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the Insight

Percipient thought-pieces and opinions from some of
the world’s most respected industry leaders.

Amy Hey by Amy Hey on 20th November 2024

From the disastrous Wonka Experience to the buzz surrounding the upcoming Wicked movie, five creative leaders discuss how the Barbie movie's success has reshaped the way brands interact with new film releases.

19th Nov
Rekindling fan magic; what brands can learn from the Shrek legacy

Rekindling fan magic; what brands can learn from the Shrek legacy

Getting to the top is hard, staying there is even harder, especially when you're off grid for 16 years. So, asks Matt Michaluk, ECD at Household, with the announced release of another instalment of the Shrek franchise, can Dreamworks' green ogre rekindle the magic, and what can brands learn from his attempt to do so?

15th Nov CHRISTMAS 2024
Selling Santa: the challenge of festive marketing

Selling Santa: the challenge of festive marketing

With growing concerns around ethical, sustainable shopping, and the cost of living crisis impacting spending, how can advertisers strike the right tone this Christmas? Camilla Yates, Managing Partner of Strategy at elvis, mines recent research into shoppers’ attitudes.

8th Nov
How to build blockbuster branded entertainment

How to build blockbuster branded entertainment

With two hit movies already under its belt, LEGO is no stranger to branded entertainment. But, with the release today of Piece By Piece, about Pharrell Williams's life and career, the brand continues to show how to build an entertainment empire, brick-by-brick. Here, Dan Wood, MD of EssenceMediacom’s Creative Futures, examines how other brands might be able to do the same.

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How brands can spread a message of yuletide unity this year How brands can spread a message of yuletide unity this year
8th Nov CHRISTMAS 2024

Howbrandscanspreadamessageofyuletideunitythisyear

'Tis the season to be merry, but should we also be thinking about cultural inclusivity? Guy Bradbury, Creative Partner, M&C Saatchi UK posits the idea that marketers and brands could consider the importance of bringing all faiths and ideologies to the festive table.

6th Nov
Did they use AI for that?

Did they use AI for that?

As AI-generated visuals and human artistry become harder to tell apart, James Trimming, Head of Production at Waste Creative, explores how tools like Midjourney and MetaHuman are reshaping production and the role of real-life creatives.

4th Nov
Imposter syndrome: how self-doubt can spur a woman on

Imposter syndrome: how self-doubt can spur a woman on

With the upcoming US elections bringing renewed focus on women in leadership roles, Veronica Diaferia, founder of female-owned commercial production company Tinygiant, explores the internal battle that many women face along with external challenges to their success.

4th Nov
British Arrows jury chairs target creativity

British Arrows jury chairs target creativity

With entries now open, the 2025 chairs for the Arrows and Craft juries of the British Arrows - Saatchi & Saatchi London's CCO Franki Goodwin, and MD and sound designer at Wave Studios, Parv Thind - discuss their forthcoming tenures, the state of British creativity, and what makes the Arrows stand out.

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The building blocks of film: how a DP’s toolbox can be applied to architecture The building blocks of film: how a DP’s toolbox can be applied to architecture
31st Oct CINEMATOGRAPHY & PHOTOGRAPHY FOCUS

Thebuildingblocksoffilm:howaDP’stoolboxcanbeappliedtoarchitecture

Nata Kurylenko (lead architect) and Anna Viktorova (project manager) of award-winning Ukrainian architecture and interior design studio, Balbek Bureau, together with Luzius Fischer, co-founder of Swiss film production company Dynamic Frame, explain how an office design project revealed the synergy between cinematography and construction.

25th Oct CINEMATOGRAPHY & PHOTOGRAPHY FOCUS
The sound of cinematography: are your visuals getting the best sound?

The sound of cinematography: are your visuals getting the best sound?

Sascha Darroch-Davies, director and co-founder of creative sound studio DLMDD, explores the importance of what an audience hears when perceiving imagery; arguing that some of the most impactful moments in a brand's campaign come from the interplay of sight and sound.

23rd Oct
Would you like me to introduce you? Why music and advertising should go back to the start

Would you like me to introduce you? Why music and advertising should go back to the start

When it comes to music, first impressions can last. But are those first impressions now relied on too much, with no time for the building of suspense and the creation of drama? And is advertising falling into the same trap? Gary Hilton, Director of GAS Music puts his ear to the ground.

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