Peer Review: Andzej Gavriss

Who are three contemporaries that you admire?

I admire Steve McQueen for his intelligent and tasteful approach to dealing with controversial and psychologically complicated subjects. I have read and watched Shame many times, and I appreciate how simple yet profound it is. I believe it's one of the best films that tackles the subject of sex addiction without glamourising it.

I hold a deep appreciation for Damien Chazelle's expertise in crafting rhythm and pacing in his work. Each time I delve into the script of Whiplash, I find myself captivated by the impeccable pacing of the narrative.

I fell in love with the camera when a soldier took a picture of me at the age of 4. I made my first 30-minute film when I was 13.

I admire Noah Baumbach and Greta Gerwig as an incredible power couple in the film industry. They both bring a high level of sensitivity to their work, creating films that are incredibly nuanced yet boldly distinctive.

Please share 3-4 pieces of work that exemplify great direction.

Shame, directed by Steve McQueen. The direction is nuanced and elegant, allowing the audience to immerse themselves in the world of sex addiction and truly experience the pain and struggle associated with it.

I love seeing people's eyes light up with excitement when we're working on a project. It's such a thrill to feel the collective inspiration in the air.

Great Freedom, directed by Sebastian Meise. I appreciate the subtlety in the direction, as it brings us closer to the characters and allows us to spend meaningful time with them.

Ex Machina, directed by Alex Garland. His work exudes a remarkable sense of style, and I admire his ability to construct mystery and suspense. His keen eye for art direction and cinematography is truly exceptional.

What do you like most about the work that you do?

I love seeing people's eyes light up with excitement when we're working on a project. It's such a thrill to feel the collective inspiration in the air. I genuinely enjoy meeting new people, learning from them, and collaborating together. It's all part of the adventure, and it keeps me fired up.

I love the feeling of freedom [photography] provides, reminding me of the sweet old days when there were no stakes, just pure filmmaking for the love of it.

What was your journey to becoming a director?

It's a long, romantic story. My mom named me after Polish director Andrzej Wajda. I fell in love with the camera when a soldier took a picture of me at the age of 4. I made my first 30-minute film when I was 13. There was no other path for me; the universe was guiding me towards this job.

How does photography and portraiture merge with your filmmaking practice?

The majority of the projects that I undertake come with significant responsibility to the subject matter, which carries a lot of pressure that I personally thrive on. However, when it comes to photography, it's different. I prefer using a minimal setup with my Leica M6 and Kodak Vision3 film. It's either just me and the model, or I go out to explore the streets. I love the feeling of freedom it provides, reminding me of the sweet old days when there were no stakes, just pure filmmaking for the love of it.

I don't think we should rate or compare directors. I love filmmaking for its diversity of voices and unique perspectives.

What is one thing all directors need?

To have their own voice.