Byron Quandary joins Havoc Content

Production company Havoc Content has welcomed director Byron Quandary to its roster for representation in the US and Hispanic markets. 

Based in New York, the Filipino-Australian director will be bringing an affinity for beautifully crafted spots that maintain a strong degree of naturalism. 

First starting out in music videos, Quandary built a promising career collaborating with Australian artists on a slew of narrative and conceptual-based clips. His video for Little Scout’s single We Are Walking Out earned him a Vimeo Staff Pick and propelled him into the world of commercials. 

Since directing and editing commercials, Quandary has established himself as a global player, collaborating with brands in the European market as well as the Southern hemisphere. Previous clients include Lexus, Adobe, HSBC, Google, JCPenney, Nike, and Mountain Dew. His ability to elevate lifestyle spots into works teeming with personality has also earned him notable praise. Most recently, his spot for National Australia Bank was featured in AdForum’s Worldwide Top 5 Directed Ads for August.

As a writer, video editor, and occasional cinematographer, Quandary has embraced an era of multidisciplinary artists. He comments: “There’s a time and a place for wearing multiple hats. You have to respect the value of designated roles and the mastering of a craft that comes from choosing one thing. But equally, building competence across multiple domains means I can at least speak the language, as well as having the option of getting my own hands dirty when it feels right.”

Elaborating on the evolution of filmmaking, he adds: “The nature of filmmaking has changed. I love the medium, and I respect its heritage and useful traditions. But ultimately, my allegiance lies with simply being creative. And sometimes that means you have to shake things up to express yourself.”

When asked about what draws people to his work, Quandary notes: “You have to stand out in a crowded room. My way of doing that is never losing sight of authenticity and naturalism. I often get feedback about a strong sense of style in my work, but for me, where it stands out is that element of restraint. I’m a firm believer that audiences can smell something inauthentic a mile away. My mantra is to never lose sight of that and do whatever possible to keep a sense of naturalism intact - while at the same time crafting something striking. I’m fascinated with finding that perfect amount of imperfection.”