Vivo’s in deep water
A man drowns in his notifications in an impressively crafted spot directed by Pedro Becker for the Brazilian mobile phone company.
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Credits
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- Production Company Delicatessen Filmes
- Director Pedro Becker
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Credits
View on- Production Company Delicatessen Filmes
- Director Pedro Becker
- Executive Director Luciana Mattar
- Executive Producer Grayce Felix
- Executive Producer Juliana Lutterbach
- Post Production/VFX NASH/Sao Paulo
- Post Production/VFX AirAtomo VFX
- Executive Producer Claudio Costa
- Producer Marcelo Cachapuz
- Producer Jones Silva de Oliveira
- Producer Lucas Rodrigues do Amaral
- Producer Aline Simmi da Silva
- Production Director Daniel Lombardi
- Art Director Larissa Cambauva
- DP Mauricio Padilha
- Executive Post Producer Ana Ourique
- Finishing Rafael Bozzi
- Colorist Erick Moraes
- Casting Andrea Mussati
- Casting Eliza Pontes
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Credits
powered by- Production Company Delicatessen Filmes
- Director Pedro Becker
- Executive Director Luciana Mattar
- Executive Producer Grayce Felix
- Executive Producer Juliana Lutterbach
- Post Production/VFX NASH/Sao Paulo
- Post Production/VFX AirAtomo VFX
- Executive Producer Claudio Costa
- Producer Marcelo Cachapuz
- Producer Jones Silva de Oliveira
- Producer Lucas Rodrigues do Amaral
- Producer Aline Simmi da Silva
- Production Director Daniel Lombardi
- Art Director Larissa Cambauva
- DP Mauricio Padilha
- Executive Post Producer Ana Ourique
- Finishing Rafael Bozzi
- Colorist Erick Moraes
- Casting Andrea Mussati
- Casting Eliza Pontes
Directed by Pedro Becker through Delicatessen Filmes, this cleverly produced spot from Brazilian mobile network Vivo visualises how the endless stream of notifications from our phones can feel like drowning.
The film follows a man who, from the moment he wakes, is glued to his mobile phone at every moment throughout his day. Distracted by a barrage of constant pings demanding his attention, he fails to notice that each room he moves through is slowly filling with water.
Shot over just three days, with three days of production in between, each scene was impressively executed using real water, with each set carefully crafted to fill up like a swimming pool.
