The 10 brands that cut through in 2025
Creative effectiveness platform System1 has crunched the 2025 numbers and revealed the 10 campaigns which had true category cut-through last year.
Creative effectiveness platform System1 has used its Test Your Ad platform and Competitive Edge database to reveal the top 10 global ads from 2025 by emotional response, channel and category cut-through.
The list, which is dominated by the UK, recognises brands based on how strongly each ad performed relative to direct competitors, highlighting the creative choices that delivered true distinctiveness and a measurable competitive edge.
System1’s Star Rating is widely used to predict long-term brand-building potential, but this ranking takes a different approach, focussing on memorable impact within the category, across channels and contexts where attention is hard-won.
“Cut-through is not about playing it safe or copying the category mood of the moment."
The top 10 spots, listed below, reveals a clear pattern; that the most effective work did not rely on one emotional 'formula', instead using emotion strategically. Consistency was key, as was taking risks and going against traditional category conventions. Many of the campaigns also embraced bold storytelling shifts, including the use of AI and using a wider emotional range, from amusement and surprise to tension, sadness and even moments of negativity, all in a bid to sustain attention and drive engagement.
“Cut-through is not about playing it safe or copying the category mood of the moment," said Jon Evans, Chief Customer Officer at System1 and host of Uncensored CMO. "It is about deliberately choosing an emotional stance that makes your brand impossible to ignore.This year’s top ads prove there is no single formula for earning attention. From Irn-Bru’s culturally sharp humour and Dove’s long-standing commitment to real beauty, to deliberately provocative work from American Eagle and Lynx, the common thread is intent. When brands fully commit to an emotion, whether that is joy, discomfort or something more challenging, they create memorability, conversation and commercial impact. That is how attention is earned in a sea of sameness.”
The top 10 ads of 2025
Best in brand-building
Dove #ChangetheCompliment [US]
3.1 Star Rating uplift versus the ‘Soaps and Personal Wash’ category.
Credits
View on- Agency Zulu Alpha Kilo/New York
- Production Company Object & Animal/USA
- Director Haya Waseem
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Credits
View on- Agency Zulu Alpha Kilo/New York
- Production Company Object & Animal/USA
- Director Haya Waseem
- Ad Agency Zulu Alpha Kilo/Toronto
- Head of Production Lauren Skillen
- Executive Producer Emi Stewart
- Production Co Animals/Canada
- Executive Producer Miriana DiQuinzio
- Executive Producer Christopher Hutsul
- Editing Cosmo Street/New York
- Executive Producer Luiza Naritomi
- Editor Marlo Caine
- Post Production The End FX
- Executive Producer Diana Dayrit
- Color Company 3/New York
- Colorist Kath Raisch
- Post Producer Jake Rioux
- Colorist Yoomin Lee
- Line Producer Dan Montgomery
- DP Christopher Lew
- Senior Post Producer Amanda Slamin
- Assistant Editor Moss Levenson
- Composer Emile Mosseri
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Credits
powered by- Agency Zulu Alpha Kilo/New York
- Production Company Object & Animal/USA
- Director Haya Waseem
- Ad Agency Zulu Alpha Kilo/Toronto
- Head of Production Lauren Skillen
- Executive Producer Emi Stewart
- Production Co Animals/Canada
- Executive Producer Miriana DiQuinzio
- Executive Producer Christopher Hutsul
- Editing Cosmo Street/New York
- Executive Producer Luiza Naritomi
- Editor Marlo Caine
- Post Production The End FX
- Executive Producer Diana Dayrit
- Color Company 3/New York
- Colorist Kath Raisch
- Post Producer Jake Rioux
- Colorist Yoomin Lee
- Line Producer Dan Montgomery
- DP Christopher Lew
- Senior Post Producer Amanda Slamin
- Assistant Editor Moss Levenson
- Composer Emile Mosseri
Best in short-term impact
Warburtons The Inspection [UK]
0.55 Spike Rating uplift versus the ‘Bakery Category’.
Credits
View on- Agency Joyful & Triumphant/London
- Production Company Merman
- Director Declan Lowney
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Credits
View on- Agency Joyful & Triumphant/London
- Production Company Merman
- Director Declan Lowney
- Editing Stitch
- VFX/Post Production Freefolk
- Colorist Marty McMullan
- Sound Design Jungle Studios
- Music Stare Crazy Music & Sound
- Executive Creative Director Billy Faithfull
- Creative Director Jonny Porthouse
- Creative Director Andy Lee
- Producer Sally Lipsius
- Producer Camilla Hempleman-Adams
- Producer Charlotte Lipsius
- Executive Producer Simon Monhemius
- DP Tat Radcliffe
- Editor Leo King
- VFX Producer Charles Gillett
- VFX Producer Jason Watts
- Sound Designer Ben Leeves
- Talent Olivia Colman
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Credits
powered by- Agency Joyful & Triumphant/London
- Production Company Merman
- Director Declan Lowney
- Editing Stitch
- VFX/Post Production Freefolk
- Colorist Marty McMullan
- Sound Design Jungle Studios
- Music Stare Crazy Music & Sound
- Executive Creative Director Billy Faithfull
- Creative Director Jonny Porthouse
- Creative Director Andy Lee
- Producer Sally Lipsius
- Producer Camilla Hempleman-Adams
- Producer Charlotte Lipsius
- Executive Producer Simon Monhemius
- DP Tat Radcliffe
- Editor Leo King
- VFX Producer Charles Gillett
- VFX Producer Jason Watts
- Sound Designer Ben Leeves
- Talent Olivia Colman
Best in brand recall
Uber In Good Time [UK]
26% higher fluency versus the ‘Mobile App’ category, and 28% higher than the average for 'Travel', making it the most recalled brand versus the category.
Credits
View on- Agency Mother/New York
- Production Company MJZ/USA
- Director Michael Spiccia
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Credits
View on- Agency Mother/New York
- Production Company MJZ/USA
- Director Michael Spiccia
- Editing Cabin Edit/Los Angeles
- VFX Preymaker
- Senior Colorist Mikey Pehanich
- Color Royal Muster
- Sound Designer Carla Luffe
- Sound Record & Mixing Sonic Union
- Music Supervision Premier Music Group
- Original Music Composition Human Music & Sound Design/USA
- Chief Creative Officer Felix Richter
- Chief Creative Officer Oriel Davis-Lyons
- Executive Creative Director Kevin Weir
- Senior Copywriter Michael Swinburn
- Senior Art Director Israel Medeiros
- Creative Director Richard Tahmasebi
- Executive Creative Director Martin Rose
- Executive Producer Jimmy Wade
- Executive Producer Sandra Hagblom
- Creative Gabriel Crompton-Schreiber
- Executive Producer/Head of Production Marthinus Lamprecht
- Executive Producer Noah Goldsmith
- Line Producer Benjamin Gilovitz
- Production Designer Jason Hougaard
- DP Evan Prosofsky
- Editor Carla Luffe
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Credits
powered by- Agency Mother/New York
- Production Company MJZ/USA
- Director Michael Spiccia
- Editing Cabin Edit/Los Angeles
- VFX Preymaker
- Senior Colorist Mikey Pehanich
- Color Royal Muster
- Sound Designer Carla Luffe
- Sound Record & Mixing Sonic Union
- Music Supervision Premier Music Group
- Original Music Composition Human Music & Sound Design/USA
- Chief Creative Officer Felix Richter
- Chief Creative Officer Oriel Davis-Lyons
- Executive Creative Director Kevin Weir
- Senior Copywriter Michael Swinburn
- Senior Art Director Israel Medeiros
- Creative Director Richard Tahmasebi
- Executive Creative Director Martin Rose
- Executive Producer Jimmy Wade
- Executive Producer Sandra Hagblom
- Creative Gabriel Crompton-Schreiber
- Executive Producer/Head of Production Marthinus Lamprecht
- Executive Producer Noah Goldsmith
- Line Producer Benjamin Gilovitz
- Production Designer Jason Hougaard
- DP Evan Prosofsky
- Editor Carla Luffe
Best of festive
Coca-Cola Holidays Are Coming [US & UK]
Top scoring holiday/Christmas ad in the US and UK across Star, Spike & Fluency Rating.
Credits
View on- Agency VML/Atlanta
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- Director No Director Credited
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Credits
View on- Agency VML/Atlanta
- Director No Director Credited
- Ad Agency WPP Open X/Atlanta
- Ad Agency Ogilvy/Atlanta
- Ad Agency EssenceMediacom/San Francisco
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Credits
powered by- Agency VML/Atlanta
- Director No Director Credited
- Ad Agency WPP Open X/Atlanta
- Ad Agency Ogilvy/Atlanta
- Ad Agency EssenceMediacom/San Francisco
Most provocative
American Eagle Sydney Sweeney Has Great Jeans [US]
16% uplift in negative emotion ‘contempt’ versus the ‘Fashion’ category, making it the most polarising ad of the year.
Credits
View on- Agency Production Company In-House
- Production Company Acre Creative
- Director Duncan Wolfe
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Credits
View on- Agency Production Company In-House
- Production Company Acre Creative
- Director Duncan Wolfe
- Executive Producer Dominic Muller
- Creative Brad Shaffer
- Post House House Post
- Executive Producer/Founder Kevin Clark
- Head of Production Christo Arsenio
- Editor Andrew Litten
- Colorist Dylan Hageman
- Sound Company Concret Form
- Sound Designer/Audio Mixer Raphael Ajuelos
- Producer Charlotte Condy
- Producer Claire Cushing
- DP David Vollrath
- Assistant Editor Liam Vodehnal
- Post Producer Claire Loudis
- Color Producer Gina Martin
- Sound Editor Kai Scheer
- Talent Sydney Sweeney
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Credits
powered by- Agency Production Company In-House
- Production Company Acre Creative
- Director Duncan Wolfe
- Executive Producer Dominic Muller
- Creative Brad Shaffer
- Post House House Post
- Executive Producer/Founder Kevin Clark
- Head of Production Christo Arsenio
- Editor Andrew Litten
- Colorist Dylan Hageman
- Sound Company Concret Form
- Sound Designer/Audio Mixer Raphael Ajuelos
- Producer Charlotte Condy
- Producer Claire Cushing
- DP David Vollrath
- Assistant Editor Liam Vodehnal
- Post Producer Claire Loudis
- Color Producer Gina Martin
- Sound Editor Kai Scheer
- Talent Sydney Sweeney
Most subversive
Lynx Lynx Lower Body Spray [UK]
21% uplift in emotional response ‘disgust’ versus the category, tapping into one of the rarest emotions to cut-through.
Credits
View on- Agency LOLA MullenLowe/Madrid
- Production Company CZAR Amsterdam
- Director Lionel Goldstein
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Credits
View on- Agency LOLA MullenLowe/Madrid
- Production Company CZAR Amsterdam
- Director Lionel Goldstein
- Editor Manu Van Hove
- Sound Design & Mix Senstudio
- Music Big Sync Music
- Production Services Tickle Film
- Creative Koke Dominguez
- Creative Maria Baguena Cabezas
- Executive Creative Director Tomas Ostiglia
- Creative Director Dante Zamboni
- Creative Director. Jorge Zacher
- Head of Production (HP) Felipe Calvino
- Producer Marina Saro
- Executive Producer Eurydice Gysel
- Producer Lander Engels
- DP Grimm Vandekerckhove
- Sound Design & Mix Bert Aerts
- Sound Design & Mix. Senjan Jansen
- Senior Music Supervisor Alicia Leinot
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Credits
powered by- Agency LOLA MullenLowe/Madrid
- Production Company CZAR Amsterdam
- Director Lionel Goldstein
- Editor Manu Van Hove
- Sound Design & Mix Senstudio
- Music Big Sync Music
- Production Services Tickle Film
- Creative Koke Dominguez
- Creative Maria Baguena Cabezas
- Executive Creative Director Tomas Ostiglia
- Creative Director Dante Zamboni
- Creative Director. Jorge Zacher
- Head of Production (HP) Felipe Calvino
- Producer Marina Saro
- Executive Producer Eurydice Gysel
- Producer Lander Engels
- DP Grimm Vandekerckhove
- Sound Design & Mix Bert Aerts
- Sound Design & Mix. Senjan Jansen
- Senior Music Supervisor Alicia Leinot
Best in comedy
Irn-Bru Made in Scotland for Girders [UK]
56% ‘amusement’ score, the highest across all categories in 2025.
Credits
View on- Agency Lucky Generals/London
- Production Company Love Song
- Director Elliott Power
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Credits
View on- Agency Lucky Generals/London
- Production Company Love Song
- Director Elliott Power
- Editing The Quarry
- Editor/Partner Jonnie Scarlett
- Assistant Editor Henry Thackray
- Executive Producer Tor Adams
- Post Production Stray
- Executive Producer Misha Stanford-Harris
- Executive Producer Clare Melia
- Post Producer Ellie Georgiou
- Creative Director Carl Norton
- VFX Supervisor Carl Norton
- Colorist Jason Wallis
- Color Electric Theatre Collective
- Head of Color Oliver Whitworth
- Sound Design King Lear Music & Sound
- Sound Designer Ed Downham
- Audio Producer Leo Clayton
- Music The Hogan
- Music Supervisor Isa Rehman
- Music Supervisor Sean Hogan
- Executive Producer Shirley O'Connor
- Production Designer Jamie Lapsley
- Executive Producer Sara Wallace
- Producer Maeve McMahon
- Line Producer Beth Allen
- DP Anna Franquesa-Solano
- Post Producer Dilia Knobel
- Post Producer Rachael Donson
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Credits
powered by- Agency Lucky Generals/London
- Production Company Love Song
- Director Elliott Power
- Editing The Quarry
- Editor/Partner Jonnie Scarlett
- Assistant Editor Henry Thackray
- Executive Producer Tor Adams
- Post Production Stray
- Executive Producer Misha Stanford-Harris
- Executive Producer Clare Melia
- Post Producer Ellie Georgiou
- Creative Director Carl Norton
- VFX Supervisor Carl Norton
- Colorist Jason Wallis
- Color Electric Theatre Collective
- Head of Color Oliver Whitworth
- Sound Design King Lear Music & Sound
- Sound Designer Ed Downham
- Audio Producer Leo Clayton
- Music The Hogan
- Music Supervisor Isa Rehman
- Music Supervisor Sean Hogan
- Executive Producer Shirley O'Connor
- Production Designer Jamie Lapsley
- Executive Producer Sara Wallace
- Producer Maeve McMahon
- Line Producer Beth Allen
- DP Anna Franquesa-Solano
- Post Producer Dilia Knobel
- Post Producer Rachael Donson
Best in sport
Uber Eats Football is For Food [US]
48% uplift in 'happiness’ versus sport-themed ads, a category that typically struggles to resonate with mass audiences and skews toward already-engaged fans.
Best in outdoor
Cadbury All Heroes, No Zeroes [UK]
First ever 5.9 Star Rating for outdoor, against an average of 2.5 Stars.
Least dull
Volvo Come Back Stronger [Saudi Arabia]
Volvo’s ad has just 12% neutral feeling, which is the least commercially impactful (long-term or short-term) emotional response in advertising. This is a 37% decrease versus the car category.