shots Awards explores the messy business of inspiration
Finding originality in *ahem* the most unusual of places, Nexus director Laurie Rowan's hilarious film for our Americas show reveals the curious creatures of creativity.
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Credits
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- Production Company Nexus Studios/UK
- Director Laurie Rowan
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Credits
View on- Production Company Nexus Studios/UK
- Director Laurie Rowan
- Sound & Music Brains & Hunch
- Executive Producer Judy Hill
- Producer Rebecca Archer
- Producer Rebecca Lawrence
- CG Lead Andy Spence
- 3D/2D Generalist Mark Davies / (CG Supervisor)
- Character Designer Laurie Rowan
- CG Modelling & Texture Andy Spence
- Storyboards Laurie Rowan
- 3D Animator Edwin Leeds
- 2D Animator Christina S Nerland
- CG Lighting Andy Spence
- Compositor Dalvir Matharu
- Compositor Luke Hardisty
- Visual Designer Hugo Beaurepere
- Rigger Niko Rossi
- Sound Designer Leva Vaiti
- Music Tom Haines
- Voice Over Alexa Joyal
- Voice Over Sean Mcloughlin
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Credits
powered by- Production Company Nexus Studios/UK
- Director Laurie Rowan
- Sound & Music Brains & Hunch
- Executive Producer Judy Hill
- Producer Rebecca Archer
- Producer Rebecca Lawrence
- CG Lead Andy Spence
- 3D/2D Generalist Mark Davies / (CG Supervisor)
- Character Designer Laurie Rowan
- CG Modelling & Texture Andy Spence
- Storyboards Laurie Rowan
- 3D Animator Edwin Leeds
- 2D Animator Christina S Nerland
- CG Lighting Andy Spence
- Compositor Dalvir Matharu
- Compositor Luke Hardisty
- Visual Designer Hugo Beaurepere
- Rigger Niko Rossi
- Sound Designer Leva Vaiti
- Music Tom Haines
- Voice Over Alexa Joyal
- Voice Over Sean Mcloughlin
Entries for our shots Awards The Americas, which focusses on the best work to come out of North and South America over 2020, are in full swing, but where do the creative brains behind them get their fabulous ideas?
Revealing all is Nexus Studios director Laurie Rowan's wonderful animation It's A Messy Business, which takes us into the workspace of a visionary as he embarks upon... 'the harvest'.
We'll be chatting to Rowan about the film's photorealistic aesthetic and, echoing the spot's journalist, where his amazing ideas come from in an upcoming Craft interview, but for now, just revel in the ad itself.
It's goooooood.
