the Talent
From Junior Creatives to ECDs, delve into career highlights (and lowlights) in our in-depth profiles.
A comedy of (good) manners
Carol Cooper meets AMV BBDO’s creative duo Jack Smedley and George Hackforth-Jones, a pair of gentlemen jesters whose motto is 'never punch down'.
The real Old Spice guy
From Smell Like A Man, Man to running his own agency, Eric Kallman speaks to Jamie Madge about creating one of the most defining comedic voices in advertising.
The people who make the spots you love, covering all aspects of production, post and sound.
Cloé Bailly on why comedy makes life less boring, and the effects of winning at the YDA
Cloé Bailly picked up a YDA prize in 2017 and here she tells us how the recognition helped her career and why any moment, even the shittiest, "can become interesting when twisted with a comedy eye".
Emilie Thalund on her award-winning film and the power of the YDA
Last year Emilie Thalund picked up a gold Screen award at the Young Director Award in Cannes for her film, Period. Here she discusses what compelled her to make the film and how the YDA helped her get noticed.
Vincent Lambe talks YDA wins and Oscars controversy
The recipient of last year's Special Jury Prize for his film Detainment (pictured here [L] with producer Darren Mahon) chats to us about the accolade and varied path his film took on its way to the Academy Awards.
Becky Martin on funny bones, female directors and formulas for LOLs
The award-winning director behind Peep Show, Veep and the British Airways Safety Film series chats to Carol Cooper as part of our Comedy Focus.
Dan Mace on YouTube stardom and YDA success
In 2016 South African director Dan Mace picked up two prizes at the Young Director Award. From there, commercial success was followed by YouTube stardom. Here he recounts his early career, the film school that is YouTube and how the YDA helped set him on his way.
On Reflection: Todd & Kylie make merry at The Happiness Factory
From fantasyscapes to flying Chinoiks, the Psyop directing duo look back on their award-winning animated series for Coke.
We chat to some of the unsung heroes of commercial production
Becky Martin on funny bones, female directors and formulas for LOLs
The award-winning director behind Peep Show, Veep and the British Airways Safety Film series chats to Carol Cooper as part of our Comedy Focus.
Production Designer David Mark Lee discusses spinning trains & Spanish galleons
From filling spinning train carriages with 200,000 Post-It notes to wrangling sheep into plastic suits, production designer David Mark Lee is always up for a challenge.
Nothing Beats a Londoner Editor is no ordinary Joe
Like the subjects of one of his films, We’re the Superhumans, Final Cut editorJoe Guest believes in pushing things to extraordinary limits.
shots Hero Sam Ashwell on the sound of muses
750MPH’s head engineer Sam Ashwell namechecks the people who’ve influenced his sound vision, from trainer designers to dirty bassliners.
The agent provocateur of animation
Smashing out animated promos for the likes of Radiohead, Run The Jewels, The Killers and many more, Chris Hopewell's punk rock approach has shaken up the world of stop-motion and given it a Mohican to boot. David Knight meets the Black Dog Films director.
Animated with feeling: the casual fantasy world of Sulkybunny
Tim Cumming meets a couple for whom magic is an everyday business in their combination of live-action and animated storytelling.
Zips, shrubs and Rok'n'roll
Trunk's Rok Predin has brought the Rolling Stones’ lyrics to life, journeyed through paintings and turned Buckingham Palace into a block party. Selena Schleh meets an animation sensation.
Pete Candeland on why the skies have it
Whether it's making innovative, Grammy-nominated promos for virtual band Gorillaz or lush films for the BBC Olympics trails and The Beatles: Rock Band game, the Friends Electric director has his head in the clouds.
Sean Baker is Superprime
The Florida Project and Tangerine director, recently signed with Superprime, chats to us about his career and future projects.
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