2019's most viewed...
From big-budget mega-ads to shoestring spec spots, check out the ten most-viewed films on the shots site in 2019.
A lot of vids get watched on the shots website. And we mean A LOT!
We can't expect you all to have seen everything so, using the magic of data, we've analysed all of the views through our Work and Craft posts, plus our monthly Showcases, to bring you a list of the clips you couldn't stop clicking on this year.
10. The most bizarre courtside dance-off you’ll ever see
Credits
powered by- Agency Venables Bell & Partners/San Francisco
- Production Company PRETTYBIRD
- Director Tom Noakes
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Credits
powered by- Agency Venables Bell & Partners/San Francisco
- Production Company PRETTYBIRD
- Director Tom Noakes
- Founder Paul Venables
- Executive Creative Director Will McGinness
- Creative Director Byron Del Rosario
- Senior Art Director Allie Nordstrom
- Senior Copywriter Elliot Nordstrom
- Director of Integrated Production (HP) Hilary Coate
- Producer Saatchi & Saatchi/LA
- Executive Producer Kerstin Emhoff
- Head of Production Rika Osenberg
- DP Larkin Seiple
- Production Designer Jason Hougaard
- Editor Shane Reid
- Executive Producer Carol Lynn Weaver
- Senior Producer Michael Miller / (Producer)
- Executive Creative Director Aron Hjartarson
- Creative Director Chris Waitt
- Creative Director Ben West
- Lead Artist Raul Ortego
- Colorist Alex Bickel
- Producer Claudia Guevara
- Executive Producer/Creative Director Kelly Bayett
- Producer KC Dossett
- Audio Mixer AJ Murillo
- Sound Designer Morgan Johnson
- Executive Producer Kelly Bayett
- Producer KC Dossett
- Producer Julie Sawyer
Credits
powered by- Agency Venables Bell & Partners/San Francisco
- Production Company PRETTYBIRD
- Director Tom Noakes
- Founder Paul Venables
- Executive Creative Director Will McGinness
- Creative Director Byron Del Rosario
- Senior Art Director Allie Nordstrom
- Senior Copywriter Elliot Nordstrom
- Director of Integrated Production (HP) Hilary Coate
- Producer Saatchi & Saatchi/LA
- Executive Producer Kerstin Emhoff
- Head of Production Rika Osenberg
- DP Larkin Seiple
- Production Designer Jason Hougaard
- Editor Shane Reid
- Executive Producer Carol Lynn Weaver
- Senior Producer Michael Miller / (Producer)
- Executive Creative Director Aron Hjartarson
- Creative Director Chris Waitt
- Creative Director Ben West
- Lead Artist Raul Ortego
- Colorist Alex Bickel
- Producer Claudia Guevara
- Executive Producer/Creative Director Kelly Bayett
- Producer KC Dossett
- Audio Mixer AJ Murillo
- Sound Designer Morgan Johnson
- Executive Producer Kelly Bayett
- Producer KC Dossett
- Producer Julie Sawyer
With Storm the Court, the first spot in the Reebok’s Sport the Unexpected campaign, Venables Bell & Partners fully embrace the ‘bold and provocative’ ethos of Reebok, creating a gloriously irreverent slice of basketball rivalry.
Featuring a bizarre, unexpected guest, resplendent in a pair of Reebok Aztrek Double in front of an outdoor hoop, the commercial shifts from sporty action to hilarious grooving in 90 glorious seconds.
See what we said about the spot here.
9. Leica and Cokeliss take a shot in the dark
Credits
powered by-
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- Director Barney Cokeliss
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Credits
powered by- Director Barney Cokeliss
- DP Barney Cokeliss
- DP Philippe Kress
- Composer Anne Kulonen
- Editor Ben Corfield
- Sound Design & Mix Ben Leeves
- Colorist Simone Grattarola
- Colorist Myles Bevan
- VFX Duncan Malcolm
Credits
powered by- Director Barney Cokeliss
- DP Barney Cokeliss
- DP Philippe Kress
- Composer Anne Kulonen
- Editor Ben Corfield
- Sound Design & Mix Ben Leeves
- Colorist Simone Grattarola
- Colorist Myles Bevan
- VFX Duncan Malcolm
A homage to Leica shot on the Leica SL and concepted and directed by filmmaker and photographer, Barney Cokeliss, is an evocative nocturnal journey set to Lord Byron’s She Walks in Beauty, and scored by Finnish composer, Anné Kulonen.
Cokeliss shot the film on a Leica SL camera using M lenses, showcasing the unique video capabilities of the camera and lenses, particularly the discreet low-light capabilities of Leica’s legendary M lenses.
The film follows a range of female photographers as they move through the night capturing the unexpected world that comes alive after dark. Shot in locations across the globe, the images in the film range from mountain landscapes to city life, from glimpses of crime to moments of romance.
See what we said about the spot, and an interview with the director, here.
8. How BETC and Traktor rebuilt LEGO's world
Credits
powered by- Agency BETC/Paris
- Production Company Stink/France
- Director Traktor
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Credits
powered by- Agency BETC/Paris
- Production Company Stink/France
- Director Traktor
- Executive Creative Director Remi Babinet
- Post Production Mikros Image
- Post Production MPC/Paris
- Editor Final Cut/London
- Sound GUM
- Sound POP Records
- DP Hoyte van Hoytema
- Editor Rick Russell
- Composer Flavien Berger
- Creative Director Agnes Cavard
- Creative Director Valerie Chidlovsky
- Creative Producer Frederic Genest
- Music Creative Director Christophe Caurret
Credits
powered by- Agency BETC/Paris
- Production Company Stink/France
- Director Traktor
- Executive Creative Director Remi Babinet
- Post Production Mikros Image
- Post Production MPC/Paris
- Editor Final Cut/London
- Sound GUM
- Sound POP Records
- DP Hoyte van Hoytema
- Editor Rick Russell
- Composer Flavien Berger
- Creative Director Agnes Cavard
- Creative Director Valerie Chidlovsky
- Creative Producer Frederic Genest
- Music Creative Director Christophe Caurret
Following a chase between a clever rabbit and an unlucky hunter, the adventure unfolds in the kind of world that only LEGO play could create - with every character, animal and vehicle based on an existing or past LEGO toy.
Eagle-eyed fans will also spot some easter eggs that span the generations; from first LEGO wooden duck toys, to a dragon wearing Jeremy Scott adidas trainers and a life-size replica of the LEGO House in Billund.
See what we said about the spot, and an interview with brand, agency and director, here.
7. Argos Christmas spot hits the right notes
Credits
powered by- Agency The&Partnership/London
- Production Company Stink/UK
- Director Traktor
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Credits
powered by- Agency The&Partnership/London
- Production Company Stink/UK
- Director Traktor
- Music Supervisor Leland Music
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Director Danny Hunt
- Producer Alfie Glover-Short
- Producer Richard Ulfvengren
- DP Joost Van Gelder
- Editor Ryan Beck
- Colorist Jean-Clement Soret
- Shoot Supervisor Kamen Markov
- Producer Phil Whalley
- Sound Designer Munzie Thind
Credits
powered by- Agency The&Partnership/London
- Production Company Stink/UK
- Director Traktor
- Music Supervisor Leland Music
- Executive Creative Director Yan Elliott
- Executive Creative Director Micky Tudor
- Creative Director Danny Hunt
- Producer Alfie Glover-Short
- Producer Richard Ulfvengren
- DP Joost Van Gelder
- Editor Ryan Beck
- Colorist Jean-Clement Soret
- Shoot Supervisor Kamen Markov
- Producer Phil Whalley
- Sound Designer Munzie Thind
The near-three-minute film features a dad whose childhood dreams are awoken when he sees a drum kit his daughter has circled in the Argos catalogue.
From there, it's Simple Minds’ 80s classic, Don’t You Forget About Me, a kitchen that turns into a stage, a drumming daughter and a crowd-surfing teddy bear. All the ingredients for a classic Christmas campaign.
See what we said about the spot, and an interview with the creatives, here.
6. Asics spec spot is a runaway success
Credits
powered by-
- Production Company MXR
- Director Eric Van Wyke
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Credits
powered by- Production Company MXR
- Director Eric Van Wyke
- Colorist Philipp Orgassa
- Editor Eric Van Wyke
Credits
powered by- Production Company MXR
- Director Eric Van Wyke
- Colorist Philipp Orgassa
- Editor Eric Van Wyke
On a shoestring budget, Eric Van Wyke directs and edits this accomplished 90-second spot, which cuts between a humdrum desk job and the glorious freedom of running.
See what we said about the spot, and an interview with the director/editor, here.
5. Converse film is an anthem to London's creative community
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Paco Raterta
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Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Paco Raterta
- Post Production The Mill/London
- Sound Design 750 mph
- Music Mr Pape
- Creative Darren Simpson
- Creative Freddy Taylor
- Creative Philippa Beaumont
- Creative Andrew Bevan
- Producer Michelle Brough
- Executive Producer James Sorton
- Executive Producer Rik Green
- Producer George Saunders
- Production Assistant Ben Preston
- Production Manager Christabelle Stone
- DP Joel Honeywell
- Production Designer Marie Lanna
- Editor Dan Sherwin
- Editor Kit Wells
- VFX Supervisor Fergal Hendrick
- Shoot Supervisor/Creative Director Dan Williams / UK (Creative Director)
- 2D Lead Adam Maynard
- Executive Producer Alex Fitzgerald
- Colorist James Bamford
Credits
powered by- Agency Wieden + Kennedy/London
- Production Company Pulse Films/London
- Director Paco Raterta
- Post Production The Mill/London
- Sound Design 750 mph
- Music Mr Pape
- Creative Darren Simpson
- Creative Freddy Taylor
- Creative Philippa Beaumont
- Creative Andrew Bevan
- Producer Michelle Brough
- Executive Producer James Sorton
- Executive Producer Rik Green
- Producer George Saunders
- Production Assistant Ben Preston
- Production Manager Christabelle Stone
- DP Joel Honeywell
- Production Designer Marie Lanna
- Editor Dan Sherwin
- Editor Kit Wells
- VFX Supervisor Fergal Hendrick
- Shoot Supervisor/Creative Director Dan Williams / UK (Creative Director)
- 2D Lead Adam Maynard
- Executive Producer Alex Fitzgerald
- Colorist James Bamford
In its new anthem film, Spark Progress, Converse celebrates a generation of empowered Londoners who are forging their own futures in the face of Brexit uncertainty.
Created by Wieden+Kennedy London, the campaign marks the commercial directing debut of Pulse Films' Paco Raterta - best known for his Prodigy promos - and documents the creative process of five women: Ama Lou, singer, songwriter and filmmaker; Paria Farzaneh, Iranian menswear designer; Lava La Rue, singer, skater and artist; RAYE, singer and songwriter; and Feng Chen Wang, menswear designer.
See what we said about the spot, and an interview with the director, here.
4. A comedic love story told entirely through fake ads
Credits
powered by-
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- Director Ben Callner
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Credits
powered by- Director Ben Callner
- Producer Adam Callner
- DP Doug Chamberlain / (DP)
- Editor Ben Callner
- Editor Joe Kell
- Editor Alex Pirrone
- Editor Ben Suenaga
Credits
powered by- Director Ben Callner
- Producer Adam Callner
- DP Doug Chamberlain / (DP)
- Editor Ben Callner
- Editor Joe Kell
- Editor Alex Pirrone
- Editor Ben Suenaga
An unconventional boy-meets-girl romance that simultaneously muses on consumerism and commercial storytelling, Adman is the brainchild of director/producer duo Ben and Adam Callner.
Having created work for the likes of GEICO, Volkswagen and Verizon, the brothers have woven their extensive experience in the commercials world into a wonderfully creative short that'll make you laugh, cry and seriously question the roles that brands and products play in our lives.
See what we said about the spot, and an interview with the directors, here.
3. Renault’s rapturous ad condenses a lifetime of love
Credits
powered by- Agency Publicis/LONDON
- Production Company Academy
- Director Frederic Planchon
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Credits
powered by- Agency Publicis/LONDON
- Production Company Academy
- Director Frederic Planchon
- Editing The Assembly Rooms
- Post Production MPC/London
- Audio Post Wave Recording Studios
- Music Soundtree Music
- Executive Creative Director Dave Monk
- Creative Director Colin Byrne
- Creative Director Rob Butcher
- Creative Director Tom Genower
- Head of Production Colin Hickson
- Producer Dulcie Kellett
- Producer Simon Cooper
- DP Stephane Fontaine
- Editor Sam Rice-Edwards
- Colourist Jean-Clement Soret
- VFX Timo Huber
- Sound Designer Parv Thind
- Composer Luis Almau
- Music Producer Jay James
Credits
powered by- Agency Publicis/LONDON
- Production Company Academy
- Director Frederic Planchon
- Editing The Assembly Rooms
- Post Production MPC/London
- Audio Post Wave Recording Studios
- Music Soundtree Music
- Executive Creative Director Dave Monk
- Creative Director Colin Byrne
- Creative Director Rob Butcher
- Creative Director Tom Genower
- Head of Production Colin Hickson
- Producer Dulcie Kellett
- Producer Simon Cooper
- DP Stephane Fontaine
- Editor Sam Rice-Edwards
- Colourist Jean-Clement Soret
- VFX Timo Huber
- Sound Designer Parv Thind
- Composer Luis Almau
- Music Producer Jay James
This beautifully acted and crafted ad, The French Exchange, directed by Frederic Planchon through Academy, celebrates the 30 year development of the Renault Clio by following the touching tale of two childhood friends – moving from devoted bezzies who meet through a French exchange, to carefree teens, to lovers.
See what we said about the spot here.
2. Excitable Edgar is here to light your Christmas fire
Credits
powered by- Agency adam&eveDDB/London
- Production Company Blink Productions
- Director Dougal Wilson
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Credits
powered by- Agency adam&eveDDB/London
- Production Company Blink Productions
- Director Dougal Wilson
- Editor Final Cut/London
- Post Production Untold Studios
- Music Supervisor Leland Music
- Sound Designer Factory
- DP Joost Van Gelder
- Producer Ewen Brown
- Production Manager Ellie Britton
- Production Designer Andy Kelly
- Editor Joe Guest
- Colorist Jean-Clement Soret
- VFX Supervisor Alex Gabucci
- VFX Supervisor Amir Bazazi
- Executive Producer VFX Ian Berry
- Creative Director VFX Diarmid Harrison-Murray
- Animation Supervisor Tim van Hussen
- Sound Designer Anthony Moore
- Art Director Matt Gay
- Chief Creative Officer Richard Brim
- Chief Executive Officer Tammy Einav
- Creative Simon Lloyd
- Managing Director Paul Billingsley
- Producer Sally Pritchett
Credits
powered by- Agency adam&eveDDB/London
- Production Company Blink Productions
- Director Dougal Wilson
- Editor Final Cut/London
- Post Production Untold Studios
- Music Supervisor Leland Music
- Sound Designer Factory
- DP Joost Van Gelder
- Producer Ewen Brown
- Production Manager Ellie Britton
- Production Designer Andy Kelly
- Editor Joe Guest
- Colorist Jean-Clement Soret
- VFX Supervisor Alex Gabucci
- VFX Supervisor Amir Bazazi
- Executive Producer VFX Ian Berry
- Creative Director VFX Diarmid Harrison-Murray
- Animation Supervisor Tim van Hussen
- Sound Designer Anthony Moore
- Art Director Matt Gay
- Chief Creative Officer Richard Brim
- Chief Executive Officer Tammy Einav
- Creative Simon Lloyd
- Managing Director Paul Billingsley
- Producer Sally Pritchett
Telling the tale of a cutely combustible mini-dragon and his flame-haired gal-pal, Excitable Edgar is a heart (and set)-warming story of a little fella who just can't fight the flames burning inside of him.
Blink director Dougal Wilson, returning to the brand's festive outings for the first time since 2016's Buster the Boxer, paints a wonderfully realised picture of 'ye olde' snowy village, with production design and effects (in particular the Hollywood-level visuals and character animation of Edgar) unsurpassed.
See what we said about the spot, alongside an overview of John Lewis' Xmas commercials, here.
1. Vodafone unveil their Unlimited plans with the magic of multiplicity
Credits
powered by- Agency Ogilvy & Mather/London
- Production Company Academy
- Director Si & Ad
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Credits
powered by- Agency Ogilvy & Mather/London
- Production Company Academy
- Director Si & Ad
- Editor Ryan Beck
- Post Production MPC Creative/London
- Music Supervisor Soho Music
- Sound Jonny Platt
- Creative Adam Ronan
- Creative Adam Claridge
- Producer Kim Parrett
- Producer Tom Cartwright
- Colorist Jean-Clement Soret
- VFX Alex Snookes
- Post Producer Phil Whalley
Credits
powered by- Agency Ogilvy & Mather/London
- Production Company Academy
- Director Si & Ad
- Editor Ryan Beck
- Post Production MPC Creative/London
- Music Supervisor Soho Music
- Sound Jonny Platt
- Creative Adam Ronan
- Creative Adam Claridge
- Producer Kim Parrett
- Producer Tom Cartwright
- Colorist Jean-Clement Soret
- VFX Alex Snookes
- Post Producer Phil Whalley
To launch its Be Unlimited brand campaign, Vodafone and Ogilvy (as part of WPP Team Red) created a glorious one-and-a-half-minute wonder of visual sleight-of-hand, following an mysteriously multiplying lady as she ventures out for a night on the town.
Helmed by Academy warlocks Si & Ad, the film not only showcases their mastery of the sudden reveal (some of the emerging doppelgangers providing nuggets of pure joy) but also utilises both a unique collaboration between Alicia Keys and Mark Ronson for the backing track Truth and the fashion talents of ten young designers from across the country, hailing from schools such as Central Saint Martins, Glasgow School of Art and Winchester School of Art; all in the name of celebrating Vodafone as a British brand.