On My Radar: Max McKeon
The Colenso BBDO New Zealand Creative Director reflects on his soft spot for westerns and Richard Ayoade, and wishes advertising was called something else.
What’s the most creative advertising idea you’ve seen recently?
I love the Truth work by Droga5 for the New York Times. While I usually wouldn’t put something that is essentially a film campaign on a pedestal, the insight is so powerful and the execution so nice that I have to give it recognition.
Credits
powered by- Agency Droga5/New York
- Production Company Furlined
- Director Martin + Lindsay
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Credits
powered by- Agency Droga5/New York
- Production Company Furlined
- Director Martin + Lindsay
- Creative Chairman David Droga
- Chief Creative Officer Neil Heymann
- Executive Creative Director Tim Gordon
- Creative Director Laurie Howell
- Copywriter Chase Kimball
- Junior Art Director Jackie Moran
- Design Director Nate Moore
- Chief Creation Officer Sally-Ann Dale
- Director of Film Production Jesse Brihn
- Associate Director of Film Production Ruben Mercadal
- Senior Producer Topher Cochrane
- Senior Producer Brandon Chen
- Associate Producer Holly Schussler
- Music Supervisor Mike Ladman
- Junior Copywriter Droga5/New York
- Executive Producer David Thorne
- Executive Producer Ben Davies
- President Diane McArter
- Editor Jim Helton
- Assistant Editor Chris Rizzo
- Assistant Editor Sophie Solomon-O’Connell
- Executive Producer Sarah Roebuck
- Head of Production Penny Ensley
- Producer Lareysa Smith
- Producer Alek Rost
- Producer Kyra Hendricks
- Creative Director Dirk Greene
- VFX Artist Betty Cameron
- Colorist Tom Poole
- Colorist Sofie Borup
- Producer Alexandra Lubrano
- Composer Saunder Jurriaans
- Sound Designer Aaron Reynolds
- Engineer Ed Downham
- Executive Producer Vicky Ferraro
- Creative Director Toby Treyer-Evans
- Flame Artist Jenna DeAngelis
- Composer Danny Bensi
Credits
powered by- Agency Droga5/New York
- Production Company Furlined
- Director Martin + Lindsay
- Creative Chairman David Droga
- Chief Creative Officer Neil Heymann
- Executive Creative Director Tim Gordon
- Creative Director Laurie Howell
- Copywriter Chase Kimball
- Junior Art Director Jackie Moran
- Design Director Nate Moore
- Chief Creation Officer Sally-Ann Dale
- Director of Film Production Jesse Brihn
- Associate Director of Film Production Ruben Mercadal
- Senior Producer Topher Cochrane
- Senior Producer Brandon Chen
- Associate Producer Holly Schussler
- Music Supervisor Mike Ladman
- Junior Copywriter Droga5/New York
- Executive Producer David Thorne
- Executive Producer Ben Davies
- President Diane McArter
- Editor Jim Helton
- Assistant Editor Chris Rizzo
- Assistant Editor Sophie Solomon-O’Connell
- Executive Producer Sarah Roebuck
- Head of Production Penny Ensley
- Producer Lareysa Smith
- Producer Alek Rost
- Producer Kyra Hendricks
- Creative Director Dirk Greene
- VFX Artist Betty Cameron
- Colorist Tom Poole
- Colorist Sofie Borup
- Producer Alexandra Lubrano
- Composer Saunder Jurriaans
- Sound Designer Aaron Reynolds
- Engineer Ed Downham
- Executive Producer Vicky Ferraro
- Creative Director Toby Treyer-Evans
- Flame Artist Jenna DeAngelis
- Composer Danny Bensi
What website(s) do you use most regularly and why?
Outside of the expected industry sites, my internet history consists mainly of repetitive Google searches of “Richard Ayoade” and “impeachment”, broken up with the occasional visit to this site.
Note: If you haven’t read Ayoade [pictured below], it’s well worth the few joules of energy it takes to scan your eyes over literature. For a taste, in one of his books, he claims to have invented a time machine. However, one that only travels forward in time, and at the regular rate. Genius.
What’s the most recent piece of tech that you’ve bought and why?
An iPad Pro, mainly because my bank account has a fear of heights. That, and buying things that I imagine will help me work makes me feel like I’m actually working.
What product could you not live without?
Cheese.
"What works best these days are ideas that people want to know more about, talk about and share. I wish the industry had a name that reflected that, mainly so agencies and clients were focused on producing less conventional work."
What’s the best film you’ve seen over the last year?
I’ve only recently watched Butch Cassidy and the Sundance Kid for the first time. I know I’m a little behind but the dialogue and delivery is amazing.
“If he'd just pay me what he's spending to make me stop robbing him, I'd stop robbing him.”
It also helps that I’m a sucker for a western.
What film do you think everyone should have seen and why?
In keeping with the theme above, No Country for Old Men. Cinematically, it’s perfection. Then there’s the dialogue – between Tommy Lee Jones and his deputy or the psychotic Anton and everyday folk. It’s second to none.
What’s your preferred social media platform and why?
You can’t beat Insta. I’ve fallen out of love with social media of late, but whatever dopamine lures they built into Insta seems to bring me back the most.
What’s your favourite TV show and why?
Impossible to pick one. Current loves are: Always Sunny, Brooklyn Nine Nine, Rick and Morty, Silicon Valley, Archer.
Previous obsessions: Peep Show, Arrested Development (the older seasons), IT Crowd, 30 Rock, Mighty Boosh, The Office, Seinfeld.
What’s your favourite podcast?
True crime style podcasts. I really like listening to the way detectives think. Plus, my wife listens to them all the time, and if she knows more about how to get away with murder than I do, the balance of our relationship will tip even further in her favour.
What show/exhibition has most inspired you recently?
There have been a few nice ones recently, such as a subterranean exhibition that used LiDAR tech to map underground lava tubes. The images were beautiful.
One of the best exhibitions I’ve ever seen was an exploration of colour by Olafur Eliasson called Take Your Time. It was really simple work but was amazing to experience.
What’s the most significant change you’ve witnessed in the industry since you started working in it?
The departure from a reliance on film. Film still plays a huge role in what we do, but unless your idea is getting attention on its own merits, it’s doing the client a disservice.
My wife listens to [true crime podcasts], and if she knows more about how to get away with murder than I do, the balance of our relationship will tip even further in her favour.
If there was one thing you could change about the advertising industry, what would it be?
The name. Advertising conjures images of billboards and TV ads, which is the old ‘force feeding’ style of communication where eyeballs were bought with media dollars. What works best these days are ideas that people want to know more about, talk about and share. I wish the industry had a name that reflected that, mainly so agencies and clients were focused on producing less conventional work.
Who or what has most influenced your career and why?
Chance. I’ve always worked hard and been as prolific with ideas as possible, but it also takes being in the right place at the right time for all that hard work to fully pay off. I’ve been lucky to have worked with some of the most talented people in the industry and had opportunities to bring some great ideas to life.
Tell us one thing about yourself that most people won’t know.
InfernalMachine. It’s my wifi password.