Cannes Contenders: USA
Jed Grossman, VCCP’s new US CCO, chooses some of the US campaigns he thinks might be roaring into action in Cannes next week, including annoying a nation of sports fans and faking the history of a videogame.
TUBI Interface Interruption
Pranking 115 million people at the same time? That feels like a Cannes contender for sure!
I thoroughly enjoyed the simplicity of this stunt – which aimed to trick millions of Americans into thinking they sat on the remote at a suboptimal time – in a moment when going big usually answers the brief.
Clever in its execution and perfectly timed, this campaign tapped into Smart TV culture during the biggest broadcast moment of the year for advertisers, culminating in a magical idea that, in my estimation, only gets to happen once.
Credits
powered by- Agency Mischief/Brooklyn
- Production Company Strike Anywhere
- Director Pete Marquis
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Mischief/Brooklyn
- Production Company Strike Anywhere
- Director Pete Marquis
- Executive Producer Victoria Guenier
- Editing Friend or Foe
- Editor JP Damboragian
- Senior Producer Adam Zeitlen
- Graphics/Finishing Emily McDevitt
- Executive Creative Director Kevin Robinson
- Executive Producer Bryce Edwards
- Sound Design/Mix Decibel Sound
- Sound Designer/Audio Mixer Patrick Navarre
- Executive Producer Alicia Rodgers
- Colorist Tim Masick
- Chief Creative Officer Greg Hahn
- Executive Creative Director Bianca Guimaraes
- Executive Creative Director Kevin Mulroy
- Senior Copywriter Vanessa de Beaumont
- Senior Art Director Joao Viegas
- HP Will Dempster
- Executive Producer Amy Wertheimer
- DP Julia Swain
- Producer Adam Lawson
Credits
powered by- Agency Mischief/Brooklyn
- Production Company Strike Anywhere
- Director Pete Marquis
- Executive Producer Victoria Guenier
- Editing Friend or Foe
- Editor JP Damboragian
- Senior Producer Adam Zeitlen
- Graphics/Finishing Emily McDevitt
- Executive Creative Director Kevin Robinson
- Executive Producer Bryce Edwards
- Sound Design/Mix Decibel Sound
- Sound Designer/Audio Mixer Patrick Navarre
- Executive Producer Alicia Rodgers
- Colorist Tim Masick
- Chief Creative Officer Greg Hahn
- Executive Creative Director Bianca Guimaraes
- Executive Creative Director Kevin Mulroy
- Senior Copywriter Vanessa de Beaumont
- Senior Art Director Joao Viegas
- HP Will Dempster
- Executive Producer Amy Wertheimer
- DP Julia Swain
- Producer Adam Lawson
The Swedish Heartchild Foundation Heartbreak Drum Machine
I love how this work takes such a difficult topic – the value of supporting children and families affected by congenital heart disease – that requires real public awareness and finds a way that inspires our humanity on a whole new level that ultimately has the power to live forever.
Visually moving and sonically stunning, this work pushes creative boundaries in new and powerful ways.
Credits
powered by- Agency Abby.World
Girls Who Code Girls Who Code Girls
Last December, Girls Who Code partnered with Mojo Supermarket to launch a personalized digital experience designed to tackle the gender gap in gaming, where men comprise 77% of developers compared to 20% of women. The effort allowed gamers to code and customize their own gaming characters, allowing fans to share the characters they have created and coded.
I like that this work helped create real action and conversation within the gaming community. Fostering a new generation of female developers, it has important real-world implications, and I hope to see our creative community celebrate it.
Credits
powered byNative Traffic Stop
VCCP US launched this holiday work before I came on board, and it played a role in my desire to partner with this team. As you can see, it takes a perfectly mundane moment – a routine traffic stop – and turns it into a fun back-and-forth around whether the driver smells like eggnog from drinking or merely using Native products.
This spot tapped into comedy to help the challenger brand stand out in its space, cutting through the landscape of often emotional holiday work with a little humour.
Credits
powered by- Agency MUH-TAY-ZIK / HOF-FER/San Francisco
- Production Company O Positive
- Director David Shane
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency MUH-TAY-ZIK / HOF-FER/San Francisco
- Production Company O Positive
- Director David Shane
- Editing/VFX/Sound Mackcut
- Color Company 3/Los Angeles
- Executive Producer Ralph Laucella
- Executive Producer Marc Grill
- Executive Producer Ken Licata
- Head of Production Devon Clark
- DP Mat Barkley
- Editor/Founder Gavin Cutler
- Executive Producer Gina Pagano
- Flame Artist Joseph Miller
- Audio Mixer Sam Shaffer
- Senior Producer Matt Moran
- Senior Colorist Tim Stipan
- Associate Creative Director/Art Director Ali Sooudi
- Executive Creative Director/Partner Joel Kaplan
- HP Tanya LeSieur
- Senior Copywriter Caroline Johnson
Credits
powered by- Agency MUH-TAY-ZIK / HOF-FER/San Francisco
- Production Company O Positive
- Director David Shane
- Editing/VFX/Sound Mackcut
- Color Company 3/Los Angeles
- Executive Producer Ralph Laucella
- Executive Producer Marc Grill
- Executive Producer Ken Licata
- Head of Production Devon Clark
- DP Mat Barkley
- Editor/Founder Gavin Cutler
- Executive Producer Gina Pagano
- Flame Artist Joseph Miller
- Audio Mixer Sam Shaffer
- Senior Producer Matt Moran
- Senior Colorist Tim Stipan
- Associate Creative Director/Art Director Ali Sooudi
- Executive Creative Director/Partner Joel Kaplan
- HP Tanya LeSieur
- Senior Copywriter Caroline Johnson
Clash from the Past Clash of Clans
For those of you unfamiliar, Clash Of The Clans is a beloved free-to-play mobile strategy game that first hit screens in 2012. Instead of celebrating a tenth-anniversary last year, it celebrated a fake 40th anniversary. Thanks to Wieden’s creative thinking, fans got the most out of the glory days of 80s arcade games with the opportunity to imagine what the competition would have looked like in 1982.
I love the depth the team went to imagining the historical journey of Clash of Clans and how this work gave fans loads of nostalgic culture to experience. I think the detail and craft is sure to attract the attention of the judging committee!
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Spark & Riot
- Director Nalle Sjoblad
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Spark & Riot
- Director Nalle Sjoblad
- Art Director Nick Howard
- Copywriter Nick Stoner
- Creative Director Lawrence Melilli
- Creative Director Darcie Burrell
- Design Director Mike Weihs
- Design Producer Scott Meisse
- Design Producer Victoria Tengblad-Kreft
- Executive Producer Ricara Stokes
- Producer Kacey Klonsky
- Executive Producer Ana de Diego
- Editing/VFX/Audio Mix/Sound Design Joint Editorial (In-House at Wieden + Kennedy)
- Editor Steve Sprinkel
- Editor JB Jacobs
- Additional Editor Eric Hill
- Executive Producer Kathleen Russell
- Executive Producer Nirad (Bugs) Russell
- Producer Louise Woodward
- Engineer Natalie Huizenga
- Associate Post Producer Izzie Raitt
- Bulgarian Service Production B2Y Productions
- Service Producer Alexander Kenanov
- Color Blacksmith/New York
- Colorist Mikey Pehanich
- Executive Producer Charlotte Arnold
- Head of Production Perry Tate
- Colour Producer Ashley Goodwin
- Color Assistant Sam Howells
- Production Designer Kristian Lekov
- Cutting Assistant Molly Preston
- Line Producer Henri Hamalainen
- DP Mikael Gustafsson
- Head of Production Catherine Liu
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Spark & Riot
- Director Nalle Sjoblad
- Art Director Nick Howard
- Copywriter Nick Stoner
- Creative Director Lawrence Melilli
- Creative Director Darcie Burrell
- Design Director Mike Weihs
- Design Producer Scott Meisse
- Design Producer Victoria Tengblad-Kreft
- Executive Producer Ricara Stokes
- Producer Kacey Klonsky
- Executive Producer Ana de Diego
- Editing/VFX/Audio Mix/Sound Design Joint Editorial (In-House at Wieden + Kennedy)
- Editor Steve Sprinkel
- Editor JB Jacobs
- Additional Editor Eric Hill
- Executive Producer Kathleen Russell
- Executive Producer Nirad (Bugs) Russell
- Producer Louise Woodward
- Engineer Natalie Huizenga
- Associate Post Producer Izzie Raitt
- Bulgarian Service Production B2Y Productions
- Service Producer Alexander Kenanov
- Color Blacksmith/New York
- Colorist Mikey Pehanich
- Executive Producer Charlotte Arnold
- Head of Production Perry Tate
- Colour Producer Ashley Goodwin
- Color Assistant Sam Howells
- Production Designer Kristian Lekov
- Cutting Assistant Molly Preston
- Line Producer Henri Hamalainen
- DP Mikael Gustafsson
- Head of Production Catherine Liu