On My Radar: Leo Zuckerman
Leo Zuckerman, a director at Tool, on the Ferrari of computer display monitors, why Kubrick films should be mandatory, and the complexities of Leonard Cohen's music.
What’s the most creative advertising idea you’ve seen recently?
Parallels, for Jim Beam and featuring Willem Dafoe has to be one of the most influential and memorable ads I’ve seen. It’s bold and introspective. It has a palpable gravitas, with each scene presenting an alternate version of a man’s life. It communicates the importance of making bold decisions. A message that I strongly identified with, and still do. Now, when confronted with a life decision, I think of Jim Beam and the importance of being bold. Well played, Jim Beam. Well played.
Credits
powered by- Agency StrawberryFrog/New York
- Production Company MJZ/USA
- Director Dante Ariola
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Credits
powered by- Agency StrawberryFrog/New York
- Production Company MJZ/USA
- Director Dante Ariola
- Exec Producer David Zander
- Exec Producer Jeff Scruton
- Prod Design Christopher Glass
- DP Emmanuel (Chivo) Lubezki
- Editor Adam Pertofsky
- Assistant Editor Neil Meiklejohn
- Exec Producer Jo Arghiris
- Colorist Fergus McCall
- VFX The Mill/New York
- Producer Zu Al-Kadiri
- Chief Creative Officer Kevin McKeon
- CD Josh Greenspan
- CD Jason Koxvold
- CD/Art Director Todd Beeby
- Copywriter Jed Cohen
- ACD/Writer Brian Platt
- Art Director Karl Haddad
- Producer Sherri Levy
- Producer Natalie Hill / (Producer - USA)
- Producer Adrienne Britzman
- Animator 2D Lead Corey Brown
- Animator 3D Lead Wyatt Savarese
- Animator 3D Lead Gong Myung Lee
- Talent Willem Dafoe
Credits
powered by- Agency StrawberryFrog/New York
- Production Company MJZ/USA
- Director Dante Ariola
- Exec Producer David Zander
- Exec Producer Jeff Scruton
- Prod Design Christopher Glass
- DP Emmanuel (Chivo) Lubezki
- Editor Adam Pertofsky
- Assistant Editor Neil Meiklejohn
- Exec Producer Jo Arghiris
- Colorist Fergus McCall
- VFX The Mill/New York
- Producer Zu Al-Kadiri
- Chief Creative Officer Kevin McKeon
- CD Josh Greenspan
- CD Jason Koxvold
- CD/Art Director Todd Beeby
- Copywriter Jed Cohen
- ACD/Writer Brian Platt
- Art Director Karl Haddad
- Producer Sherri Levy
- Producer Natalie Hill / (Producer - USA)
- Producer Adrienne Britzman
- Animator 2D Lead Corey Brown
- Animator 3D Lead Wyatt Savarese
- Animator 3D Lead Gong Myung Lee
- Talent Willem Dafoe
What website(s) do you use most regularly?
Spending many days on the road, speedtest.net has found its way high up on my frequented websites. It’s like the digital equivalent of a pocket knife or a compass; an everyday useful tool. Knowing that I’ve got a strong and reliable internet connection is some weird modern comfort that makes me feel at home.
What’s the most recent piece of tech that you’ve bought?
A brand new Apple Display. Like a Ferrari, it looks beautiful just sitting there. All gleaming and machined from one single slab of aluminium and all. It’s quite like sculptural art, actually. Just looking at the simple and pure design makes me feel inspired. You don’t even have to turn it on. But it’s quite nice when you do that too.
What product could you not live without?
While I get no compensation for being an Apple fanboy, I’d say the product I can’t live without would be my iPhone. Left it in the back of a cab recently, and I felt like I’d lost my right arm. It’s wild how this small device is the first thing we turn to in order to do almost anything. A real reminder of how connected — and disconnected — we all are.
What’s the best film you’ve seen over the last year?
Easy answer; Anatomy of a Fall. It’s a beautifully layered murder-mystery exploration of truth and perception. Every character has their flaws, the twisting plot keeps you guessing, and there’s a 50 Cent cover which I particularly love.
What film do you think everyone should have seen?
I think everyone should be legally mandated to watch Kubrick films. You want to get a driver’s license? You have to watch 2001: A Space Odyssey. You want a passport? Cue up Full Metal Jacket. The films dive deep into the human experience in a way that’s incredibly captivating, provoking and entertaining.
What’s your preferred social media platform?
Since I’ve been documenting my neighbourhood’s baked goods, I’ve been blown away by the power of TikTok, particularly, the opportunity for creators. If you have something to say, TikTok will connect you with your audience. Discussing pastries was experimental, but it really opened my eyes to the platform and what it is capable of.
What’s your favourite TV show?
Recently I’ve been a big fan of Ripley and Severance. I’m a sucker for these slow-burn psychological mysteries with incredible visual palettes. The deep nuances of Andrew Scott’s portrayal of Ripley are captivating, while the world-building and retro-futuristic style of Severance is something I can’t get enough of.
What show/exhibition has most inspired you recently?
I had the good luck to see Ai Weiwei’s newest show, Making Sense. It’s such a powerful blend of art and social commentary that really makes you think. It resonates on so many levels, like a good film that leaves you reflecting long after it’s over.
If you could only listen to one music artist from now on, who would it be?
Leonard Cohen. His lyrics hit you right in the feels and capture the complexities of being human. There’s a depth to his music that I find to be just timeless.
If there was one thing you could change about the advertising industry, what would it be?
First, I believe in the mandate that more commercials oughta be directed by Leo Zuckerman. Following that, I’m pushing for deeper narratives. Simple and direct messaging. The best ads have always been simple concepts with strong execution. I want to be part of the resurgence. Let’s bring this style of advertising back. Let’s create work that inspires people. Imagine ads that have the impact to stop your day and make you reflect on your own perspective and life choices. We could even bring in Willem Dafoe.
Who or what has most influenced your career?
Chase Jarvis, a popular commercial photographer, was one of my earliest influences. As a teenager, his work opened my eyes to the power of visual storytelling. I travelled eight hours via Greyhound bus on three occasions to see him speak. On the second, he reviewed my portfolio. Chase taught me about perspective and making images that are unique to me; that no one else can replicate — a lesson I carry with me.
Tell us one thing about yourself that most people won’t know.
When I was a kid growing up in Montreal, Leonard Cohen was on my paper route. I delivered mail to one of the world’s greatest musical legends through five feet of winter snow.