Male tears should not be a crying shame
This new short film is a poetic ode to male tears, explaining why leaking from your eyes is not only nothing to be ashamed of, but something to be embraced.
Credits
powered by-
- Production Company UNIT9/London
- Director Anthony Rubinstein
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Credits
powered by- Production Company UNIT9/London
- Director Anthony Rubinstein
- Executive Producer Adam Dolman
- Editor/VFX Anthony Rubinstein
- Colorist Alex Gregory
- Colorist Matt Turner
- Color/Sound No.8
- VFX Blind Pig
- Head of VFX Production/Executive VFX Producer Thierry Levy
- Senior VFX Producer Ana Hoxha
- VFX Executive Creative Director Ric Comline
- VFX Creative Director Sean Cooper
- Sound Designer James Everett
- Sound Designer James Benn
- Audio Mixer George Castle
- Producer Benji Landman
- Writer Catherine Willoughby
- Production Designer Paul Zabihi
- DP Thomas English
- Art Director Charlie Speak
- Additional VFX Chris Tobin
- Additional VFX Iain McCall-Greenfield
- Talent
Credits
powered by- Production Company UNIT9/London
- Director Anthony Rubinstein
- Executive Producer Adam Dolman
- Editor/VFX Anthony Rubinstein
- Colorist Alex Gregory
- Colorist Matt Turner
- Color/Sound No.8
- VFX Blind Pig
- Head of VFX Production/Executive VFX Producer Thierry Levy
- Senior VFX Producer Ana Hoxha
- VFX Executive Creative Director Ric Comline
- VFX Creative Director Sean Cooper
- Sound Designer James Everett
- Sound Designer James Benn
- Audio Mixer George Castle
- Producer Benji Landman
- Writer Catherine Willoughby
- Production Designer Paul Zabihi
- DP Thomas English
- Art Director Charlie Speak
- Additional VFX Chris Tobin
- Additional VFX Iain McCall-Greenfield
- Talent
Director Anthony Rubinstein's new short film is an explanatory guide to why men should not be afraid to cry.
Called Cry Like a Guy and created through Unit9 London, the four-and-a-half-minute film features a rhyming narration which explains the biological reasons for why we produce tears and, more importantly, their emotional necessity.
The narrator, played by House of Dragons actor Kieran Bew, tells us at the start of the film that, too often, tears are "tainted with shame" but, he goes on to say, they are actually our biological way to express a host of feelings; joy, fear, love, pain, sadness, stress and more.
Taking in modern working environments, ancient Greece, medieval monks and Victorian-era 'stiff upper lips', the film uses digital effects, practical effects and a touch of AI to get to the heart of why crying is a "legitimate bodily reflex", and why it should not be exclusively reserved for "little girls.