Spend Tonight with Phoenix and Ezra Koenig

"Split screen can break your brain if you try for obsessive perfectionism with timing, mirror imaging, interplay between the two frames, so on and so forth. Early on I decided this wouldn't be an exercise in perfectionism, that it'd be more fun to be messy and imperfect, and I think planning shots with that in mind lead to more discoveries in the edit, where (long-time editor/collaborator) Nate DeYoung was often able to make the two stories talk to each other in ways I couldn't have ever planned."

"Ezra came up with his character, a francophile in Tokyo. Like a guy who was trying to go to Paris and got off at the wrong layover but is still determined to find it in Tokyo. That helped guide our locations search - once you start looking for them there are tons of examples of Paris in Tokyo: brasseries, cafes, wine bars, florists, even a museum dedicated to Le Petit Prince! The other visual that really cemented the strength of the concept was this chance to do a driving shot with passengers in both front seats. You could of course get prop cars to do this anywhere, but knowing we could have it organically because of where drivers are positioned in each city gave us a strong visual to build around and sort of validated the whole approach to the video."