Fontaines D.C.’s house of hallucinations
Dave Meyers and Cam Erickson direct a surreal, psychedelic promo for the Irish rock band’s latest single, Marriane.
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Credits
View on- Director Dave Meyers
- Editorial Church Edit
- Post Production TK Studios
- VFX Foreign Xchange
- VFX Pineapple VFX
- Color Company 3/New York
- Director Cam Erickson
- Producer Maggie Curwin
- Line Producer Peggy DiGioia
- Production Coordinator Jamie Winslow
- Production Coordinator Cheruto Wang
- Production Designer Louis Simonon
- DP Jack Exton
- Editor Matt Carter
- Executive Producer Freya Hewett
- Head of Production Elyse Robinson
- Post Producer Hannah Smith (Producer)
- Editor Ockert Oliver
- Post Producer Johan Barrios
- Executive Producer Gosia Herman
- VFX Supervisor Przemek Drosik
- Creative Director Kia Coates
- 3D Supervisor Mark Bailey
- VFX Lead Salvatore Lo Cascio
- Colorist Matt Osborne
- Producer Shannen Troup
- Producer Casey Koster
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Credits
powered by- Director Dave Meyers
- Editorial Church Edit
- Post Production TK Studios
- VFX Foreign Xchange
- VFX Pineapple VFX
- Color Company 3/New York
- Director Cam Erickson
- Producer Maggie Curwin
- Line Producer Peggy DiGioia
- Production Coordinator Jamie Winslow
- Production Coordinator Cheruto Wang
- Production Designer Louis Simonon
- DP Jack Exton
- Editor Matt Carter
- Executive Producer Freya Hewett
- Head of Production Elyse Robinson
- Post Producer Hannah Smith (Producer)
- Editor Ockert Oliver
- Post Producer Johan Barrios
- Executive Producer Gosia Herman
- VFX Supervisor Przemek Drosik
- Creative Director Kia Coates
- 3D Supervisor Mark Bailey
- VFX Lead Salvatore Lo Cascio
- Colorist Matt Osborne
- Producer Shannen Troup
- Producer Casey Koster
Co-directed by Dave Meyers and Cam Erickson, this dark, disorientating music video for Irish indie rock band Fontaines D.C.'s track Marianne sends viewers on an unsettling, kaleidoscopic journey of debauched revelry.
Blending bold performances, practical effects and AI-assisted VFX, the film unfolds as a hallucinatory night at an opulent house party filled with shadowy, faceless figures.
Meyers deftly balances pleasure and paranoia as scenes in melting neon hues grow increasingly nightmarish, moving from sinister, choreographed cult-like rituals to images of drowning and suffocation.
