Olivier Staub's AfterNews blues
The Les Enfants director paints an idyllic view of global affairs in this impactful spot for Humanity and Inclusion.
Credits
powered by- Agency STRIKE/Paris
- Production Company Dust Films
- Director Olivier Staub
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Credits
powered by- Agency STRIKE/Paris
- Production Company Dust Films
- Director Olivier Staub
- Production Company Les Enfants
- CGI Assets Digital District/Paris
- Editing School Editing
- Visual Post-Production Digital District/Paris
- VFX & Compositing Digital District/Paris
- Audio Post-Production Circonflex
- Music & Recording Circonflex
- Sound Design & Mix Kouz Production
- Chief Executive & Creative Officer Jerome Gonfond
- Creative Director Remi Lascault
- Executive Producer Victor Simonnet
- Art Director Alba Menendez
- Copywriter Jeanne Perrone
- DP Camille Salvan
- Producer Melina Audoux
- CGI & VFX Supervisor Nicolas Rigaud
- Executive Producer Yumi Soumaya
- Senior Editor Monica Remba
- Color Grading Artist Aline Sinquin
Credits
powered by- Agency STRIKE/Paris
- Production Company Dust Films
- Director Olivier Staub
- Production Company Les Enfants
- CGI Assets Digital District/Paris
- Editing School Editing
- Visual Post-Production Digital District/Paris
- VFX & Compositing Digital District/Paris
- Audio Post-Production Circonflex
- Music & Recording Circonflex
- Sound Design & Mix Kouz Production
- Chief Executive & Creative Officer Jerome Gonfond
- Creative Director Remi Lascault
- Executive Producer Victor Simonnet
- Art Director Alba Menendez
- Copywriter Jeanne Perrone
- DP Camille Salvan
- Producer Melina Audoux
- CGI & VFX Supervisor Nicolas Rigaud
- Executive Producer Yumi Soumaya
- Senior Editor Monica Remba
- Color Grading Artist Aline Sinquin
It's convenient to think that, after the news broadcast has finished, the troubles of the world fade away as quickly as the ad-break starts.
Using this concept to powerful effect is Les Enfants director Olivier Staub's new film, AfterNews, for international charity Humanity & Inclusion (HI).
Portraying the events of the broadcast as mere actors' performances, Paris-based agency Strike's message is succinct and beautifully constructed.
"The challenge of this film lay in maintaining a seamless narrative flow, allowing audiences to discover and appreciate the characters as the story and concepts unfolded beyond the pivotal moment," comments Staub. "Entirely shot using cutting-edge 'LED Wall' technology, this film pushes the boundaries of visual storytelling, immersing viewers in an unparalleled striking cinematic world."