the Talent
From Junior Creatives to ECDs, delve into career highlights (and lowlights) in our in-depth profiles.
The unmistakable food branding of Turner Duckworth
Daniel Huntley speaks to Christian Eager, Executive Creative Director at Agency Turner Duckworth London about branding for the world's biggest food brands.
How young agency producers see the world of advertising
Biscuit Filmworks & Electric Theatre Collective's annual Young Producers Dinner took place last night. We caught up with some of the attendees to ask them about the challenges they face in their roles, what inspired them to get into the industry and why it's important not to feel alone.
Agency of the Year: Lucky Generals
Continuing our focus on the shots Awards Europe winners from 2019, we speak to [left to right] Joe Bagnall, Laurence Horner, Katie Lee and Kate Murphy - Head of Film, Strategy Director, CEO and CD respectively - at our Agency of the Year, Lucky Generals.
The people who make the spots you love, covering all aspects of production, post and sound.
Maker by name, maker by nature
Melody Maker began her career in the world of fashion, before turning her talents to helming ambitious promos. Now, the Mill director is bringing her blend of reality, fantasy, live-action and VFX to commercials and creative tech. Selena Schleh meets a rising talent who exemplifies the new breed of creative ‘slashies.’
David Dearlove hits the target with award-winning film
Last year David Dearlove picked up the coveted shots Awards Europe New Director of the Year trophy for his brilliant film for Women's Aid. We spoke to him after his win and, below, you can read again his explanation of what it's like to hit the directing bullseye with his first dart.
What keeps Calmatic pushing the edge of greatness?
In 2019, director Calmatic skyrocketed onto the commercial scene, first with a promo for Lil Nas X and then landing a set of Super Bowl adverts for TurboTax. Here, he talks about his route into the business, his inspirations and what's next.
Tiny Inventions on smart animation
1stAveMachine's Oscar-nominated directing duo of Max Porter and Ru Kuwahata speak to Carol Cooper about finding the new in existing forms, expressing the clarity of the craft and how animation is a contrast to, not substitute for, live-action shooting.
King of the Hill
As part of our New Talent Focus, we took the chance to speak with SMUGGLER director and Hollywood icon Jonah Hill about his music video and advertising work.
Em Cole: Senses working overtime
Creating witty, stylised, social-ready morsels of moving image, inspired by weird and wonderful corners of the internet, Em Cole is very much the post-digital director. She’s also an impressive auto-didact, who’s achieved much in her 26 years. She tells Carol Cooper about Swindon, splosh and synaesthesia
The Coyle-Larner Brothers keep it in the family
Ben Coyle-Larner, aka rapper Loyle Carner, and his brother Ryan have teamed up to create a potentially formidable directing force. With a slew of great promos for his own tracks providing a perfect training ground, and a desire to "take the plunge" as directors, these multi-skilled siblings are making all the right noises.
Ali Kurr's naked ambition
After a dazzling start to her career, making award-winning promos, director Ali Kurr had a spell in the wilderness. Now she's back with an impressive reel of spots and a comedy porno to boot. Fascinated by all things female, the creative polymath tells Selena Schleh why she refuses to make “stereotypical female work”.
Jesse Lewis-Reece takes on collaboration, learning, and creativity
The young director sat down with us to talk about his time spent working on his award winning project, BLEACH, how working so closely with the trans community impacted his work, and what he plans to do next.
The latest interviews from the talent highlighted at the shots Awards Europe.
Director of the Year: Georgia Hudson
With a slew of great work behind her and last year's shots Awards Europe Director of the Year award sitting on her mantlepiece, Park Pictures' Georgia Hudson reveals why choosing faith over fear has paid dividends.
Production Company of the Year: Pulse Films
James Sorton and Davud Karbaassioun, Managing Director and President respectively of Pulse Films, 2019's shots Awards Europe Production Company of the Year, look back over a year of achievements and what helps them stand out.
Editing House of the Year: Final Cut
We speak to David Webb, editor and managing director of shots Awards Europe-winner Final Cut London, about what led them to have such a cracking 2019 and what the future holds for post production.
Audio Company of the Year: Factory
Continuing our conversations with the winners of this year's shots Awards Europe, we speak to Anthony Moore, founding partner and creative director at Factory, about the audiotastic work they've produced in the past 12 months and what 2020 brings.
Editor of the Year: Joe Guest
With his company, Final Cut, picking up Editing House of the Year, it's no great surprise that the industry titan should also pick up an award. We chat to Guest about his impressive body of work and how the future looks to him.
Jess Kohl: The Prettybird breakthrough capturing the fringes of society
With her latest music video and a brand-new spot for Nike providing a hefty industry one-two punch, we speak to the filmmaker and photographer about what documenting marginalised communities has brought to her subsequent work.
Charlie Stebbings; Not just any food director...
As the director of Mark's & Spencer's famous 'food porn' campaign, Rogue's Charlie Stebbings is no stranger to making things look simply too good to eat. Here, David Knight discusses the ingredients that go into making truly tasty commercials.
A Michelin-starred master of flavour
Cooking up culinary TV triumphs with Jamie and Nigella alongside a commercials reel sizzling with scrumptious spots for Lipton’s, Knorr, Asda and Laphraoig, Mike Matthews is no flash-in-the-pan success story. Selena Schleh meets a food and drink director who finds ‘delicious moments’ in everything from a stock cube to a boiled egg.
Cut the tempo: How to edit for music video
As part of our Music Video focus Daniel Huntley spoke to Stitch/Homespun editor Max Windows about the art of editing for music videos.
Romain Chassaing: Fusing music videos and movies
With his ability to create fantastic, narrative-led music videos that feel like short films, Romain Chassaing has already taken the promo world by storm. David Knight talks to a director who is now repeating that feat in the commercials arena.
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Paul Harrison: Making the grade
As part of this months music video focus Daniel Huntley asked Freefolk colourist Paul Harrison to 'shed some light' on the world of colour grading for music videos.
Karena Evans: Force of nature
The 24-year-old director has promos for Drake, Coldplay and SZA behind her, as well as a string of inventive commercials. Here, Tim Cumming finds out how tenacity, hard work and natural talent has combined to bring Evans to the fore.
Director of the Year: Georgia Hudson
With a slew of great work behind her and last year's shots Awards Europe Director of the Year award sitting on her mantlepiece, Park Pictures' Georgia Hudson reveals why choosing faith over fear has paid dividends.
Promo king Vaughan Arnell on a life behind the lens
Last year Vaughan Arnell gave a talk at the Kinsale Sharks during which he shared his thoughts and experiences across three decades of making commercials and music videos. Here, we revisit some of Arnell's insights into working with some of music's most recognisable names.
Production Company of the Year: Pulse Films
James Sorton and Davud Karbaassioun, Managing Director and President respectively of Pulse Films, 2019's shots Awards Europe Production Company of the Year, look back over a year of achievements and what helps them stand out.
Dressing for success: Mr Gammon on the craft of costuming
With a career costuming movers and shakers in the music industry since the 90s, Mr Gammon knows what it takes to make a film truly eye-catching. As part of our Music Video Focus, we chat to him about some of his favorite shoots and the secrets of his styling.
Crown Jewell: How IPJ became commercial and music video king
After a staggering fourteen ad shoots in 2019, it's safe to say that Ian Pons Jewell has 'broken through'. David Knight talks to the director about how his music video roots, as well as the his ongoing flirtation with the form, has created such relentless creativity.
Editor of the Year: Joe Guest
With his company, Final Cut, picking up Editing House of the Year, it's no great surprise that the industry titan should also pick up an award. We chat to Guest about his impressive body of work and how the future looks to him.