shots' most watched spots of 2023
Incorporating baby booties, conflicted cuties, a strutting Santa and beardy banter, we've analysed all of the views through our Work and Craft posts, plus our monthly Showcases, to bring you the top-ten clips you couldn't stop clicking.
10. The Apple of their ear
Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company Iconoclast
- Director Megaforce
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Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company Iconoclast
- Director Megaforce
- Production Services Primo/Brazil
- Editing Final Cut/London
- Editor Joe Guest
- VFX Executive Producer Vic Lovejoy
- Production Assistant Rosie Corbett
- Leads Patrick Krafft
- Grade Luke Morrison
- Post Production Electric Theatre Collective
- Leads Jack Powell
- Music Tkay Maidza
- VFX Producer Oscar Wendt
- VFX Supervisors Iain Murray
- VFX Dean Robinson
Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company Iconoclast
- Director Megaforce
- Production Services Primo/Brazil
- Editing Final Cut/London
- Editor Joe Guest
- VFX Executive Producer Vic Lovejoy
- Production Assistant Rosie Corbett
- Leads Patrick Krafft
- Grade Luke Morrison
- Post Production Electric Theatre Collective
- Leads Jack Powell
- Music Tkay Maidza
- VFX Producer Oscar Wendt
- VFX Supervisors Iain Murray
- VFX Dean Robinson
The Megaforce boys bring to life a smart idea from TBWA\Media Arts Lab, again interpreting a key selling point with poetic beauty; utilising their playful style and visual storytelling to create a lovely solution to one of modern living's issues.
See what we said about the spot here.
9. Skydriving
Credits
powered by- Agency Uncommon/London
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- Director Sam Walker
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Credits
powered by- Agency Uncommon/London
- Director Sam Walker
- Production Company Uncommon/London
- Service Company Patriot Films
- Post Production Rascal Post Production
- Editing Trim
- Sound King Lear Music & Sound
- Producer Ewen Brown
- DP Joost Van Gelder
- VFX Supervisor and 2D Lead Andrew (Barnsley) Wood
- Head of Production and VFX Producer James Beck
- 3D Lead Adam Ahlgren
- Colorist James Bamford
- Editor/Partner Paul Hardcastle
- Assistant Editor Josh Mannox
- Producer Polly Kemp
- Socials Joey Henshaw
- Sound Designer Jack Sedgwick
Credits
powered by- Agency Uncommon/London
- Director Sam Walker
- Production Company Uncommon/London
- Service Company Patriot Films
- Post Production Rascal Post Production
- Editing Trim
- Sound King Lear Music & Sound
- Producer Ewen Brown
- DP Joost Van Gelder
- VFX Supervisor and 2D Lead Andrew (Barnsley) Wood
- Head of Production and VFX Producer James Beck
- 3D Lead Adam Ahlgren
- Colorist James Bamford
- Editor/Partner Paul Hardcastle
- Assistant Editor Josh Mannox
- Producer Polly Kemp
- Socials Joey Henshaw
- Sound Designer Jack Sedgwick
This campaign from Uncommon London and Sam Walker, pushes Formula E to new heights as we witness one of the competition's cars plummet to the earth from a cargo plane.
See what we said about the spot here.
8. No ifs, all butts
Credits
powered by- Agency Quality Meats/Chicago
- Production Company Caviar/Los Angeles
- Director Keith Schofield
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Credits
powered by- Agency Quality Meats/Chicago
- Production Company Caviar/Los Angeles
- Director Keith Schofield
- Editor Work Editorial/USA
- Colorist Gregory Reese
- Executive Producer Kim Dellara
- Co-Chief Creative Officer, Co-Founder Brian Siedband
- Co-Chief Creative Officer, Co-Founder Gordy Sang
- Creative Director Jamie Stark
- Creative Director Dan Jordan
- Head of Production Kacey Hart
- Executive Producer Heather Black
- Line Producer Ed Callaghan
- DP Damian Acevedo
- Music Producer Blaire Brinster
Credits
powered by- Agency Quality Meats/Chicago
- Production Company Caviar/Los Angeles
- Director Keith Schofield
- Editor Work Editorial/USA
- Colorist Gregory Reese
- Executive Producer Kim Dellara
- Co-Chief Creative Officer, Co-Founder Brian Siedband
- Co-Chief Creative Officer, Co-Founder Gordy Sang
- Creative Director Jamie Stark
- Creative Director Dan Jordan
- Head of Production Kacey Hart
- Executive Producer Heather Black
- Line Producer Ed Callaghan
- DP Damian Acevedo
- Music Producer Blaire Brinster
If there were a winning formula for smile-inducing adverts, then we're fairly sure that 'Keith Schofield camera madness + catchy jingle x adorable baby tushies' would be amongst the top suggestions.
The team at Quality Meats obviously know this, as their spot for Huggies does a wonderful job of hitting all of the marks; joyously matching the Caviar director's playful expertise with a wonderfully copywritten ditty celebrating all that is good and great about baby booty.
See what we said about the spot here.
7. Tough call
Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company MJZ/USA
- Director Tom Kuntz
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Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company MJZ/USA
- Director Tom Kuntz
- Talent Jason Momoa
- Talent Timothee Chalamet
Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company MJZ/USA
- Director Tom Kuntz
- Talent Jason Momoa
- Talent Timothee Chalamet
In its latest campaign, Apple TV+ taps Oscar-nominee Timothée Chalamet to spotlight the platform’s original content and star-studded roster in a follow-up to last year’s Everyone But Jon Hamm.
The spot, created by TBWA\Media Arts Lab Los Angeles and directed by MJZ's Tom Kuntz, shows how the streaming platform continues to enlist some of Hollywood’s most celebrated creative talent; talent so good, it even has Timothée hung up.
See what we said about the spot here.
6. The Wright stuff
Credits
powered by- Agency Leo Burnett/London
- Production Company Moxie Pictures/London
- Director Edgar Wright
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Credits
powered by- Agency Leo Burnett/London
- Production Company Moxie Pictures/London
- Director Edgar Wright
- Sound 750mph
- Casting ET Casting
- Media Agency OMD/London
- Production Company Moxie Pictures/London
- Editor Final Cut/London
- Post-Production Company Framestore/London
- Audio Post Production 750mph
- Photography and Motion Production Prodigious London
- Media Agency OMD/London
- Editor Final Cut/London
- Post-Production Company Framestore/London
- Audio Post Production 750mph
- Photography and Motion Production Prodigious London
- Managing Director Dawn Laren
- Producer Doochy Moult
- Art Director Andrew Long
- Creative Gareth Butters
- Executive Producer Dawn Laren
- DP Jake Polonsky
- Production Designer Marcus Rowland
- Editor David Webb
- Editor Suzy Davis
- Production Manager Carmen Griffiths
- Chief Creative Officer Chaka Sobhani
- Executive Creative Director Mark Elwood
- Creative Director James Millers
- Creative Director: Andrew Long
- Senior Creative / Copywriter Gareth Butters
- Art Director Joe Miller
- Creative Director of Design David Allen
- Designer Jakk Breedon
- Head of Planning Tom Sussman
- Head of Account Management Sam Houlston
- Head of Project Management Jamie Teale
- Head of McDonalds TV Production Graeme Light
- Flame Darran Nicholson
- Producer Alexia Paterson
- Audio Mixer Sam Ashwell
- Head of Art Production Joseph Hodges
- Photographer Tom van Schelven
- Colorist Steffan Perry
Credits
powered by- Agency Leo Burnett/London
- Production Company Moxie Pictures/London
- Director Edgar Wright
- Sound 750mph
- Casting ET Casting
- Media Agency OMD/London
- Production Company Moxie Pictures/London
- Editor Final Cut/London
- Post-Production Company Framestore/London
- Audio Post Production 750mph
- Photography and Motion Production Prodigious London
- Media Agency OMD/London
- Editor Final Cut/London
- Post-Production Company Framestore/London
- Audio Post Production 750mph
- Photography and Motion Production Prodigious London
- Managing Director Dawn Laren
- Producer Doochy Moult
- Art Director Andrew Long
- Creative Gareth Butters
- Executive Producer Dawn Laren
- DP Jake Polonsky
- Production Designer Marcus Rowland
- Editor David Webb
- Editor Suzy Davis
- Production Manager Carmen Griffiths
- Chief Creative Officer Chaka Sobhani
- Executive Creative Director Mark Elwood
- Creative Director James Millers
- Creative Director: Andrew Long
- Senior Creative / Copywriter Gareth Butters
- Art Director Joe Miller
- Creative Director of Design David Allen
- Designer Jakk Breedon
- Head of Planning Tom Sussman
- Head of Account Management Sam Houlston
- Head of Project Management Jamie Teale
- Head of McDonalds TV Production Graeme Light
- Flame Darran Nicholson
- Producer Alexia Paterson
- Audio Mixer Sam Ashwell
- Head of Art Production Joseph Hodges
- Photographer Tom van Schelven
- Colorist Steffan Perry
Nando's may have stolen the 'cheeky' crown, but everyone knows the sassy lunch choice of winners is a sly Maccy-Ds.
Taking this truism and making it into a 'thing' is Leo Burnett's barnstorming Raise The Arches spot for McDonald's, directed with truckloads of glee by Moxie Pictures' Edgar Wright and employing the talents of regular collaborators Marcus Rowland, Jake Polonsky, and Jenny White.
See what we said about the spot here.
5. Snappy Christmas
Credits
powered by- Agency Saatchi & Saatchi/London
- Production Company Riff Raff
- Director Megaforce
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Credits
powered by- Agency Saatchi & Saatchi/London
- Production Company Riff Raff
- Director Megaforce
- Post Production Electric Theatre Collective
- Colorist Luke Morrison
- Executive Post Producer Magda Krimitsou
- Editor Final Cut/London
- Editor Joe Guest
- Executive Edit Producer Michelle Corney
- Sound 750mph
- Head of Sound Production Olivia Ray
- Music Wake The Town
- Chief Creative Officer Franki Goodwin
- Executive Creative Director Paddy Fraser
- Creative Alex Kosterman
- Creative Avani Maan
- Executive Design Director Nathan Crawford
- Character Design Kris Miklos
- Chief Strategy Officer Richard Huntington
- Head of Strategy Sam Wise
- Chief Production Officer (HP) Jessica Ringshall
- Executive Production Director Sam Robinson
- Producer Alex Pemberton
- Producer Richard Weager
- Producer Tracey Cooper
- Executive Producer Matthew Fone
- Production Manager Savvas Stavrou
- DP Matias Boucard
- 1st Assistant Director Chris Kelly / ( Assistant Director)
- Production Designer Marco Puig
- VFX Supervisor Alex Gabucci
- CG Supervisor Dorianne Fibleuil
- Animation Supervisor Andras Ormos
- Assistant Editor Matt Gabzdyl
- Sound Engineer Sam Ashwell
- Sound Engineer Jake Ashwell
- Music Supervisor Dominic Bastyra
Credits
powered by- Agency Saatchi & Saatchi/London
- Production Company Riff Raff
- Director Megaforce
- Post Production Electric Theatre Collective
- Colorist Luke Morrison
- Executive Post Producer Magda Krimitsou
- Editor Final Cut/London
- Editor Joe Guest
- Executive Edit Producer Michelle Corney
- Sound 750mph
- Head of Sound Production Olivia Ray
- Music Wake The Town
- Chief Creative Officer Franki Goodwin
- Executive Creative Director Paddy Fraser
- Creative Alex Kosterman
- Creative Avani Maan
- Executive Design Director Nathan Crawford
- Character Design Kris Miklos
- Chief Strategy Officer Richard Huntington
- Head of Strategy Sam Wise
- Chief Production Officer (HP) Jessica Ringshall
- Executive Production Director Sam Robinson
- Producer Alex Pemberton
- Producer Richard Weager
- Producer Tracey Cooper
- Executive Producer Matthew Fone
- Production Manager Savvas Stavrou
- DP Matias Boucard
- 1st Assistant Director Chris Kelly / ( Assistant Director)
- Production Designer Marco Puig
- VFX Supervisor Alex Gabucci
- CG Supervisor Dorianne Fibleuil
- Animation Supervisor Andras Ormos
- Assistant Editor Matt Gabzdyl
- Sound Engineer Sam Ashwell
- Sound Engineer Jake Ashwell
- Music Supervisor Dominic Bastyra
John Lewis's much-anticipated Christmas campaign, created by Saatchi & Saatchi London, follows on from the launch of John Lewis’s Festive Traditions Tracker, a report which reveals the changing nature of Christmas traditions and the ways in which the nation celebrates the festive period.
The hero film, directed by Megaforce through Riff Raff, is called Snapper; The Perfect Tree, and is an extension of adam&eveDDB’s tried-and-tested formula - cute kids and great storytelling - but with a more anarchic edge and a music track which eschews the usual reworked, recognisable ballad, adopting a more esoteric and energetic audio approach.
See what we said about the spot here.
4. Sleighing alive
Credits
powered by- Agency GSD&M/Austin
- Production Company Hungry Man
- Director Bryan Buckley
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Credits
powered by- Agency GSD&M/Austin
- Production Company Hungry Man
- Director Bryan Buckley
- Editorial Cabin Editing Company
- VFX The Mill/Los Angeles
- Group Creative Director Ryan Carroll
- Group Creative Director Scott Brewer
- Creative Director/ Art Director Dale Austin
- Executive Producer Jon Ellis
- Executive Producer Caleb Dewart
- Executive Producer Kim Dellara
- Head of Production Marian Harkness
- Producer Matt Lefebvre
- DP Scott Henriksen
- Production Designer David Skinner
- Art Director Ivan Fraser
- Editor Andrew Ratzlaff
- Creative Director John Leonti
- VFX Senior Producer Heather Johann
- VFX Senior Producer Kayli Ennis
- Talent John Travolta
Credits
powered by- Agency GSD&M/Austin
- Production Company Hungry Man
- Director Bryan Buckley
- Editorial Cabin Editing Company
- VFX The Mill/Los Angeles
- Group Creative Director Ryan Carroll
- Group Creative Director Scott Brewer
- Creative Director/ Art Director Dale Austin
- Executive Producer Jon Ellis
- Executive Producer Caleb Dewart
- Executive Producer Kim Dellara
- Head of Production Marian Harkness
- Producer Matt Lefebvre
- DP Scott Henriksen
- Production Designer David Skinner
- Art Director Ivan Fraser
- Editor Andrew Ratzlaff
- Creative Director John Leonti
- VFX Senior Producer Heather Johann
- VFX Senior Producer Kayli Ennis
- Talent John Travolta
Fresh from aping his Grease starring role in a T-Mobile Super Bowl spot earlier this year, John Travolta is once again raiding his back catalogue, this time dusting off the strut of Tony Manero for his latest turn as Santa.
Titled Holiday Night Fever, GSD&M's delightfully silly spot for Capital One, directed by Hungry Man's Bryan Buckley, sees Travolta give Kris Kringle a decidedly rhythmic gait as he strolls through town in prep for the big day.
See what we said about the spot here.
3. Wilde style
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Anonymous Content/London
- Director Olivia Wilde | (Director)
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Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Anonymous Content/London
- Director Olivia Wilde | (Director)
- Editor Cabin Editing Company/London
- VFX Time Based Arts
- Sound King Lear Music & Sound
- Creative Director Charlie Lanus
- Creative Director Lucas Reis
- Executive Creative Director Susan Hoffman
- Creative Georgina Brisby
- Creative Marcelo Duarte
- Heads of Production Rich Adkins
- Producer Amy Leach
- Producer Iona Patterson
- Executive Producer Daisy Mellors
- Producer Saul Germaine
- DP Christopher Blauvelt
- Production Designer Karen Murphy
- Editor Producer Michelle Dorsch
- VFX Head of Production Tom Johnson
- VFX Producer Tom Manton
- VFX Supervisor Sheldon Gardner
- Colorist Simone Grattarola
- Sound Designer Jack Sedgwick
- Sound Producer Suzy MacGregor
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Anonymous Content/London
- Director Olivia Wilde | (Director)
- Editor Cabin Editing Company/London
- VFX Time Based Arts
- Sound King Lear Music & Sound
- Creative Director Charlie Lanus
- Creative Director Lucas Reis
- Executive Creative Director Susan Hoffman
- Creative Georgina Brisby
- Creative Marcelo Duarte
- Heads of Production Rich Adkins
- Producer Amy Leach
- Producer Iona Patterson
- Executive Producer Daisy Mellors
- Producer Saul Germaine
- DP Christopher Blauvelt
- Production Designer Karen Murphy
- Editor Producer Michelle Dorsch
- VFX Head of Production Tom Johnson
- VFX Producer Tom Manton
- VFX Supervisor Sheldon Gardner
- Colorist Simone Grattarola
- Sound Designer Jack Sedgwick
- Sound Producer Suzy MacGregor
Selleck. Chaplin. Elliott. Mercury. There are a few faces that suit the mighty moustache so well that it's impossible to think of them without it.
Well, thanks to Olivia Wilde we can add the ultra-cool protagonist of this new spot for Amazon's Prime services to the list, as she makes facial fluff her own.
See what we said about the spot here.
2. A slice of the future
Credits
powered byUsing GPT4, Midjourney, Runway Gen2, Eleven Labs, and SOUNDRAW, AI enthusiast PizzaLater managed to create a horrifying fake commercial for a pizza restaurant - Pepperoni Hug Spot - generated only from a few prompts.
See what we said about the spot here.
1. Pop art
Credits
powered by-
- Production Company Academy
- Director Henry Scholfield
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Credits
powered by- Production Company Academy
- Director Henry Scholfield
- Music Chief Creative Officer Brian Yessian
- Music Yessian/Detroit
- Editor Ellie Johnson
- Post Company Electric Theatre Collective
- Executive Producer Antonia Vlasto
- Creative Director + 2D Supervisor Ryan Knowles
- Creative Director + CG Supervisor Greg McKneally
- Colorist Luke Morrison
- Global Creative Director Gerard Smerek
- Composer Garth Neustadter
- Sound Designer Jeff Dittenber
- Music Supervisor Lars Makie
- Service Producer Albert Zurashvili
- DP Ben Todd
- Executive Producer Simon Cooper
- Producer Ash Lockmun
- Production Manager Antonia Vickers
- Production Designer Mark Connell
- Editor Tenthree
Credits
powered by- Production Company Academy
- Director Henry Scholfield
- Music Chief Creative Officer Brian Yessian
- Music Yessian/Detroit
- Editor Ellie Johnson
- Post Company Electric Theatre Collective
- Executive Producer Antonia Vlasto
- Creative Director + 2D Supervisor Ryan Knowles
- Creative Director + CG Supervisor Greg McKneally
- Colorist Luke Morrison
- Global Creative Director Gerard Smerek
- Composer Garth Neustadter
- Sound Designer Jeff Dittenber
- Music Supervisor Lars Makie
- Service Producer Albert Zurashvili
- DP Ben Todd
- Executive Producer Simon Cooper
- Producer Ash Lockmun
- Production Manager Antonia Vickers
- Production Designer Mark Connell
- Editor Tenthree
Andy Warhol was a pretty savvy guy when it came to his knowledge of the iconography of branding, but we don't think even he thought that his Coca-Cola-themed paintings would act as a catalyst for one of the most visually inspired spots of the year so far.
Mixing the free-flowing talents of Academy's Henry Scholfield with the VFX brilliance of Electric Theatre Collective, Masterpiece sees a bottle of pop getting tossed between pieces in a gallery, taking on the styles and techniques of each on its journey.