It's lift-off for Winamax
Launched during the Champions League final this past weekend, and on air for the duration of Euro 2020, Winamax's new campaign blasts off in explosive fashion.
Credits
powered by- Agency TBWA/Paris
- Production Company Wanda Productions
- Director Sam Pilling
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Credits
powered by- Agency TBWA/Paris
- Production Company Wanda Productions
- Director Sam Pilling
- CEO Maxime Boiron
- Editor Ellie Johnson
- Shoot supervisor/2D Lead Artist Carl Norton
- Executive Creative Director Benjamin Marchal
- Executive Creative Director Faustin Claverie
- Copywriter Vincent Cusenier
- Creative Director Lucie Vallotton
- Creative Producer Benoit Duchemin
- Producer Patrick Barbier
- Executive Producer Olivier Dubocage
- Line Producer Romain Cavagnac
- DP Kasper Tuxen
- Post Producer Clement Pignal
Credits
powered by- Agency TBWA/Paris
- Production Company Wanda Productions
- Director Sam Pilling
- CEO Maxime Boiron
- Editor Ellie Johnson
- Shoot supervisor/2D Lead Artist Carl Norton
- Executive Creative Director Benjamin Marchal
- Executive Creative Director Faustin Claverie
- Copywriter Vincent Cusenier
- Creative Director Lucie Vallotton
- Creative Producer Benoit Duchemin
- Producer Patrick Barbier
- Executive Producer Olivier Dubocage
- Line Producer Romain Cavagnac
- DP Kasper Tuxen
- Post Producer Clement Pignal
Eschewing the more traditional betting spot traditions of gravelly voices and intense punters staring expectantly at phones, TBWA\Paris's film, called The Mamas, offers a new reading of the punter and his motivations.
Who hasn't dreamed of pleasing a loved one after winning a little money? And which of their loved ones might a winner want to thank? Surely, their mother has to be top of the list. The film, directed by Sam Pilling and produced by Wanda Paris, offers a humorous - and somewhat tender, if unconventional - account of one son's gift to his dear old mum.
"Ideas this fun and creative are rare, so for me it was important that the visuals and acting performances were absolutely perfect," said Pilling. "This meant working closely with our cast and capturing as much as possible in in-camera, rather than relying on CGI. I can honestly say that this was the most fun I've had making a film in the studio."