Faster than the speed of light
Vehicle brand Hyundai launches a visually-captivating campaign in which its all-electric IONIQ range create vibrant, long-exposure light paintings.
Credits
powered by- Agency Innocean Worldwide/Sydney
- Production Company Scoundrel
- Director James Dive
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Innocean Worldwide/Sydney
- Production Company Scoundrel
- Director James Dive
- VFX Fin Design + Effects
- Colourist Rumble Studios
- Music Supervision Level Two Music
- Executive Creative Director Wesley Hawes
- Creative Director Dave Harvey
- Copywriter Georgie Parchert
- Art Director Lachlan Rotherham
- Design Lead Michael Macgregor
- Head Of Production Renata Barbosa
- Content Editor Dave Anlezark
- Creative Director Damon Porter
- Executive Producer Adrian Shapiro
- Producer/ Associate Executive Producer Morgan Benson-Taylor
- DP Shelley Farthing-Dawe
- Production Designer Bethany Ryan
- Offline Editor Adam Wills
- VFX Supervisor Jesse Meha
- VFX Producer Emily Newbould
- Head of VFX / Executive Producer Alastair Stephen
- Colorist Fergus Rotherham
- Sound Designer Tone Aston
- Sound Executive Producer Michael Gie
- Sound Designer Cameron Milne
Credits
powered by- Agency Innocean Worldwide/Sydney
- Production Company Scoundrel
- Director James Dive
- VFX Fin Design + Effects
- Colourist Rumble Studios
- Music Supervision Level Two Music
- Executive Creative Director Wesley Hawes
- Creative Director Dave Harvey
- Copywriter Georgie Parchert
- Art Director Lachlan Rotherham
- Design Lead Michael Macgregor
- Head Of Production Renata Barbosa
- Content Editor Dave Anlezark
- Creative Director Damon Porter
- Executive Producer Adrian Shapiro
- Producer/ Associate Executive Producer Morgan Benson-Taylor
- DP Shelley Farthing-Dawe
- Production Designer Bethany Ryan
- Offline Editor Adam Wills
- VFX Supervisor Jesse Meha
- VFX Producer Emily Newbould
- Head of VFX / Executive Producer Alastair Stephen
- Colorist Fergus Rotherham
- Sound Designer Tone Aston
- Sound Executive Producer Michael Gie
- Sound Designer Cameron Milne
Creative agency Innocean has teamed with Scoundrel Director James Dive, to develop this entrancing spot for auto manufacturer Hyundai, championing its electric IONIQ vehicle range.
The film’s futuristic aesthetic was created by strapping LED light bars to the cars, powered purely by the IONIQ’s ‘Vehicle to Load’ capacity. Every time the cars move forward, a customised light trail was left behind to create
Each vehicle’s ‘light path’ was inspired by the model, choreographed to move in sync to a Stalking Gia cover of the song Tomorrow from the musical Annie. The innovative technique was captured entirely in-camera, using a method developed by Scoundrel and FIN Design + Effects, utilising the latest long exposure technology.
Director Dive said: "The filmic approach was to push the visual technique of light painting. Emerging tech can now allow light trails to be whatever you can dream of. The principles are still the same, but these light patterns no longer require you to wave a torch about in the dark. Instead, a singular length of LEDs can now be pre-programmed with an image. The LED length then steps through the image one line at a time using a depth of 210 pixels on each side of the car. As the object moves, the programmed pattern is painted one line at a time.
Credits
powered by- Agency Innocean Worldwide/Sydney
- Production Company Scoundrel
- Director James Dive
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Innocean Worldwide/Sydney
- Production Company Scoundrel
- Director James Dive
- VFX Fin Design + Effects
- Colourist Rumble Studios
- Music Supervision Level Two Music
- Executive Creative Director Wesley Hawes
- Creative Director Dave Harvey
- Copywriter Georgie Parchert
- Art Director Lachlan Rotherham
- Design Lead Michael Macgregor
- Head Of Production Renata Barbosa
- Content Editor Dave Anlezark
- Executive Producer Adrian Shapiro
- Producer/ Associate Executive Producer Morgan Benson-Taylor
- DP Shelley Farthing-Dawe
- Production Designer Bethany Ryan
- Offline Editor Adam Wills
- VFX Supervisor Jesse Meha
- VFX Producer Emily Newbould
- Head of VFX / Executive Producer Alastair Stephen
- Colorist Fergus Rotherham
- Sound Designer Tone Aston
- Sound Executive Producer Michael Gie
- Creative Director Damon Porter
- Sound Designer Cameron Milne
Credits
powered by- Agency Innocean Worldwide/Sydney
- Production Company Scoundrel
- Director James Dive
- VFX Fin Design + Effects
- Colourist Rumble Studios
- Music Supervision Level Two Music
- Executive Creative Director Wesley Hawes
- Creative Director Dave Harvey
- Copywriter Georgie Parchert
- Art Director Lachlan Rotherham
- Design Lead Michael Macgregor
- Head Of Production Renata Barbosa
- Content Editor Dave Anlezark
- Executive Producer Adrian Shapiro
- Producer/ Associate Executive Producer Morgan Benson-Taylor
- DP Shelley Farthing-Dawe
- Production Designer Bethany Ryan
- Offline Editor Adam Wills
- VFX Supervisor Jesse Meha
- VFX Producer Emily Newbould
- Head of VFX / Executive Producer Alastair Stephen
- Colorist Fergus Rotherham
- Sound Designer Tone Aston
- Sound Executive Producer Michael Gie
- Creative Director Damon Porter
- Sound Designer Cameron Milne