Nowadays never seemed so distant
Technology and social trauma go hand in hand in this short video anthology, directed by Max Sherman and co-produced by OPC Films and Blink Productions.
Credits
powered by-
- Production Company Blink Productions
- Director Max Sherman
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Blink Productions
- Director Max Sherman
- Production Co. OPC
- Editing Saints Editorial
- Post Production Electric Theatre Collective
- Executive Producer Harland Weiss
- Executive Producer Donovan Boden
- Executive Producer Isil Gilderdale
- Executive Producer Paul Weston
- Producer Jason Aita
- Producer Andrew Studholme
- DP Kiel Milligan
- DP Simon Richards
- Editor Ross Birchall
- Editor Melanie Hider
- Editor Cam Lasovich
Credits
powered by- Production Company Blink Productions
- Director Max Sherman
- Production Co. OPC
- Editing Saints Editorial
- Post Production Electric Theatre Collective
- Executive Producer Harland Weiss
- Executive Producer Donovan Boden
- Executive Producer Isil Gilderdale
- Executive Producer Paul Weston
- Producer Jason Aita
- Producer Andrew Studholme
- DP Kiel Milligan
- DP Simon Richards
- Editor Ross Birchall
- Editor Melanie Hider
- Editor Cam Lasovich
In a series of three short films, all relating to technology’s impact on our relationships, Max Sherman explores comedy, ego, and the ways in which we struggle to communicate, on and off-line.
Each segment in Nowadays starts off with someone on their phone. Using Instagram filters, answering a call, on a dating app. In the first, two young women take selfies when they approached by a young man who has been following them for a while. The second, a man meets with his father for lunch but runs into some trouble when his father asks him how Snapchat works. The last has a man mindlessly swiping on Tinder while waiting for his Uber, but makes an embarrassing mistake when he assumes the first empty car on the street is his cab.
Nowadays is a trio of punchy, darkly comedic, and strangely baffling shorts. These people all feel like they could exist in our world, but do they? How horrifically real are these films? One of the things I appreciated about this series was that it didn’t punch down at the usual targets of technofear, and instead provided a scathing commentary on communication and respect. Director Max Sherman has created a pertinent satire on modern life, using only the modernity around us.