The ACLU takes US birthright citizenship to The Boss
Taking Bruce Springsteen’s politically loaded Born In The U.S.A. and reframing it around an upcoming US Supreme Court case on birthright citizenship, Anderson Wright’s film The Beat centres on real people whose lives may be affected by the outcome.
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Credits
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- Production Company Stink/USA
- Director Anderson Wright
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Credits
View on- Production Company Stink/USA
- Director Anderson Wright
- Editing Trim
- VFX Noise Studio/Los Angeles
- Color Ethos Studio
- Sound Ballad
- President Daniel Bergmann
- Executive Producer/Managing Director Ben Davies
- Executive Producer Jax Ostle-Evans
- Producer Dustin Highbridge
- Producer Deryck Highbridge
- Production Designer Hensel Martinez
- DP Mika Aberra
- Editor Laura Cairney-Keize
- Producer Paolo Solarte
- Producer Polly Kemp
- Offline Executive Producer Anne Lai
- Creative Director/VFX Supervisor Michael Gregory
- Executive Producer Karen Anderson
- VFX Senior Producer Rachel Mariscal Creasey
- VFX Coordinator Aminah Gbadamosi
- Colorist Kaitlyn Battistelli
- Production Coordinator Miraida Gutierrez-Colon
- Head of Production Sasha Pace
- Executive Producer/Managing Director Eliana Carranza-Pitcher
- Executive Producer/Founder James Drew
- Sound Designer Adrian Aurelius
- Sound Designer Philip Nicolai Flindt
- Executive Producer Gregers Maersk Moeller
- Casting Director Elise Tyler
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Production Company Stink/USA
- Director Anderson Wright
- Editing Trim
- VFX Noise Studio/Los Angeles
- Color Ethos Studio
- Sound Ballad
- President Daniel Bergmann
- Executive Producer/Managing Director Ben Davies
- Executive Producer Jax Ostle-Evans
- Producer Dustin Highbridge
- Producer Deryck Highbridge
- Production Designer Hensel Martinez
- DP Mika Aberra
- Editor Laura Cairney-Keize
- Producer Paolo Solarte
- Producer Polly Kemp
- Offline Executive Producer Anne Lai
- Creative Director/VFX Supervisor Michael Gregory
- Executive Producer Karen Anderson
- VFX Senior Producer Rachel Mariscal Creasey
- VFX Coordinator Aminah Gbadamosi
- Colorist Kaitlyn Battistelli
- Production Coordinator Miraida Gutierrez-Colon
- Head of Production Sasha Pace
- Executive Producer/Managing Director Eliana Carranza-Pitcher
- Executive Producer/Founder James Drew
- Sound Designer Adrian Aurelius
- Sound Designer Philip Nicolai Flindt
- Executive Producer Gregers Maersk Moeller
- Casting Director Elise Tyler
When Bruce Springsteen’s Born In The U.S.A. was released in 1985, it was swiftly misinterpreted as a chest-thumping patriotic rallying cry, rather than recognised for the nuanced protest poetry beating at its heart.
Now, more than 40 years later, the track has been smartly appropriated by the American Civil Liberties Union [ACLU] to (quite literally) bang home the message of birthright citizenship, and what stands to be lost if that right is undone.
Titled The Beat, the film, from Stink director Anderson Wright, takes Max Weinberg's driving drumbeat and uses it to anchor images of everyday moments across the country, from classrooms to job sites to family gatherings, forming a powerful portrait of a nation shaped by the Fourteenth Amendment to the United States Constitution.
