The power of the past in tomorrow’s branding
Forsman & Bodenfors NY Group Creative Director Ivan Guerra predicts
that the next big thing in the new year's marketing could be good old-fashioned heritage.
A quick note before I lose you too soon: this is not yet another piece about the Jaguar rebrand, I promise.
A lot has been said about it – good and bad, and if 'rebrand' is even the right term. However, it did spark the observation you’ll find in this piece. Because, though it’s taken the spotlight over the past few weeks, it was just another symptom of a condition affecting our industry – the obsession with cultural relevance.
The careless chase after the new and this has resulted in campaigns that are as fleeting as the trends they’ve hijacked...
In the age of social media and the attention economy, this obsession isn’t totally unwarranted. But the careless chase after the new has resulted in campaigns that are as fleeting as the trends they’ve hijacked: indistinguishable aesthetics (dubbed by Fast Company a few years back as ‘blanding’) and self-indulgent, forgettable stories. But you knew that already.
What’s interesting, though, is a few initiatives and campaigns that have popped up recently and could point to a trend running counter to this tide. That incipient trend is a return to roots.
This Burberry rebrand revived its intricate Equestrian Knight logo.
Everyone can have a future, not everyone has a past.
Heritage is the most powerful source of distinctiveness. Why? Well, because not everyone has it. And heritage is built on and with distinctive assets. In the age of blanding, many have lost those assets. When I say ‘lost’ I mean ‘consciously decided to forgo’ them for the cool, new thing. So, in an effort to be distinctive again, they are leaning back into their heritage to find those assets.
To be clear, this isn’t about tapping into sentiments of nostalgia (though, of course, there’s a bit of that).
Burberry provides a striking example. Having recently strayed into blanding territory, alongside most other fashion houses, it’s seen a dramatic shift under its new Chief Creative Officer Daniel Lee, embracing its British heritage and reviving classic elements like its intricate Equestrian Knight logo.
Similarly, Barbie showcased the power of heritage with its blockbuster movie release, leaning unapologetically into every distinctive asset the brand has built over its 70-year history, embracing what made the doll a cultural phenomenon in a way that felt both fresh and familiar, capturing the attention of new generations while reigniting nostalgia for older fans.
Credits
powered by- Agency Wieden + Kennedy/New York
- Production Company Epoch Films
- Director Matias & Mathias
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Wieden + Kennedy/New York
- Production Company Epoch Films
- Director Matias & Mathias
- Executive Creative Director Jason Bagley
- Executive Creative Director Eric Baldwin
- Creative Director Matt Sorrell
- Creative Director Ashley Davis-Marshall
- Creative Director Erik Fahrenkopf
- Creative Director Max Stinson
- Copywriter Kamey Murphy
- Art Director Nicole Blauw
- Senior Producer Evelyn Loomis
- HP Matt Hunnicutt
- Executive Producer Melissa Culligan
- Bidding Producer Megan Murphree
- Editor JB Jacobs
- Editing Company Joint Editorial (In-House at Wieden + Kennedy)
- VFX Company Kevin VFX
- VFX Supervisor/2D Lead Tim Davies
- Head of CG Mike Dalzell
- Executive Creative Director/ Partner Tim Davies
- Senior Executive Producer/Partner Sue Troyan
- Colorist Jasmine Vazquez
- Audio Mixer/ Sound Design Noah Woodburn
- Assistant Audio Mixer Natalie Huizenga
- Line Producer Ritu Paramesh
- DP Andreas Bjorseth
- VFX Producer Jami Schakel
Credits
powered by- Agency Wieden + Kennedy/New York
- Production Company Epoch Films
- Director Matias & Mathias
- Executive Creative Director Jason Bagley
- Executive Creative Director Eric Baldwin
- Creative Director Matt Sorrell
- Creative Director Ashley Davis-Marshall
- Creative Director Erik Fahrenkopf
- Creative Director Max Stinson
- Copywriter Kamey Murphy
- Art Director Nicole Blauw
- Senior Producer Evelyn Loomis
- HP Matt Hunnicutt
- Executive Producer Melissa Culligan
- Bidding Producer Megan Murphree
- Editor JB Jacobs
- Editing Company Joint Editorial (In-House at Wieden + Kennedy)
- VFX Company Kevin VFX
- VFX Supervisor/2D Lead Tim Davies
- Head of CG Mike Dalzell
- Executive Creative Director/ Partner Tim Davies
- Senior Executive Producer/Partner Sue Troyan
- Colorist Jasmine Vazquez
- Audio Mixer/ Sound Design Noah Woodburn
- Assistant Audio Mixer Natalie Huizenga
- Line Producer Ritu Paramesh
- DP Andreas Bjorseth
- VFX Producer Jami Schakel
Old Spice’s The Man Your Man Could Smell Like.
To be clear, this isn’t about tapping into sentiments of nostalgia (though, of course, there’s a bit of that, too - more on that later). It’s about allowing your brand to shine in the modern media ecosystem through its recognisable brand assets. Not in lieu of them.
Certain brands have ‘distinctive memories’ – brand expressions that have passed the test of time and become icons in our collective conscious.
Certain brands have ‘distinctive memories’ – brand expressions that have passed the test of time and become icons in our collective conscious: Apple’s 1984, De Beers’ A Diamond is Forever, the Big Mac jingle, the iconic Hershey’s Kisses, and even, more recently, Old Spice’s The Man Your Man Could Smell Like. Leveraging these distinctive memories can be a powerful marketing tool.
Credits
powered by- Agency TBWA Chiat Day/Los Angeles
- Production Company PRETTYBIRD
- Director Melina Matsoukas
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-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency TBWA Chiat Day/Los Angeles
- Production Company PRETTYBIRD
- Director Melina Matsoukas
- Production Co. De La Revolucion
- Edit Company Cabin Editing Company
- VFX Company Parkwood Entertainment
- VFX/Finishing Company Method Studios/Los Angeles
- Audio Post Barking Owl
- DP Marcell Rev
- Editor Sam Ostrove
- Producer Alexandra Hooker
- Colorist Tom Poole
- Audio Mixer AJ Murillo
- Talent Beyonce Knowles
Credits
powered by- Agency TBWA Chiat Day/Los Angeles
- Production Company PRETTYBIRD
- Director Melina Matsoukas
- Production Co. De La Revolucion
- Edit Company Cabin Editing Company
- VFX Company Parkwood Entertainment
- VFX/Finishing Company Method Studios/Los Angeles
- Audio Post Barking Owl
- DP Marcell Rev
- Editor Sam Ostrove
- Producer Alexandra Hooker
- Colorist Tom Poole
- Audio Mixer AJ Murillo
- Talent Beyonce Knowles
Levi’s Launderette.
Take Levi's as an example, a brand with such iconic communication, simply reheating the beloved Launderette ad – sure, featuring Beyoncé helps – was enough to bring it back to the centre of our collective conversations. No cultural moment needed, no TikTok challenge required.
The renewed interest in tradition is more than just a trend. In fact, it’s the antithesis of it.
The world of spirits is one that’s no stranger to distinctive memories. Earlier this year, we tapped into them for Diageo’s Seagram’s 7, helping the brand revive the classic 7&7 cocktail by rekindling their partnership with 7-up and then recreating its familiar print ads from the 70s, remade for a social-first generation.
Similarly, to promote Diageo’s non-alcoholic stout Guinness 0.0, we resurrected its renowned Toucan to make a simple point: “You don’t have to drink to be part of the flock.”
Guinness rebrand.
Roots really resonate
The renewed interest in tradition is more than just a trend. In fact, it’s the antithesis of it — it’s a time-tested response to the challenges of an always-on market that is trying to force brands to keep up with the speed of cultural shift. Here’s why:
1. Familiarity Equals Trust
And familiarity requires consistency. And consistency takes time. So leaning into a familiar (especially ‘old’) brand story is a great way to cultivate trust and loyalty, qualities that are increasingly rare today.
2. Your Past Can’t be Stolen
Your past is the most unique thing you have because it’s only yours. Whether it’s a signature design, a legendary product, or a compelling origin story, these ownable elements help brands cut through the noise and remain memorable, like Burger King did when it resurfaced a clip of Andy Warhol eating a Whopper for its Super Bowl spot.
A well-crafted heritage story doesn’t exist in isolation — it intersects with broader cultural trends and values.
3. Something For Everyone
For older audiences, legacy brand assets and memories evoke nostalgia. For younger audiences, these brands offer a sense of timelessness and authenticity that contrasts with the ephemeral nature of many modern brands.
4. Forward to the Past
A well-crafted heritage story doesn’t exist in isolation — it intersects with broader cultural trends and values. By reimagining their legacy in ways that align with contemporary sensibilities and timely opportunities, brands can assert their relevance while celebrating their history.
Forsman & Bodenfors NY's rebrand for Diageo’s Seagram’s 7 remixed the classic 7&7 cocktail.
Predictions are pitfalls. No one knows what the future holds. But one thing is certain, brands with a rich history hold a unique advantage: they have stories to tell, assets to revive, and a reservoir of memories to draw upon.
Predictions are pitfalls. No one knows what the future holds.
When combined with a deep understanding of contemporary culture, these elements can help brands not only survive but thrive in today’s complex marketplace. In the coming years, I’m looking forward to seeing more brands dig into their archives as a source of inspiration and prove that sometimes, the best way forward is to look back.