War in Europe, looming global recession, food scarcity and warnings of upcoming climate collapse – the world has many reasons to be fearful. We speak to industry figures about global and sector-specific fears; from the changing landscape of advertising to the impact of consumer anxieties.
Dan Mace burst onto the scene as a bright new directorial talent. Success in commercials followed, ahead of a triumphant YouTube career and collaboration with a Hollywood A-lister. But fear, anxiety and ego led to depression, alcohol and drugs. Here, Mace discusses not only facing those fears, but how they helped him flourish.
Kicking off March's Fear Focus, we speak to Riff Raff's Hugh Mulhern about how he put together the frenetic, freaky and downright fierce visuals for Hak Baker's Telephones 4 Eyes.
Fear is everywhere – a driver for communications as much as of behaviour, but how brands and creatives are resorting to fear is changing. Tim Cumming spoke to industry pros about anxiety in advertising.
Strategic Consultant Will Sansom looks at how the HBO blockbuster's philosophy on attachments through adversity can relate to brand/consumer relationships.
Faced with fear, humans generally have three responses; run and hide, play dead, or come out swinging. But those responses evolved from a time when danger was almost always life threatening. So, how do they relate to today's fears? The Moon Unit reevaluates our fight, flight and freeze responses for a modern world.
Fear, explains Sarah Donnenberg, can be crippling, but also exhilarating. It can create doubt, but also opportunity. Here, the Founder of SLMBR PRTY Films explains how she decided to face fear in a bid to embrace success.
Continuing our frighteningly good series in which industry pros share thoughts on angst in adland, and in general, we speak to the legendary Tony Cullingham. The former Watford Advertising Course leader, now head of BBH London's incubator course The Barn, shares musings ranging from tales of genuine wartime horror, the hunt for brand conscience and his worries about his aggressive eyebrows.
Continuing our series in which industry voices share feelings of fearfulness about advertising and in general, we speak to Jamila Hardy, a visual artist and producer-in-training at Dark Energy Films, to hear how the younger generation is coping with a worrisome world.
Continuing our series in which industry voices share thoughts on angst in advertising and in general, we speak to Fatima Ansari, Global Senior Copywriter at Publicis One Touch, who shares her belief that fear can be both friend and foe.
Ian Kammer, a director at Valiant Pictures who recently helmed a psychologically tense short, examines how keeping audiences on the edge of their seats (or even hidden behind them) can prove a successful approach for brands that are brave enough.
With toons on-trend during lockdown, now that live-action is back what is the state of the animation nation today? This focus draws on opinions and profiles of animation directors, producers and studios and looks at new trends and technologies in the medium.
This month we lobby the opinions of industry experts on advertising’s intersection with political and ethical debate. Are young creatives pushing a more purpose-led culture? Should campaigns be campaigning on the issues of the day? When does promotion become propaganda?
Taking a deep dive with 2023's Gold winners, we unearth the stories that birthed their films, dissect their production strategies, and celebrate the significance of earning a Young Directors Award.
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