Credits
powered by- Agency McKinney/New York
- Production Company Anonymous Content
- Director Tim Godsall
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Credits
powered by- Agency McKinney/New York
- Production Company Anonymous Content
- Director Tim Godsall
- Associate Creative Director Robert George
- Chief Creative Officer Jonathan Cude
- Designer Carlos Ortega
- Head of Art and Design Will Dean
- Senior Integrated Producer Kara O'Halloran
- Executive Producer Sasha Awn
- Sound Designer Evan Mangiamele
- Managing Director Eric Stern
- Executive Producer SueEllen Clair
- Production Merchant
- Executive Producer Ian Webb
- Production Co. Freelance Producers
- Editing Cutters
- Editor Grant Gustafson
- Assistant Editor Magdalena Hernandez
- Head of Production Patrick Casey
- VFX/Finnish The Mill/Chicago
- Executive Producer Peter Hullinger
- Producer Rachel Burke
- Production Agency CYLNDR (In-House at McKinney/Durham)
- Post Production/VFX The Mill/New York
- SFX Heard City
- Associate Creative Director Mike Lomanto
- Creative Director Alexis Reid
- Producer Maggie Baker
Credits
powered by- Agency McKinney/New York
- Production Company Anonymous Content
- Director Tim Godsall
- Associate Creative Director Robert George
- Chief Creative Officer Jonathan Cude
- Designer Carlos Ortega
- Head of Art and Design Will Dean
- Senior Integrated Producer Kara O'Halloran
- Executive Producer Sasha Awn
- Sound Designer Evan Mangiamele
- Managing Director Eric Stern
- Executive Producer SueEllen Clair
- Production Merchant
- Executive Producer Ian Webb
- Production Co. Freelance Producers
- Editing Cutters
- Editor Grant Gustafson
- Assistant Editor Magdalena Hernandez
- Head of Production Patrick Casey
- VFX/Finnish The Mill/Chicago
- Executive Producer Peter Hullinger
- Producer Rachel Burke
- Production Agency CYLNDR (In-House at McKinney/Durham)
- Post Production/VFX The Mill/New York
- SFX Heard City
- Associate Creative Director Mike Lomanto
- Creative Director Alexis Reid
- Producer Maggie Baker
Spread too thin? Wishing you could be two places at once? In these times of 24-hour hyper-busy overload, the thought of having another ‘you’ to share the work burden is tempting.
But as these spots, created by McKinney and directed by Anonymous Content’s Tim Godsall, reveal, you’re better off employing a virtual assistant that relying on the convenience of a clone.
In all four tales, the body doubles seem a great idea at first, handling the comms while their ‘originals’ get on with other tasks, but it soon transpires that the replicants have their own agenda.
Sarah, for example, ends up winning an office popularity contest, being crowned “our favourite Sarah” by colleagues as her embittered owner watches on.
Dave’s double pulls a fast one and sells Dave’s company from right under his nose. Bitter Bill, the facsimile of Successful Bill ends up trashing his own office.
Frank, chuffed that his clone has enabled him to shorten his working day and get off home early to the wife, returns to find Mrs Frank already being wooed by secondary Frank. Not ideal.