Of Coors it's a beautiful day
Noam Murro's backlot-shot musical sees a daydreaming fella have a brilliant (all things considered) day.
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Credits
powered by
- Agency DDB/Chicago
- Production Company Biscuit Filmworks/USA
- Director Noam Murro
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Credits
powered by
- Agency DDB/Chicago
- Production Company Biscuit Filmworks/USA
- Director Noam Murro
- Associate Creative Director Sandra Jurado
- Chief Creative Officer Ari Weiss
- Chief Creative Officer Britt Nolan
- Chief Production Officer Diane Jackson
- Creative Director Alan Shen
- Executive Creative Director Colin Selikow
- Executive Producer Matt Blitz
- Production Manager Jillian English
- Editing Company Work Editorial/USA
- Editor Stewart Reeves
- Post Production Company Framestore Pictures/USA
- Post Production Company Parliament VFX
- Colorist Beau Leon
- Audio Company Another Country
- Audio Engineer John Binder
- Sound Design/ Music Company The Elements Music
- DP Eric Schmidt
Credits
powered by
- Agency DDB/Chicago
- Production Company Biscuit Filmworks/USA
- Director Noam Murro
- Associate Creative Director Sandra Jurado
- Chief Creative Officer Ari Weiss
- Chief Creative Officer Britt Nolan
- Chief Production Officer Diane Jackson
- Creative Director Alan Shen
- Executive Creative Director Colin Selikow
- Executive Producer Matt Blitz
- Production Manager Jillian English
- Editing Company Work Editorial/USA
- Editor Stewart Reeves
- Post Production Company Framestore Pictures/USA
- Post Production Company Parliament VFX
- Colorist Beau Leon
- Audio Company Another Country
- Audio Engineer John Binder
- Sound Design/ Music Company The Elements Music
- DP Eric Schmidt
Considering the shocker that 2020 is turning out to be, any day that starts and ends without too much in the way of drama could probably be considered a goodun.
For the musical man at the heart of Noam Murro's enjoyably knowing spot for Coors Light, Oklahoma's What a Beautiful Day can be applied to pretty much any scenario, from a bird plop to a garbage drop.
Utilising the Biscuit director's cinematic style alongside a handful of backlots which only add to the 'Golden Age' feel, this smart idea from DDB Chicago and canny execution from Murro and crew is something to make a song and dance about.
