Ever wondered what fills the world’s most creative minds?
Feed your inspiration with our regular columns.
Repped by Parisian production house Frenzy, Andzej Gavriss is a director, writer and photographer with a passion for storytelling, portraiture and experimental film. He tells us about the work and directors that inspire him, how he finds inspiration through collaboration, and the importance of developing your own voice.
Fantasy and sci-fi fan Emily Dean, a director at Nexus Studios, lists some of the creators, films and TV shows that have inspired - and continue to inspire - her as she reveals what's on her creative radar.
Oliver Hicks, founder of production company North Six, tells us about the creatives who inspire him, shows us his favourite fashion films, and explains how working as a PA on music videos, whilst studying for an archaeology degree, led him to become the seasoned producer and entrepreneur he is today.
Tantrum director Bennett Johnson thinks watching a certain old film would make us all happier, got into advertising due to a specific Christmas campaign, and admits that a recent rodent-starring spot lives in his head 'rent free'.
We hear from the Frenzy directing duo Original Kids about how they got their unusual name, a massive list of music promos and a dazzling list of inspirations.
Joe Totti, storyboard artist, illustrator and comic book artist, talks tablets, trilogies and perfect TV shows as he reveals what's on his creative radar.
On Location is a column that gives a boots-on-the-ground look at some amazing cities, brought to you by local production experts.
The m ss ng p eces director takes us through the unlikely canvases, unsettling casts and unique zines that keep her creativity flowing.
Pomp&Clout founder and director Ryan Staake gives thanks to AI (for now), picks his favourite 'hype movie', and explains why music is his muse.
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We chat with Aleena Bissett, Head of Production at Juice Music about Tina Turner and Kate Bush obsessions and appearing in a Furby commercial...
South African multidisciplinary director Justice Mukheli talks us through the work and creatives that inspire him, and explains how combining filmmaking, painting and photography helps him create complex narratives on both camera and canvas.
John Cherry, ECD at Atomic London, admires how a threat can be made an opportunity, accepts there's one classic film that can have him in tears, and admits that he thinks the industry's fascination with research is misplaced.