Share

We’re amazed by AI, but also afraid of it. We fear it will destroy the profitability of the ad industry and erase our jobs. But could it have an upside? 

For the big agencies and production companies, maybe not. But, for the smaller players, yes. Because a side-effect of the AI revolution is the democratisation it will bring. 

We fear [AI] will destroy the profitability of the ad industry and erase our jobs. But could it have an upside? 

AI makes it possible for small brands and not-for-profits to create ads that look just as slick as those made by the big guys. Back in the day, making high-quality commercials was a deep-pockets exercise. The cost of everything – from ad agencies to storyboard artists to cameras to directors, and even the catering – was prohibitive, with a network TV spot typically costing hundreds of thousands of dollars at the very minimum. 

Chanel – The Film (:120)

Credits
powered by Source

Unlock full credits and more with a Source + shots membership.

Credits
powered by Source
Credits powered by Source
Above: Baz Luhrmann's spot for Chanel cost a reputed $33m. 


In fact the most expensive commercial ever, the 2004 Chanel No. 5 ad, No. 5 The Film. The 180-second film was directed by Baz Luhrmann and starred Nicole Kidman, featured a soundtrack by the Sydney Symphony Orchestra and costumes by Karl Lagerfeld. So that’s how they spent $33 million ($52m in today’s money). 

Marketing was a David and Goliath battle, and David couldn't even afford a slingshot. 

Meanwhile, Amazon Alexa’s 2018 Super Bowl [below] spot was said to have cost $15m (well, it did feature Sir Anthony Hopkins, Cardi B, Rebel Wilson and Gordon Ramsay), while David Fincher’s Eminem-starring Imported from Detroit ad of 2011 cost $12m. 

In short, marketing was a David and Goliath battle, and David couldn't even afford a slingshot. Which meant the not-for-profits were restricted to press releases, cheapo guerrilla stunts, and the occasional corporate video. 

Amazon – Amazon: Alexa Loses Her Voice

Credits
powered by Source

Unlock full credits and more with a Source + shots membership.

Credits
powered by Source
Show full credits
Hide full credits
Credits powered by Source
Above: In 2018, Amazon's spot for Alexa, starring Sir Anthony Hopkins, Cardi B, Rebel Wilson and Gordon Ramsay, cost a reported $15m.


Now, AI has begun to open doors that were previously shut to smaller players. Big savings in production costs, even with previously unaffordable creative ideas, can be reinvested into media platforms for more extensive reach, all of which, pre-AI, would have been unattainable for smaller brands. 

AI has begun to open doors that were previously shut to smaller players.

ChatGPT and Jasper are game-changers for scriptwriting, especially at the lower end, such as explainer videos. Previously tedious and expensive, storyboarding is now a breeze with AI tools like Storyboard That and Plot. When it comes to video editing and post production, Adobe Premiere Pro and Final Cut Pro have AI features that handle colour correction and sound editing. And AI software like Runway makes advanced techniques like motion-tracking and background replacement accessible to everyone. 

AI has revolutionised ad distribution too. Tools like Google Analytics and Facebook Ads Manager use AI to track user behaviour and preferences, helping small brands and not-for-profits hit the right people with the right messages and for less cash. 

Above: ‘Rihanna’ in Dior spec ad, created by The Moon Unit’s David Blagojević.


So what about the results? 

spec ad for Dior, created by AI Director David Blagojević, represented by The Moon Unit, swept the internet last month. Featuring AI-generated versions of Rihanna and Emilia Clarke, it blended ancient Greek and Japanese influences with an ethereal style of its own, perfectly capturing Dior's vibe. Shot ‘for real’, it would have cost millions. But using AI, it cost nothing more than the labour of one individual. And took less than a month to complete.

Shot ‘for real’, it would have cost millions. But using AI, it cost nothing more than the labour of one individual.

Blair Vermette, another AI Director in the Moon Unit stable, slayed with this super-stylish AI spec spot for Adidas. We’ve come a long way since the AI Toys R Us debacle. In a very short space of time. 

Above: The Toys R Us AI-generated spot from earlier this year, that was universally panned for being ‘creepy’. 


But the main issue is that AI tools require technical know-how. That’s why we’re seeing the emergence of a new breed of ‘AI directors’ who have learned how to wrangle RunwayMLMidjourney and Topaz as opposed to grips, lighting cameramen and gaffers.

The new era of accessibility in the advertising industry should unlock a new era of creativity. 

Bear in mind that we’re right at the dawn of AI. No doubt there’s a lot more innovation to come. In the future, we can expect even more sophisticated and, at the same time, simpler tools, perhaps offering real-time collaboration, augmented reality and virtual reality. 

Small brands and not-for-profits will be able to create immersive experiences that engage audiences in new ways, levelling the playing field even more.

The new era of accessibility in the advertising industry should unlock a new era of creativity. With production costs no longer a barrier, brilliance will be attainable by anyone with the originality, authenticity and audacity that have always been the cornerstones of human storytelling.

With AI levelling the playing field, those who can play well will clean up.

The Moon Unit is a creative services company with a globally networked, handpicked crew of AI artists, specialist writers, visual researchers/designers and moodfilm editors in nine time zones around the world.

Share