The rapper, alongside Thundercat, collaborates with Léa Esmaili to create a wild ride through various animated styles for new track She Knows Too Much.
A heartbreaking film from the national Canadian charity asks viewers to pause and consider the far-reaching impact of childhood cancer beyond the diagnosis.
In a memorial performance, produced by First Amendment Troop and hungryman, Bryan Buckley’s The ResistDance pays tribute to Renée Good and Alex Pretti through a 90-second contemporary movement piece staged in Washington, D.C.
Loris Russier’s visually striking spot for the Swiss luxury brand draws parallels between the art of watchmaking and the discipline of athletes.
The pop icon’s surreal, pastiche-packed promo for her track Opalite is a star-studded spectacle that only someone of her cultural clout could pull off.
In a rousing film for Farm Credit Canada, directed by Vincent René-Lortie through Denim, a documentary-feel montage takes us on a sweeping journey across the country.
Inviting punters to Be a Forever New Yorker, this cool campaign from Mother New York and directors Ashley Armitage and Sam Taylor takes NY resident tropes and gives them space to breathe.
Zak Razvi directs a simple yet impactful spot as part of the UK Government's initiative to help parents talk to their children about toxic social media content.
The rapper, alongside Thundercat, collaborates with Léa Esmaili to create a wild ride through various animated styles for new track She Knows Too Much.
A heartbreaking film from the national Canadian charity asks viewers to pause and consider the far-reaching impact of childhood cancer beyond the diagnosis.
In a memorial performance, produced by First Amendment Troop and hungryman, Bryan Buckley’s The ResistDance pays tribute to Renée Good and Alex Pretti through a 90-second contemporary movement piece staged in Washington, D.C.
Loris Russier’s visually striking spot for the Swiss luxury brand draws parallels between the art of watchmaking and the discipline of athletes.
The pop icon’s surreal, pastiche-packed promo for her track Opalite is a star-studded spectacle that only someone of her cultural clout could pull off.
In a rousing film for Farm Credit Canada, directed by Vincent René-Lortie through Denim, a documentary-feel montage takes us on a sweeping journey across the country.
Inviting punters to Be a Forever New Yorker, this cool campaign from Mother New York and directors Ashley Armitage and Sam Taylor takes NY resident tropes and gives them space to breathe.
Zak Razvi directs a simple yet impactful spot as part of the UK Government's initiative to help parents talk to their children about toxic social media content.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
In The Gastronaut, the supermarket brand showed just how crappy life can be without access to sufficient middle-class morsels. shots caught up with Wonderhood creatives Tad Buxton and India Penny, and SMUGGLER director Tom Speers, to find out how they gave a space station such a quirky atmosphere.
This campaign, created for Waka Kotahi New Zealand Transport Authority by McCann NZ, urges drivers to take a speed check and resist the monstrous urges forcing them to drive faster. Wanting to visualise these urges with as much authenticity as possible, director Michael Hili and the FINCH production team set about making a trilogy of fiends purely by hand.
In what might be the most snack-unfriendly spot of this year's Big Game, Quality Meats and The Perlorian Brothers are bringing clumps of hair to life to perform a painful plucked power-ballad. shots caught up with the creative team to find out just what makes an offcut croon.
Taking something as unpredictable as combustion and utilising it in stop-motion is a uniquely deranged undertaking... so step forward, seasoned element wrangler Yannis Konstantinidis. Jamie Madge caught up with Konstantinidis and BBC Creative's Paul Bailey to find out how they started the fire.
With a hugely impressive, multi-award-winning partnership behind them, Canal+ and BETC's often comedic approach to ad campaigns stepped to a different beat in their most recent collaboration.
The industry leader will lead curatorial committee with a focus on craft and story.
Final Cut announce the signing of two new editors, Kevin Zimmerman and Ramon Morejon.
The London and Berlin-based post-production studio strengthens German market credentials with senior agency and production hire.
The Netherlands-based director has joined for UK and US representation.
The industry leader will lead curatorial committee with a focus on craft and story.
Final Cut announce the signing of two new editors, Kevin Zimmerman and Ramon Morejon.
The London and Berlin-based post-production studio strengthens German market credentials with senior agency and production hire.
The Netherlands-based director has joined for UK and US representation.
On February 5th, Electric Theatre Collective and Biscuit Filmworks brought together a group of promising emerging talent for their annual Young Producers Dinner. shots joined them to catch up with a new generation on what inspires them, challenges them, and how they’re fairing in an ever-shifting industry.
With wellness – of people and the planet – as a cornerstone, creative production studio Lowkey Films does things differently. Its founders Jamie Gamache and Connor O’Hara are proud to report it was the first UK feature film production company to achieve B Corp certification. Lucy Aitken heads to south London to find out more.
In our latest shots Unsigned interview, we speak with the director David Kobzantsev about his short film Gold Hearts of Hot Rod County. Here he spills the beans on the making of the short, classic coming-of-age movies, and above all else keeping it magical.
Thinking Machine director Megan Brotherton admires Ontario's recent ad campaign, is glad her "geriatric sneakers" are finally trendy, and wishes for a bit more courage in the creative community.
Hummingbird director Lena Tsod reveals the darkroom relics, dog-eared diaries and disparate time zones that shape her creative world.
Director Freddie Powell of DROOL tells us why people skills trump talent, which filmmakers he envies most, and how turning 'safe' scripts into something magical has become part of the job.
With recent stats showing that 80 per cent of award-winning ad directors are white and male – a figure that’s not budged for years – the goal of a diverse pool of directing talent seems a long way off. Caroline Bottomley, Founder of Shiny Awards, which champions underrepresent talents, chats to producers about the issue.
Monthly round-ups, technique focusses and entertaining showreels, curated by the shots team.
Our monthly digital magazine, bringing you an indispensable look at specific territories, techniques and themes within the advertising industry.
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