What's wrong with the Superhumans?
4Creative's latest Paralympics anthem focuses on the 'human' over 'super' in a fervid and fearless montage.
Credits
powered by- Agency 4Creative/London
- Production Company Serial Pictures
- Director Bradford Young | (Director/DP)
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Credits
powered by- Agency 4Creative/London
- Production Company Serial Pictures
- Director Bradford Young | (Director/DP)
- Executive Producer Violaine Etienne
- Production Company Somesuch
- Executive Producer/Managing Director Seth Wilson
- Producer Elena Camisa
- Edit Company Final Cut/London
- Producer Nikki Porter
- Editor Amanda James
- Assistant Editor Leah Burton
- Assistant Editor James Stubbs
- Post Production/VFX Time Based Arts
- Executive Producer Tom Johnson
- Producer Sian Jenkins
- Colorist Simone Grattarola
- VFX Supervisor Sam Osborne
- VFX Supervisor Federico Vanone
- Music/Music Supervision Leland Music
- Sound Post Production Factory Studios/London
- Producer Lucy Spong
- Sound Design/Audio Post James Utting
- Sound Design/Audio Post Anthony Moore
- DP Rina Yang
- Production Designer Nathan Von Parker
- Casting Director Kharmel Cochrane
- VFX Supervisor Bernardo Varela
- Music Supervisor Abi Leland
- Music Supervisor Toby Williams
- Music Arranger/Producer Guy Farley
- Campaign Producer/Athlete Casting Louise Oliver
- Creative Scott Taylor
- Creative Andy Shrubsole
- Deputy Executive Creative Director/Creative Eoin McLaughlin
- Designer Sarah Jones
- Executive Creative Director/Creative Lynsey Atkin
- Executive Producer/Athlete Casting Shananne Lane
- HP James Turnham
- HP Miketta Lane
Credits
powered by- Agency 4Creative/London
- Production Company Serial Pictures
- Director Bradford Young | (Director/DP)
- Executive Producer Violaine Etienne
- Production Company Somesuch
- Executive Producer/Managing Director Seth Wilson
- Producer Elena Camisa
- Edit Company Final Cut/London
- Producer Nikki Porter
- Editor Amanda James
- Assistant Editor Leah Burton
- Assistant Editor James Stubbs
- Post Production/VFX Time Based Arts
- Executive Producer Tom Johnson
- Producer Sian Jenkins
- Colorist Simone Grattarola
- VFX Supervisor Sam Osborne
- VFX Supervisor Federico Vanone
- Music/Music Supervision Leland Music
- Sound Post Production Factory Studios/London
- Producer Lucy Spong
- Sound Design/Audio Post James Utting
- Sound Design/Audio Post Anthony Moore
- DP Rina Yang
- Production Designer Nathan Von Parker
- Casting Director Kharmel Cochrane
- VFX Supervisor Bernardo Varela
- Music Supervisor Abi Leland
- Music Supervisor Toby Williams
- Music Arranger/Producer Guy Farley
- Campaign Producer/Athlete Casting Louise Oliver
- Creative Scott Taylor
- Creative Andy Shrubsole
- Deputy Executive Creative Director/Creative Eoin McLaughlin
- Designer Sarah Jones
- Executive Creative Director/Creative Lynsey Atkin
- Executive Producer/Athlete Casting Shananne Lane
- HP James Turnham
- HP Miketta Lane
With 2012's Meet The Superhumans and 2016's We're The Superhumans, 4Creative not only created a cracking pair of ads, but changed the narrative of how Paralympians were viewed by sports fans; branding the Olympics a mere warm-up to the main event.
Maintaining the high quality, only this time focussing more on the 'human', is this year's Super. Human.; a powerful; montage of athletes that combines wit, willpower and wince-inducing imagery.
Kicking off with a neon-fulled fever-dream from parasport athlete Kadeena Cox, the film goes on to showcase the self-afflicted regimes of Ali Jawad, David Smith, Ellie Simmonds, Jody Cundy, newly crowned Wimbledon Ladies Wheelchair Doubles Champion Jordanne Whiley, Kadeena Cox and Kylie Grimes, shot with brutal intensity by Oscar-nominated cinematographer Bradford Young through Serial Pictures x Somesuch.
Above: 4Creative's previous Paralympics films.
Backing a stupendous edit from Final Cut's Amanda James - all missed birthdays and burst blisters - is the inspired use of Bugsy Malone banger So You Want To Be A Boxer, this time re-arranged with a vocal performance by British artist Jay Prince.
The mayhem culminates in the cheeky, ingenious endline "To be a Paralympian there’s got to be something wrong with you", taking, in the words of 4Creative’s executive creative director Lynsey Atkin, "a piece of ill-used language, reimagining its intent and putting that power firmly in the hands of our elite athletes.”