supervisor Clement Renaudin
- CG Supervisor Christian Nielsen
- VFX Producer Scott Tinter
- Colorist Emiliano Serantoni
- Producer Brad Martin
- Music Company Walker
- Executive Producer Stephanie Pigott
- Managing Director Sara Matarazzo
- Senior Producer Danielle Soury
- Sound Design/Audio Post 750mph
- Sound Designer/Audio Mixer Jake Ashwell
- Sound Designer/Audio Mixer Sam Ashwell
- Producer Olivia Ray
- Title Animation Elastic
- Managing Director Jennifer Sofio Hall
- Talent Alex Morgan
- Talent Carli Lloyd
- Talent Cristiano Ronaldo
- Talent Kevin De Bruyne
- Talent Kylian Mbappe
- Talent Phil Foden
- Talent Ronaldinho
- Talent Ronaldo Nazario
- Talent Sam Kerr
- Talent Virgil Van Dijk
- Line Producer Richard Weager
- DP Hoyte van Hoytema
- Production Designer Marco Puig
- Assistant Editor Michael Shugarman
- Post Producer Lauren Pullano
- Senior Producer Shelley Eisner
![](https://d17mj1ha1c2g57.cloudfront.net/v1/4h68YjPiw4fakedynvO3BshNAAA/1024x576%23/80/shotsmag/production/clips/6c209e5d-b3e1-49e6-b066-2ddc340dfae4/vlcsnap-00119.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Iconoclast
- Director Megaforce
- Executive Creative Director Ryan O'Rourke
- Executive Creative Director Alberto Ponte
- HP Orlee Tatarka
- Producer Katie Schaller
- Senior Creative Tim Arts
- Senior Creative Stefan Van Den Boogaard
- Senior Producer Byron Oshiro
- Managing Director Charles-Marie Anthonioz
- Executive Producer Caroline Pham
- Edit Company Rock Paper Scissors
- Editor Lauren Dellara
- Managing Director Eve Kornblum
- Executive Producer Shada Shariatzadeh
- Head of Production Andrea (Dre) Krichevsky
- VFX Company Framestore/Los Angeles
- Executive VFX Producer Dan Roberts / (Executive VFX Producer)
- Senior VFX Producer Carla Attanasio
- Creative Director Alex Thomas
- CG Supervisor Clement Renaudin
- CG Supervisor Christian Nielsen
- VFX Producer Scott Tinter
- Colorist Emiliano Serantoni
- Producer Brad Martin
- Music Company Walker
- Executive Producer Stephanie Pigott
- Managing Director Sara Matarazzo
- Senior Producer Danielle Soury
- Sound Design/Audio Post 750mph
- Sound Designer/Audio Mixer Jake Ashwell
- Sound Designer/Audio Mixer Sam Ashwell
- Producer Olivia Ray
- Title Animation Elastic
- Managing Director Jennifer Sofio Hall
- Talent Alex Morgan
- Talent Carli Lloyd
- Talent Cristiano Ronaldo
- Talent Kevin De Bruyne
- Talent Kylian Mbappe
- Talent Phil Foden
- Talent Ronaldinho
- Talent Ronaldo Nazario
- Talent Sam Kerr
- Talent Virgil Van Dijk
- Line Producer Richard Weager
- DP Hoyte van Hoytema
- Production Designer Marco Puig
- Assistant Editor Michael Shugarman
- Post Producer Lauren Pullano
- Senior Producer Shelley Eisner
Taking its cue from seminal spot The Cage (itself launched 20 years ago), Nike FC Presents the Footballverse sees a bunch of boffins harness their Large Hadron Collider-esque lab to scoot through history, drawing players like Alex Morgan, Carli Lloyd, Cristiano Ronaldo, Edgar Davids, Kevin De Bruyne, Kylian Mbappé, Leah Williamson, Phil Foden, Ronaldinho, Ronaldo Nazário, Sam Kerr, Shane Kluivert, and Virgil van Dijk into the ultimate match of 1vs1vs1vs1vs1vs...etc...
See what we said about the spot here.
5. E-xtreme violence
Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Sam Walker
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Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Sam Walker
- Editor Final Cut/London
- Post Production Rascal Post Production
- Music Soundtree Music
- Production Service Radioaktive Film
- Editor Joe Guest
- Producer David French
- Executive Producer Lucy Kelly
- Production Manager Kishan Patel
- Producer Nikki Porter
- DP Stuart Bentley
- Colorist James Bamford
- Lead 3D Russell Tickner
- Sound Designer Jack Sedgwick
- Production Service Producer Olya Kosenko
![](https://d17mj1ha1c2g57.cloudfront.net/v1/3xovGkOUvPBlZqgIJZuRiZ7NyiU/1024x576%23/80/shotsmag/production/clips/59ddae6f-aa76-497b-9e47-df3c7b399348/1682099042636.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Sam Walker
- Editor Final Cut/London
- Post Production Rascal Post Production
- Music Soundtree Music
- Production Service Radioaktive Film
- Editor Joe Guest
- Producer David French
- Executive Producer Lucy Kelly
- Production Manager Kishan Patel
- Producer Nikki Porter
- DP Stuart Bentley
- Colorist James Bamford
- Lead 3D Russell Tickner
- Sound Designer Jack Sedgwick
- Production Service Producer Olya Kosenko
This epic film from Uncommon London centres not only on the battle to triumph in the competition, but in the race against climate change. Beginning with a dramatic on-track crash that sees three Formula E cars taken out of a race, the stricken drivers - Sam Bird, António Félix Da Costa and Pascal Wehrlein - take to their feet and begin a pulsating sprint through the streets in a bid to keep their Formula E hopes alive.
Directed by Pulse's Sam Walker, who is also ECD at Uncommon, the three-minute film, called No Turning Back, is an adrenaline-fuelled chase that features police horses, smashed windows and a rooftop foot race which, while the drivers battle for supremacy, juxtaposes live news reports of climate change and its impact.
See what we said about the spot here.
4. Lolly grandpops
Credits
powered by- Agency LOLA MullenLowe/Madrid
- Production Company PROPPA/Madrid
- Director Martin Werner
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Credits
powered by- Agency LOLA MullenLowe/Madrid
- Production Company PROPPA/Madrid
- Director Martin Werner
- Post Production/Color Bacon X
- Sound Design Ballad
- Production Services Ready to Shoot
- Creative Director Tomas Ostiglia
- Executive Producer Pablo Martinez
- DP Nicolaj Bruel
- Production Designer Peter Grant
- Art Director Pedro Santarem
- Editor Nicolai Monberg
![](https://d17mj1ha1c2g57.cloudfront.net/v1/OXLbBhFMhpGido3KJwIgedmc1Z4/1024x576%23/80/shotsmag/production/clips/0132000a-f400-4c2d-b537-a52907854800/1.seniors.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency LOLA MullenLowe/Madrid
- Production Company PROPPA/Madrid
- Director Martin Werner
- Post Production/Color Bacon X
- Sound Design Ballad
- Production Services Ready to Shoot
- Creative Director Tomas Ostiglia
- Executive Producer Pablo Martinez
- DP Nicolaj Bruel
- Production Designer Peter Grant
- Art Director Pedro Santarem
- Editor Nicolai Monberg
This deliciously witty and refreshing campaign out of Lola Mullen Lowe, produced by Poppa in Madrid, delivers a welcome message rarely conveyed in advertising – that oldsters can rock too.
Set in a lavish mansion with lush grounds, The Pleasure Residence, has many sumptuous design flourishes (shout out to production designer Peter Grant and art director Pedro Santarem) – gilded wheelchairs, cool looking croquet games, flower-packed salons.
See what we said about the spot here.
3. Teary Hawk, Pro Skater
Credits
powered by- Agency adam&eveDDB/London
- Production Company Biscuit Filmworks/UK
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Credits
powered by- Agency adam&eveDDB/London
- Production Company Biscuit Filmworks/UK
- Editor Work Editorial/London
- VFX nineteentwenty
- Chief Creative Officer Richard Brim
- Creative Edward Usher
- Creative Xander Hart
- Copywriter Richard McGrann
- Creative Andy Clough
- Creative Director Matt Gay
- Creative Director Feargal Ballance
- Producer Sally Pritchett
- Chief Strategy Officer Martin Beverley
- Managing Director Rupert Reynolds-MacLean
- Executive Production Sam Chitty
- Producer Lee Groombridge
- Production Manager Davina Abrahams
- DP Daniel Landin
- Production Designer Jon Henson
- Editor Art Jones
- Producer Charlie Dalton
- VFX Producer David Keegan
- VFX Supervisor Ludo Fealy
- VFX Supervisor Rod Norman
- VFX Artist Jamie Stitson
- VFX Artist Adam McHale
- VFX Artist Yanru Yin
![](https://d17mj1ha1c2g57.cloudfront.net/v1/M1vJBIJ7LSHRTEjqv_kdfyXVr5k/1024x576%23/80/shotsmag/production/clips/7456e305-3816-445c-b2f4-f59070ab9fbc/1699449396157.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency adam&eveDDB/London
- Production Company Biscuit Filmworks/UK
- Editor Work Editorial/London
- VFX nineteentwenty
- Chief Creative Officer Richard Brim
- Creative Edward Usher
- Creative Xander Hart
- Copywriter Richard McGrann
- Creative Andy Clough
- Creative Director Matt Gay
- Creative Director Feargal Ballance
- Producer Sally Pritchett
- Chief Strategy Officer Martin Beverley
- Managing Director Rupert Reynolds-MacLean
- Executive Production Sam Chitty
- Producer Lee Groombridge
- Production Manager Davina Abrahams
- DP Daniel Landin
- Production Designer Jon Henson
- Editor Art Jones
- Producer Charlie Dalton
- VFX Producer David Keegan
- VFX Supervisor Ludo Fealy
- VFX Supervisor Rod Norman
- VFX Artist Jamie Stitson
- VFX Artist Adam McHale
- VFX Artist Yanru Yin
With a few years of unexpected aliens, crafty techniques and dinky dragons, John Lewis & Partners has brought festive cheer to our screens with its seasonal offerings. However, with the latest film, adam&eveDDB has eschewed much of the tinsel and baubles and aims a poignant poke directly at the feels.
Shot through Biscuit, The Beginner tells the intriguing tale of a middle-aged fella whose new hobby, skateboarding, seems to be a little beyond him. Regardless, his practice and dedication yield some decent results and lead to an unexpected climax that will melt even the most wintery of hearts.
See what we said about the spot here.
2. Flipping marvellous
Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Oscar Hudson
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Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Oscar Hudson
- Editing tenthree
- Post Production Electric Theatre Collective
- Music Supervision Native Music Supervision & Production
- Audio Post/Sound Design Factory Studios/London
- Managing Director/Executive Producer James Sorton
- Executive Producer Lucy Kelly
- Producer Neil Andrews
- DP Jess Hall
- Production Designer Dan Betteridge
- Editor Ellie Johnson
- Producer Ed Hoadley
- Post Producer Holly Treacy
- Colorist Luke Morrison
- VFX Supervisor Alex Snookes
- CG Lead Patrick Krafft
- Music Supervisor Dan Neale
- Sound Designer/Audio Mixer Anthony Moore
- Executive Producer Lou Allen
- Sound Design/Foley Frankie Beirn
![](https://d17mj1ha1c2g57.cloudfront.net/v1/sTvOsQwUkqrLIVUAPhYllktK3mo/1024x576%23/80/shotsmag/production/clips/6dcba507-ae5b-4a56-80a8-7de5f9282f5c/1722349707554.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Oscar Hudson
- Editing tenthree
- Post Production Electric Theatre Collective
- Music Supervision Native Music Supervision & Production
- Audio Post/Sound Design Factory Studios/London
- Managing Director/Executive Producer James Sorton
- Executive Producer Lucy Kelly
- Producer Neil Andrews
- DP Jess Hall
- Production Designer Dan Betteridge
- Editor Ellie Johnson
- Producer Ed Hoadley
- Post Producer Holly Treacy
- Colorist Luke Morrison
- VFX Supervisor Alex Snookes
- CG Lead Patrick Krafft
- Music Supervisor Dan Neale
- Sound Designer/Audio Mixer Anthony Moore
- Executive Producer Lou Allen
- Sound Design/Foley Frankie Beirn
When a life-changing moment occurs, it can sometimes feel like the world has upturned around you. Such is the truism brought to spectacular life by Pulse Films' Oscar Hudson in this striking work from Uncommon for B&Q.
Opening with the image of a woman discovering she has a baby on the way, Flip takes us into a home that soon begins to rotate to the dulcet tones of David Bowie, causing chaos for all but our protagonist, who takes the opportunity to have a little climb and a sit-down.
See what we said about the spot here.
1. Stallion stampede
Credits
powered by- Agency Neverland/London
- Production Company MJZ/London
- Director Nicolai Fuglsig
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Credits
powered by- Agency Neverland/London
- Production Company MJZ/London
- Director Nicolai Fuglsig
- Facility Company Pioneer Productions
- Editing Final Cut/London
- Post Production Selected Works
- Color Rare Medium
- Sound 750mph
- VFX Artist Adame Boutrif
- VFX Artist Theajo N Dharan
- Digital Matte Painting Amber Frisenda
- TechnicianData Workflow Man Lok Li
- Producer Tim Wild
- Executive Producer Lindsay Turnham
- DP George Richmond
- 1st AD Ben Glickman
- Editor Rick Russell
- Editor Claire McGonigal
- Editor Producer Nikki Porter
- Executive Producer Alex Fitzgerald
- Executive Producer Sean Costelloe
- Creative Director/VFX Shoot Supervisor Greg Spencer
- VFX Shoot Supervisor Mickey O'Donoghue
- VFX Shoot Supervisor Theajo N Dharan
- VFX Shoot Supervisor Adame Boutrif
- Producer Katie Sharpe
- 2D Artists Jonathan Westley
- 2D Artists Georgina Ford
- Colorist Fergus McCall
- Head Sound Engineer - Sound Design & Mix Sam Ashwell
- Audio Producer Olivia Ray
- Music Arranger Tom Player
- Head of 3D Paul Donnellan
- CG Artist Mickey O'Donoghue
- CG Artist Abner Marin
- 2D Artist Maheshwaran Chandrasekaran
- CG Artist Matt Wispy Clarke
- 2D Artist Stephanie Skarbeck
- Music Supervisor Jemma Skidmore
- Founder/Executive Producer Jon Forsyth
- Head of Production Amy Coomber
- Producer Alex Cowley
- Senior Creative Lloyd Daniels
![](https://d17mj1ha1c2g57.cloudfront.net/v1/cSV9JOI4lQjJxMsoeJopbIkK_dk/1024x576%23/80/shotsmag/production/clips/5653bd18-3ac8-4e00-925d-932af0dfc52f/rocky-header.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Agency Neverland/London
- Production Company MJZ/London
- Director Nicolai Fuglsig
- Facility Company Pioneer Productions
- Editing Final Cut/London
- Post Production Selected Works
- Color Rare Medium
- Sound 750mph
- VFX Artist Adame Boutrif
- VFX Artist Theajo N Dharan
- Digital Matte Painting Amber Frisenda
- TechnicianData Workflow Man Lok Li
- Producer Tim Wild
- Executive Producer Lindsay Turnham
- DP George Richmond
- 1st AD Ben Glickman
- Editor Rick Russell
- Editor Claire McGonigal
- Editor Producer Nikki Porter
- Executive Producer Alex Fitzgerald
- Executive Producer Sean Costelloe
- Creative Director/VFX Shoot Supervisor Greg Spencer
- VFX Shoot Supervisor Mickey O'Donoghue
- VFX Shoot Supervisor Theajo N Dharan
- VFX Shoot Supervisor Adame Boutrif
- Producer Katie Sharpe
- 2D Artists Jonathan Westley
- 2D Artists Georgina Ford
- Colorist Fergus McCall
- Head Sound Engineer - Sound Design & Mix Sam Ashwell
- Audio Producer Olivia Ray
- Music Arranger Tom Player
- Head of 3D Paul Donnellan
- CG Artist Mickey O'Donoghue
- CG Artist Abner Marin
- 2D Artist Maheshwaran Chandrasekaran
- CG Artist Matt Wispy Clarke
- 2D Artist Stephanie Skarbeck
- Music Supervisor Jemma Skidmore
- Founder/Executive Producer Jon Forsyth
- Head of Production Amy Coomber
- Producer Alex Cowley
- Senior Creative Lloyd Daniels
There are few movie scenes as iconic as perpetual underdog Rocky Balboa's legendary jog through the streets of Philly, up the Philadelphia Museum of Art Steps 'aka, the Rocky stairs' and through a throng of cheering supporters. Because of the moment's cultural significance, and its sentimental association with its fans, you'd have to be nuts to attempt to fiddle with its content in an attempt to update and reinvigorate its impact, wouldn't you?!
Throwing caution (and a significant VFX budget) to the wind is Ladbrokes' Rocky, which takes the titular character and surrounds him with hundreds of perfectly incorporated extroverts in a seamless blend of original footage and freshly-shot madness.