Bastille’s virtual insanity
Set in a stunning 3D landscape, Blinkink director Balázs Simon film for Thelma & Louise drives off the cliff of reality.
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Credits
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- Production Company BLINKINK
- Director Balazs Simon
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Credits
powered by
- Production Company BLINKINK
- Director Balazs Simon
- Executive Producer Josef Byrne
- Head of Music Videos Laura Northover
- Executive Producer/Managing Director Bart Yates
- Creative Director/Live Action Director Jak Payne
- Animator Balazs Simon
- Executive Producer Miklos Kazmer
- Managing Director/Executive Producer Ivana Antic
- Producer Rosie Brear
- Producer Mate Barbalics
- DP Anna Smoronova
- Editor Samuel Marr
- VFX Artist Angus Wilson
- Producer Amy Smith
Credits
powered by
- Production Company BLINKINK
- Director Balazs Simon
- Executive Producer Josef Byrne
- Head of Music Videos Laura Northover
- Executive Producer/Managing Director Bart Yates
- Creative Director/Live Action Director Jak Payne
- Animator Balazs Simon
- Executive Producer Miklos Kazmer
- Managing Director/Executive Producer Ivana Antic
- Producer Rosie Brear
- Producer Mate Barbalics
- DP Anna Smoronova
- Editor Samuel Marr
- VFX Artist Angus Wilson
- Producer Amy Smith
Following on from Jak Payne's exciting Distorted Light Beam promo, Bastille's latest, from fellow Blinkink director Balázs Simon, sees frontman Dan entered the 'Futurescape' with 'The Engineer'.
And with that, Thelma & Louise takes a turn for the virtual, rendering a world of pixel-like cubes that morphs and merges with the protagonists' movements.
With Payne remaining as creative director, the new film continues the narrative with a bang, allowing the audience to appreciate the splendour of the visuals without being bogged down with pesky things like plot or character development.
