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Credits
powered by
- Agency Publicis/Milan
- Production Company Division/France
- Director Francois Rousselet
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Credits
powered by
- Agency Publicis/Milan
- Production Company Division/France
- Director Francois Rousselet
- DP Matias Boucard
- Production Service Family Production
- Post Production Mikros Animation/Paris
- Music Sizzer Amsterdam
- Chief Creative Officer Global Bruno Bertelli
- Chief Creative Officer Cristiana Boccassini
- Global Digital Creative Director Mihnea Gheorghiu
- Global Creative Director Thiago Cruz
- Head of Production Francesca Zazzera
- Producer Anna Sica
- Art Director Mattia Mingardo
- Copywriter Silvia Serreli
- Talent Harlow Monroe
- Producer Jules De Chateleux
- Editor Nicolas Larrouquere
- Line Producer Alexis Fonvieille
- Executive Service Producer Nikita Bukowski
- VFX Producer Sebastien Noyon
- VFX Supervisor Franck Lambertz
- Flame Artist Flore Mounier
- Colourist Arthur Paux
- Music Supervisor Michael Bertoldini
- Music Producer Seppl Kretz
Credits
powered by
- Agency Publicis/Milan
- Production Company Division/France
- Director Francois Rousselet
- DP Matias Boucard
- Production Service Family Production
- Post Production Mikros Animation/Paris
- Music Sizzer Amsterdam
- Chief Creative Officer Global Bruno Bertelli
- Chief Creative Officer Cristiana Boccassini
- Global Digital Creative Director Mihnea Gheorghiu
- Global Creative Director Thiago Cruz
- Head of Production Francesca Zazzera
- Producer Anna Sica
- Art Director Mattia Mingardo
- Copywriter Silvia Serreli
- Talent Harlow Monroe
- Producer Jules De Chateleux
- Editor Nicolas Larrouquere
- Line Producer Alexis Fonvieille
- Executive Service Producer Nikita Bukowski
- VFX Producer Sebastien Noyon
- VFX Supervisor Franck Lambertz
- Flame Artist Flore Mounier
- Colourist Arthur Paux
- Music Supervisor Michael Bertoldini
- Music Producer Seppl Kretz
As Harlow Monroe relives the journey she took to live as her most authentic self, Diesel lets her go through growing pains with fuzzy lighting and great outfits.
As a soft, lilting cover of My Girl (In the Pines) comes on, we meet Francesca, a young transwoman, as she moves throughout different stages in her life to become her most authentic, true self. We go from high school to college, and finally to the abbey, where she dons the traditional habit of the Catholic nun.
Sweet and kind, the film carries truth along with it. Francois Rousselet, the director, treats the main character as someone in total command of their story, centering her in almost every shot. Agency Publicis Milan gave the concept room to breathe and obviously trusted Harlow to bring her own vision to the work.
