Zurich opens One account
72andSunny/Amsterdam and insurance behemoth Zurich brings us a tale of single-handed multi-tasking. No second-hand jokes here please.
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Four heroes, four different settings and one common thread.
A dad with new-born baby in one hand managing life with the other, a zoom attendee wrangling a feline gate crasher with her spare hand, a mum holding a basket in one hand picking up endless socks with the other and an older gentleman controlling a huge cluster of balloons (more on this later) whilst picking up presents and cakes with the other...
And to help their customers ‘do Life with One hand’ the boffins at Zurich have created an app that’s a doddle to use and our intrepid single handers show us just how it’s done.
Credits
powered by
- Agency 72andSunny/Amsterdam
- Production Company Bold
- Director Kate McMullen
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Credits
powered by
- Agency 72andSunny/Amsterdam
- Production Company Bold
- Director Kate McMullen
- Executive Producer Rob Godbold
- Production Services ShishMish
- Editing Bold
- Editor Kate McMullen
- Color Outpost VFX/London
- Visual Effects Face North VFX
- VFX Angus Wilson
- Creative Director Valeria Raimondi
- Creative Blaz Verhnjak
- DP Ahmet Husseyin
- Creative Laura Sordi
- Creative Emily Tolley
- Producer Sigfrid Marine Ramon
- Post Producer Cory Chonko
- Colorist Mark Horrobin
- Composer Hannes De Maeyer
- Composer Nicolas De Cock
Credits
powered by
- Agency 72andSunny/Amsterdam
- Production Company Bold
- Director Kate McMullen
- Executive Producer Rob Godbold
- Production Services ShishMish
- Editing Bold
- Editor Kate McMullen
- Color Outpost VFX/London
- Visual Effects Face North VFX
- VFX Angus Wilson
- Creative Director Valeria Raimondi
- Creative Blaz Verhnjak
- DP Ahmet Husseyin
- Creative Laura Sordi
- Creative Emily Tolley
- Producer Sigfrid Marine Ramon
- Post Producer Cory Chonko
- Colorist Mark Horrobin
- Composer Hannes De Maeyer
- Composer Nicolas De Cock
"I used cluster in relation to the balloons earlier as wrangling them proved more problematic than working with the animals and babies on this shoot. It was basically a cluster f**k , who knew inflatable plastic spheres could be such a nightmare."
Bold director Kate McMullen brilliantly got the better of them and the babies and the animals too. Bringing her trademark energy, humour, and warmth to the scenarios. Regular collaborator Ahmet Husseyin handled the camera / lighting with Nicholas De Cock and Hannes De Maeyer composing the original score.
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