Florence's royal return
Florence Welch is back with her first new music since 2018 and, with it, comes a new video for the track King, which is a beautiful, quasi-religious five minute marvel.
Credits
powered by-
- Production Company Anonymous Content/London
- Director Autumn de Wilde
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Anonymous Content/London
- Director Autumn de Wilde
- Editing Final Cut/New York
- Colour Company 3/London
- Production Services Radioaktive Film
- Audio Post Machine Sound/London
- Executive Producer/Managing Director Eric Stern
- Executive Producer Juliet Naylor
- DP Jamie Feliu Torres
- Production Designer Vladimir (Vova) Radlinski
- Choreographer Ryan Heffington
- Editor Miky Wolf
- Producer Maggie McDermott
- VFX Denis Reva
- Colorist Jean-Clement Soret
- Colorist Yoomin Lee
- Executive Producer Kate Galytska
- Sound Design/Audio Mixer Nigel Manington
- Producer Ghazal Zargar Elahi
Credits
powered by- Production Company Anonymous Content/London
- Director Autumn de Wilde
- Editing Final Cut/New York
- Colour Company 3/London
- Production Services Radioaktive Film
- Audio Post Machine Sound/London
- Executive Producer/Managing Director Eric Stern
- Executive Producer Juliet Naylor
- DP Jamie Feliu Torres
- Production Designer Vladimir (Vova) Radlinski
- Choreographer Ryan Heffington
- Editor Miky Wolf
- Producer Maggie McDermott
- VFX Denis Reva
- Colorist Jean-Clement Soret
- Colorist Yoomin Lee
- Executive Producer Kate Galytska
- Sound Design/Audio Mixer Nigel Manington
- Producer Ghazal Zargar Elahi
In this new promo for Florence + The Machine's new track, King, Florence Welch gives a bravura performance as a purple clad, quasi-religious figure.
Directed by Autumn de Wilde through Anonymous ContentLondon the video puts Welch in an abandoned building as she sings about being "no mother, no bride, I am king" in a track that references the difficulties of being a woman in the music industry. The video also features floating funereal processions, hovering musicians and a stunning ascension for Welch.
“As an artist, I never actually thought about my gender that much,” Welch said. “I just got on with it. I was as good as the men and I just went out there and matched them every time. But now, thinking about being a woman in my 30s, and the future, I suddenly feel this tearing of my identity and my desires. That to be a performer, but also to want a family, might not be as simple for me as it is for my male counterparts. I had modelled myself almost exclusively on male performers and, for the first time, I felt a wall come down between me and my idols as I have to make decisions they did not.”