2021's most viewed...
A mixture of restrictions and new lifestyles has not stopped creativity from thriving in the past 12 months. Check out the ten films you lot loved to watch in '21.
2021 wasn't the easiest year for commercial production, but with close to 2000 films making their way to the coveted Work section of shots, we can't help but feel that the industry made the absolute best out of it.
With everything that's gone on, we can't expect you all to have seen everything so, using the magic of data, we've analysed all of the views through our Work and Craft posts, plus our monthly Showcases, to bring you a list of the clips you couldn't stop clicking on this year.
Here are the Top Ten Most Viewed films on the shots site in 2021:
10. Swyft's supersized sofas
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powered by- Agency 20something/London
- Production Company Kode Media
- Director Jara Moravec
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Credits
powered by- Agency 20something/London
- Production Company Kode Media
- Director Jara Moravec
Credits
powered by- Agency 20something/London
- Production Company Kode Media
- Director Jara Moravec
Beautiful Living was created by 20something London and directed by Jara Moravec through Kode London, and tries to fill a "tonal and stylistic hole" that positions Swyft as "the icon of the living room". The 30-second spot is a stylish, fast-paced film featuring glitter, bouncy balls, dogs, parties and kids... all part of one woman's frenetic lifestyle. There's also some specially made over-sized furniture thrown into the mix, too.
See what we said about the spot here.
9. Big Game baby
Credits
powered by- Agency Droga5/New York
- Production Company SMUGGLER
- Director Mark Molloy
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Credits
powered by- Agency Droga5/New York
- Production Company SMUGGLER
- Director Mark Molloy
- Executive Producer Patrick Milling-Smith
- Executive Producer Brian Carmody
- Executive Producer Sue Yeon Ahn
- VFX a52
- Production Service Company Orange Films/South Africa
- Production Service Producer Jon Day
- Editing Work Editorial/USA
- Editor Stewart Reeves
- Editor Trish Fuller
- Assistant Editor Audrey Weiner
- Executive Producer Erica Thompson
- Post Production a52
- Executive Producer Patrick Nugent
- Executive Producer Kim Christensen
- Head of Production Stacy Kessler Aungst
- Head of CG Production Michael Steinmann
- Managing Director Jennifer Sofio Hall
- VFX Supervisor Urs Furrer
- CG Supervisor Andy Wilkoff
- Music Composition Mr Pape
- Sound Design 750mph
- Head of Production Martin Critchley
- Head Sound Engineer/Sound Supervisor Sam Ashwell
- Executive Audio Producer Jessica Ringshall
- Audio Mixer Philip Loeb
- Audio Mixer Jeremy Siegel
- Colorist Sofie Borup
- Color Producer Alexandra Lubrano
- DP Mauro Chiarello
- Production Designer Elmi Badenhorst / (Production Designer)
- Assistant Editor Leah Turner
- Post Producer Samara Kelly
- Animator Steven Biggert
- Art Director Jasper Yu
- Associate Creative Director Melisa Chamorro
- Associate Creative Director Stacey Smith
- Chief Creative Officer Neil Heymann
- Chief Creative Officer Felix Richter
- Copywriter Danielle Gasbarro
- Copywriter Sara Muchnick
- Creative Chairman David Droga
- Creative Director Elena Knox
- Creative Director Alyssa Georg
- Executive Creative Director Juliana Cobb
- Executive Design Director Rich Greco
- Global Chief Creative Officer Neil Heymann
- HP Sally-Ann Dale
- Producer Sophie Paton
- Producer Tegan Mahford
- Producer Andres Riveros
- Senior Music Supervisor Mike Ladman
Credits
powered by- Agency Droga5/New York
- Production Company SMUGGLER
- Director Mark Molloy
- Executive Producer Patrick Milling-Smith
- Executive Producer Brian Carmody
- Executive Producer Sue Yeon Ahn
- VFX a52
- Production Service Company Orange Films/South Africa
- Production Service Producer Jon Day
- Editing Work Editorial/USA
- Editor Stewart Reeves
- Editor Trish Fuller
- Assistant Editor Audrey Weiner
- Executive Producer Erica Thompson
- Post Production a52
- Executive Producer Patrick Nugent
- Executive Producer Kim Christensen
- Head of Production Stacy Kessler Aungst
- Head of CG Production Michael Steinmann
- Managing Director Jennifer Sofio Hall
- VFX Supervisor Urs Furrer
- CG Supervisor Andy Wilkoff
- Music Composition Mr Pape
- Sound Design 750mph
- Head of Production Martin Critchley
- Head Sound Engineer/Sound Supervisor Sam Ashwell
- Executive Audio Producer Jessica Ringshall
- Audio Mixer Philip Loeb
- Audio Mixer Jeremy Siegel
- Colorist Sofie Borup
- Color Producer Alexandra Lubrano
- DP Mauro Chiarello
- Production Designer Elmi Badenhorst / (Production Designer)
- Assistant Editor Leah Turner
- Post Producer Samara Kelly
- Animator Steven Biggert
- Art Director Jasper Yu
- Associate Creative Director Melisa Chamorro
- Associate Creative Director Stacey Smith
- Chief Creative Officer Neil Heymann
- Chief Creative Officer Felix Richter
- Copywriter Danielle Gasbarro
- Copywriter Sara Muchnick
- Creative Chairman David Droga
- Creative Director Elena Knox
- Creative Director Alyssa Georg
- Executive Creative Director Juliana Cobb
- Executive Design Director Rich Greco
- Global Chief Creative Officer Neil Heymann
- HP Sally-Ann Dale
- Producer Sophie Paton
- Producer Tegan Mahford
- Producer Andres Riveros
- Senior Music Supervisor Mike Ladman
Throwing its arms open to tots worldwide is Huggies show-stopping brand anthem spot Welcome to the World, Baby, a non-stop, whipsmart introduction to the charmed life of tiny-ones in which the joys of youth are exuberantly listed.
Assuredly directed, as always, by SMUGGLER's Mark Molloy and with a sublime edit from Work Editorial's Stewart Reeves and Trish Fuller, the real stars of the show are the little pickles themselves, displaying a remarkable range of expressive emotions for ones so young.
See what we said about the spot here.
8. Life's a beach
Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Sam Walker
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Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Sam Walker
- Editor Paul Watts
- Post Production/Grade Black Kite Studios
- Sound Designer Jack Sedgwick
- Audio Producer Matt Wyatt
- Producer Luke Goodrum
- DP Alex Barber
- Colorist Richard Fearon
- VFX Mark Moffatt
- Talent Iggy Pop
Credits
powered by- Agency Uncommon/London
- Production Company Pulse Films/London
- Director Sam Walker
- Editor Paul Watts
- Post Production/Grade Black Kite Studios
- Sound Designer Jack Sedgwick
- Audio Producer Matt Wyatt
- Producer Luke Goodrum
- DP Alex Barber
- Colorist Richard Fearon
- VFX Mark Moffatt
- Talent Iggy Pop
Uncommon London's two-minute spot, called Someday, features a collection of joyous holidaymakers running in slow-motion along a golden, sandy beach, overlaid with the distinctive gravely tones of former Stooges frontman, Iggy Pop.
The film was shot through Pulse Films by Sam Walker, who is also the ECD at Uncommon, with the uplifting, dreamlike music which accompanies the film created by Wave Studios.
See what we said about the spot here.
7. Flying low
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powered by- Agency Client Direct
- Production Company Riff Raff
- Director Megaforce
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powered by- Agency Client Direct
- Production Company Riff Raff
- Director Megaforce
- Edit Company Final Cut/London
- SFX MachineShop
- Editor Joe Guest
- VFX The Mill/New York
- Creative Director Alex Lovejoy
- Senior VFX Producer Ryan Hancocks
- Sound Design Sam Ashwell
- Brand
- Producer Will Preston George
- Production Designer Marco Puig
- DP Justin Brown
- Colorist Emiliano Serantoni
- Choreographer (LA)HORDE
- Stylist Ana Steiner
- Hair Stylist Hiroshi Matsushita
- Makeup Artist Gemma Smith-Edhouse
- Sound Designer Jake Ashwell
- Producer Cathy Hood
- Chief Creative Officer Riccardo Tisci
Credits
powered by- Agency Client Direct
- Production Company Riff Raff
- Director Megaforce
- Edit Company Final Cut/London
- SFX MachineShop
- Editor Joe Guest
- VFX The Mill/New York
- Creative Director Alex Lovejoy
- Senior VFX Producer Ryan Hancocks
- Sound Design Sam Ashwell
- Brand
- Producer Will Preston George
- Production Designer Marco Puig
- DP Justin Brown
- Colorist Emiliano Serantoni
- Choreographer (LA)HORDE
- Stylist Ana Steiner
- Hair Stylist Hiroshi Matsushita
- Makeup Artist Gemma Smith-Edhouse
- Sound Designer Jake Ashwell
- Producer Cathy Hood
- Chief Creative Officer Riccardo Tisci
The end of last year saw Riff Raff directing collective Megaforce join forces with iconic fashion label Burberry for a brilliantly crafted, beautifully performed and award-gobbling film that saw Burberry-clad dancers navigate falling blocks of ice on the streets of east London.
This year, Burberry and Megaforce were back with a new campaign that once again puts amazing movement and physics-defying dancers at its heart. Called Open Spaces, the two-minute film is a journey through the freedom of imagination. "When we dare to dream," says the press release, "the possibilities are infinite – we discover new realities, we break boundaries and we find the freedom to go beyond limitations."
See what we said about the spot here.
6. Telekom toddling
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powered by- Agency MUW Saatchi & Saatchi/Bratislava
- Production Company Protos Productions
- Director Robert Hloz
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Credits
powered by- Agency MUW Saatchi & Saatchi/Bratislava
- Production Company Protos Productions
- Director Robert Hloz
Credits
powered by- Agency MUW Saatchi & Saatchi/Bratislava
- Production Company Protos Productions
- Director Robert Hloz
Capturing your kid's First Steps on film is the holy grail of parenting 'precious moments'. However, the little tykes do like to keep you on your toes as to when they'll be on theirs; a feeling perfectly captured in Saatchi & Saatchi Slovakia's super-fun new commercial for Telekom.
Featuring a toddling lad as he makes those early movements, the spot sees his madcap parents ruin a room in a desperate hunt for a phone to catch it on. With some lovely design choices, delightful performances and a brilliantly timed punchline, this cracker of a spot from Protos Productions director Robert Hloz puts its best foot forward.
See what we said about the spot here.
5. Superhuman situations
Credits
powered by- Agency 4Creative/London
- Production Company Serial Pictures
- Director Bradford Young | (Director/DP)
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powered by- Agency 4Creative/London
- Production Company Serial Pictures
- Director Bradford Young | (Director/DP)
- Executive Producer Violaine Etienne
- Production Company Somesuch
- Executive Producer/Managing Director Seth Wilson
- Producer Elena Camisa
- Edit Company Final Cut/London
- Producer Nikki Porter
- Editor Amanda James
- Assistant Editor Leah Burton
- Assistant Editor James Stubbs
- Post Production/VFX Time Based Arts
- Executive Producer Tom Johnson
- Producer Sian Jenkins
- Colorist Simone Grattarola
- VFX Supervisor Sam Osborne
- VFX Supervisor Federico Vanone
- Music/Music Supervision Leland Music
- Sound Post Production Factory Studios/London
- Producer Lucy Spong
- Sound Design/Audio Post James Utting
- Sound Design/Audio Post Anthony Moore
- DP Rina Yang
- Production Designer Nathan Von Parker
- Casting Director Kharmel Cochrane
- VFX Supervisor Bernardo Varela
- Music Supervisor Abi Leland
- Music Supervisor Toby Williams
- Music Arranger/Producer Guy Farley
- Campaign Producer/Athlete Casting Louise Oliver
- Creative Scott Taylor
- Creative Andy Shrubsole
- Deputy Executive Creative Director/Creative Eoin McLaughlin
- Designer Sarah Jones
- Executive Creative Director/Creative Lynsey Atkin
- Executive Producer/Athlete Casting Shananne Lane
- HP James Turnham
- HP Miketta Lane
Credits
powered by- Agency 4Creative/London
- Production Company Serial Pictures
- Director Bradford Young | (Director/DP)
- Executive Producer Violaine Etienne
- Production Company Somesuch
- Executive Producer/Managing Director Seth Wilson
- Producer Elena Camisa
- Edit Company Final Cut/London
- Producer Nikki Porter
- Editor Amanda James
- Assistant Editor Leah Burton
- Assistant Editor James Stubbs
- Post Production/VFX Time Based Arts
- Executive Producer Tom Johnson
- Producer Sian Jenkins
- Colorist Simone Grattarola
- VFX Supervisor Sam Osborne
- VFX Supervisor Federico Vanone
- Music/Music Supervision Leland Music
- Sound Post Production Factory Studios/London
- Producer Lucy Spong
- Sound Design/Audio Post James Utting
- Sound Design/Audio Post Anthony Moore
- DP Rina Yang
- Production Designer Nathan Von Parker
- Casting Director Kharmel Cochrane
- VFX Supervisor Bernardo Varela
- Music Supervisor Abi Leland
- Music Supervisor Toby Williams
- Music Arranger/Producer Guy Farley
- Campaign Producer/Athlete Casting Louise Oliver
- Creative Scott Taylor
- Creative Andy Shrubsole
- Deputy Executive Creative Director/Creative Eoin McLaughlin
- Designer Sarah Jones
- Executive Creative Director/Creative Lynsey Atkin
- Executive Producer/Athlete Casting Shananne Lane
- HP James Turnham
- HP Miketta Lane
With 2012's Meet The Superhumans and 2016's We're The Superhumans, 4Creative not only created a cracking pair of ads, but changed the narrative of how Paralympians were viewed by sports fans; branding the Olympics a mere warm-up to the main event.
Maintaining the high quality, only this time focussing more on the 'human', was this year's Super. Human.; a powerful montage of athletes that combines wit, willpower and wince-inducing imagery. Kicking off with a neon-fulled fever-dream from parasport athlete Kadeena Cox, the film goes on to showcase the self-afflicted regimes of Ali Jawad, David Smith, Ellie Simmonds, Jody Cundy, newly crowned Wimbledon Ladies Wheelchair Doubles Champion Jordanne Whiley, Kadeena Cox and Kylie Grimes, shot with brutal intensity by Oscar-nominated cinematographer Bradford Young through Serial Pictures x Somesuch.
See what we said about the spot here.
4. T-U-R-T-L-E power
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powered by- Agency adam&eveDDB/London
- Production Company MJZ/London
- Director Tom Kuntz
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powered by- Agency adam&eveDDB/London
- Production Company MJZ/London
- Director Tom Kuntz
- Post-Production Untold Studios
- Grade Company 3/London
- Producer Sophie Brooks
- DP Justin Brown
- Creative Director Andy McAnaney
- Creative Director Christian Sewell
- Creative Simone Warme
- Creative Jeppe Vidstrup
- Managing Director Paul Billingsley
- Producer Annabel Bennett
- Production Assistant George Reid
- Creative Director Ben Cronin
- VFX Supervisor Tom Raynor
- Colorist Stefan Sonnenfeld
Credits
powered by- Agency adam&eveDDB/London
- Production Company MJZ/London
- Director Tom Kuntz
- Post-Production Untold Studios
- Grade Company 3/London
- Producer Sophie Brooks
- DP Justin Brown
- Creative Director Andy McAnaney
- Creative Director Christian Sewell
- Creative Simone Warme
- Creative Jeppe Vidstrup
- Managing Director Paul Billingsley
- Producer Annabel Bennett
- Production Assistant George Reid
- Creative Director Ben Cronin
- VFX Supervisor Tom Raynor
- Colorist Stefan Sonnenfeld
We've seen a chilled out, skateboarding dog, now it's the turn of a fun-loving rollerblading turtle.
This new campaign for Avanti West Coast trains, from adam&eveDDB London, is the tale of a turtle and its joyous journey as it rollerblades through the streets of London, avoiding the tedium of traffic jams and roadworks and effortlessly escaping to the countryside.
Directed by Tom Kuntz through MJZ London and with VFX from Untold Studios, the spot highlights the ease of rail travel and aims to remind people that travel is about so much more than the destination.
See what we said about the spot here.
3. One hell of a journey
Credits
powered by- Agency Don't Panic/London
- Production Company Anonymous Content/London
- Director Pantera
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Credits
powered by- Agency Don't Panic/London
- Production Company Anonymous Content/London
- Director Pantera
- Editor Trim
- Colorist Lewis Crossfield
- Composer/Sound Designer Joe Wilkinson / (Composer/Sound Designer)
- Founder Joe Wade
- Creative Partner Rick Dodds
- Senior Project Manager & Producer Jennifer Clare Houlihan
- Producer Shion Hayasaka
- DP Francisco Hauser
- Production Designer Muriel Rani
- Editor Producer Noreen Khan
- VFX Artist Adam Paterson
- VFX Producer Jo Gutteridge
Credits
powered by- Agency Don't Panic/London
- Production Company Anonymous Content/London
- Director Pantera
- Editor Trim
- Colorist Lewis Crossfield
- Composer/Sound Designer Joe Wilkinson / (Composer/Sound Designer)
- Founder Joe Wade
- Creative Partner Rick Dodds
- Senior Project Manager & Producer Jennifer Clare Houlihan
- Producer Shion Hayasaka
- DP Francisco Hauser
- Production Designer Muriel Rani
- Editor Producer Noreen Khan
- VFX Artist Adam Paterson
- VFX Producer Jo Gutteridge
Asking people to look at refugees from a new perspective is an ongoing challenge for movements associated with the issue, but, for UNHCR's new film showcasing the bravery of Refugee Olympic and Paralympic Team athletes, the angle of intent isn't the only thing that's been altered.
Framed entirely from a knee-down, foot-facing POV, The Journey tells the dramatised story of a female refugee who flees her home to escape conflict and persecution, running all the way to athletic excellence. Working with directing collective Pantera at Anonymous Content, agency Don’t Panic ensured that authenticity and credibility were paramount to the film - attempting as accurate a portrayal of a refugee’s journey as possible by grounding it in real-life stories.
See what we said about the spot here.
2. Surreal sweat
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powered by- Agency Dentsu/Tokyo
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- Director Show Yanagisawa
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Credits
powered by- Agency Dentsu/Tokyo
- Director Show Yanagisawa
- Music Supervisor Kazuyoshi Tonami
- CG Producer Masashi Yamato
- CG Director Tadashi Yamauchi
- Executive Creative Director Yuya Furukawa
- Creative Director/Copywriter Takuya Isojima
- Digital Creative Director Ryohei Manabe
- Art Director Miharu Matsunaga
- Editor Takashi Tanaka
- Editor Online Kenichi Sasaki
- Creative Director Atsushi Masachika
- Copywriter Haruko Tsutsui
- Copywriter Fujikuma Danko
- Producer Masakazu Toyooka
- Producer Hitoshi Okuwa
- Producer Hirokazu Tomita
- Photographer Yoshinori Okamura
- Artist Takayuki Mitsuizumi
- Producer Shuhei Komaki
- Audio Mixer Masayuki Sato
- Colorist Motoi Tanaka
Credits
powered by- Agency Dentsu/Tokyo
- Director Show Yanagisawa
- Music Supervisor Kazuyoshi Tonami
- CG Producer Masashi Yamato
- CG Director Tadashi Yamauchi
- Executive Creative Director Yuya Furukawa
- Creative Director/Copywriter Takuya Isojima
- Digital Creative Director Ryohei Manabe
- Art Director Miharu Matsunaga
- Editor Takashi Tanaka
- Editor Online Kenichi Sasaki
- Creative Director Atsushi Masachika
- Copywriter Haruko Tsutsui
- Copywriter Fujikuma Danko
- Producer Masakazu Toyooka
- Producer Hitoshi Okuwa
- Producer Hirokazu Tomita
- Photographer Yoshinori Okamura
- Artist Takayuki Mitsuizumi
- Producer Shuhei Komaki
- Audio Mixer Masayuki Sato
- Colorist Motoi Tanaka
With the tagline, “turn a headwind into a tailwind,” But I Saw You is a wonderfully emotional ad for a Japanese sports drink.
Starring the up-and-coming actress, Nakajima Sena, the ad starts with the young girl walking down a school hallway. Everything seems normal...until she turns around. She pushes through the crowd, and around her, the hallway transforms. The floors become wavy, the walls twist and turn, and papers fly out of empty classrooms. She bursts through a wisteria-strewn lane onto a stage where she and a fellow classmate lock eyes and hands, swinging above the ground.
See what we said about the spot here.
1. Meena Ayittey's musings on micro-aggressions
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powered by-
- Production Company Great Guns/UK
- Director Meena Ayittey
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powered by- Production Company Great Guns/UK
- Director Meena Ayittey
- Production Co. Badlands
- Executive Producer Laura Gregory
- Executive Producer Kate Phillips
- Writer Meena Ayittey
- DP Lorena Pages
- Executive Producer Davina Rajoopillai
- Executive Producer Dino Myers-Lamptey
- Executive Producer Sabrina Clarke-Okwubanego
- Creative Christopher Medford Bethany Jones
- Editor Nick Saunders
Credits
powered by- Production Company Great Guns/UK
- Director Meena Ayittey
- Production Co. Badlands
- Executive Producer Laura Gregory
- Executive Producer Kate Phillips
- Writer Meena Ayittey
- DP Lorena Pages
- Executive Producer Davina Rajoopillai
- Executive Producer Dino Myers-Lamptey
- Executive Producer Sabrina Clarke-Okwubanego
- Creative Christopher Medford Bethany Jones
- Editor Nick Saunders
Independent film and cultural content studio BADLANDS has released this anti-racism short, All The Little Things.
Based on the real experiences of people of colour (PoC) working in the advertising and creative industry, the film is the first piece of work created as part of the studio’s RAW initiative (Racism at Work), which is volunteer-led and aims to promote openness about race and mental wellness through storytelling.
The near-four-minute film is based on an original idea from Mother creative team Christopher Medford and Bethany Jones, was written and directed by Meena Ayittey, and co-produced by BADLANDS and Great Guns and the film’s story is inspired by responses to an anonymous survey conducted by RAW which asked participants about their experiences of racism in the industry. Of the respondents, 82% had experienced some form of racism during their career, while 50% said that these experiences had been perpetrated by mid- to senior-level people.