Danny Edwards is the co-editor of shots and, alongside Jamie Madge, is responsible for the editorial output of shots and its events.
This new spot imagines how Leonardo Da Vinci would have soared to even greater heights has Amazon Business been around to help.
Streaming service Xumo pokes fun at the time we spend making TV viewing choices in its new campaign.
Online writing school The Novelry's new campaign uses clever animation to highlight its writing courses.
Chromista director Elliott Lester, whose feature The Thicket has just been released, talks donuts, David Bowie, and "cesspool of gossip" deep-dives, as he reveals what's on his creative radar.
Two London creatives, inspired by both artificial intelligence and the British philosopher Alan Watts, have brought Watts' insight and wisdom into the 21st century allowing him, from beyond the grave, to reflect on some of our most existential questions.
Victoria Keenan, Head of Production at BBH London, on the three things she can't live without, the website that all Brits need, and the people who have influenced her career.
Greenpoint Pictures director Chelsea Lupkin says she is pleasantly horrified by a film's marketing campaign, admits to crying at a monster movie, and explains why drifting's "smoking tires and impressive driving manoeuvres" has influenced her career.
A new campaign for insurance provider sees Simply Business take a Tina Turner classic and makes it their own.
A recent campaign for Signature, a British Sign Language charity, features a series of TikTok dance tutorials teaching viewers how to sign, countering the wave of incorrect sign language that has been spreading on social platforms. Sam Arnold, a deaf filmmaker and first time commercial director, helmed the campaign and he and producer Theo Youngstein tell us all about it.
Picking up a YDA Gold Screen award in the Commercial category, BlinkInk director Will Wightman's campaign for Ore-Ida is a "super-weird" spot that celebrates the predictable. Here, he discusses Hollywood's Golden Age, embracing the unusual, and getting thrown into the deep end.
Emily Wilcox, CEO of TBWA\Chiat\Day New York, talks Wes Anderson's whimsey, Sia's multi-dimensionalism, and advertising's sometimes unrecognised brilliance.
A beautiful new short film celebrates The Big Apple through the eyes and ears of a non-native New Yorker, while also voicing the concerns of those she's left behind.
Danny Edwards is the co-editor of shots and, alongside Jamie Madge, is responsible for the editorial output of shots and its events. He has served on a variety of advertising award show juries including the AICP Awards, the Young Director Awards, the Epica Awards and the Music Video Awards, and has chaired events in Cannes as well as other leading festivals.
He has also written for media publications including Screen International, The Cannes Lions Daily and The Guardian. Danny hates musicals, loves comic books and is ambivalent towards Marmite.
On My Radar; Features; Profiles; New work