Felix Brady works his magic for Unknown T
The Stink director blends vibrant visuals, playful performances and 90’s iconography in a striking promo for rappers Loyle Carner and Unknown T’s new track, Hocus Pocus.
Credits
powered by-
- Production Company Stink/UK
- Director Felix Brady
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Credits
powered by- Production Company Stink/UK
- Director Felix Brady
- Executive Producer Dom Mckiernan
- Executive Producer Justin Stiebel
- Executive Producer Blake Powell
- Production Services LED Unit
- Editing Trim
- Post Producer Polly Kemp
- Editor Fouad Gaber
- VFX The Mill/London
- Post Producer Chloe Ensor
- VFX Creative Director Thomas Luff
- VFX Creative Director Matt Fuller
- Producer Theo Hue Williams
- DP Anna Smoronova
- Production Designer Reinis Berzins
- Production Services Producer Svetlana Punte
- Colorist Marina Starke
- Sound Designer Seb Bruen
Credits
powered by- Production Company Stink/UK
- Director Felix Brady
- Executive Producer Dom Mckiernan
- Executive Producer Justin Stiebel
- Executive Producer Blake Powell
- Production Services LED Unit
- Editing Trim
- Post Producer Polly Kemp
- Editor Fouad Gaber
- VFX The Mill/London
- Post Producer Chloe Ensor
- VFX Creative Director Thomas Luff
- VFX Creative Director Matt Fuller
- Producer Theo Hue Williams
- DP Anna Smoronova
- Production Designer Reinis Berzins
- Production Services Producer Svetlana Punte
- Colorist Marina Starke
- Sound Designer Seb Bruen
Who needs narrative clarity when you have giant inflatable rubber ducks, kiddie-ride style speed boats and a substantial dose of nineties nostalgia?
Helmed by directing wizard Felix Brady through Stink, this magical promo for rappers Loyle Carner and Unknown T’s track Hocus Pocus intertwines compelling cinematography, VFX and bespoke animation with surreal visuals inspired by retro pop culture.
Distorting familiar objects to create striking compositions with vibrant colour schemes, Brady conjures an eccentric dreamscape of arcade games, cars mounted on hydraulic arms and life-size Tetris, complete with a few playful nods to conventional rap video clichés.
Brady said: “It’s a visually-forward film. I wanted back-to-back grandiose scenes that are performance-focused. I was inspired by technology, play and contemporary design but I also really wanted to push the rap envelope. It’s all play - the car, which is emblematic of rap videos, exists as a gyrating sculpture in the background, like a piece of modern art. The infinite hole-in-one golf scenes. Loyle in a speedboat is reminiscent of those coin-operated kiddie rides outside Asda. The kid on the bike searching the park harks back to Pokémon Go. Loyle loop-the-looping on a swing. Tetris inspired the floating building scene… We had fun with it.”