Wimbledon: 140 Years
The story of why all players have to wear white at Wimbledon, told through footage of some of the all-time greats.
Credits
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- Agency McCann London
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Credits
powered by
- Agency McCann London
- Sound Design Craft London
- Editor James Littlemore
- Executive Producer Nicholas Mugridge
- Executive Producer Clare Sullivan
- Executive Producer Alex Webster
- Chief Creative Officer Laurence Thomson
- Chief Creative Officer Rob Doubal
- Creative Jess Mallet
- Creative Lottie Sole
- Director Lucas Zanotto
- Producer Angelica Polonczyk
- Producer Lisa Hill
- Producer Doireann de Buitlear
- Creative Director Alexei Berwitz
- Creative Director Rob Webster
- Project Manager Amy Murphy
- Head of Integrated Production Sergio Lopez
- Sound Designer Adam Smyth
Credits
powered by
- Agency McCann London
- Sound Design Craft London
- Editor James Littlemore
- Executive Producer Nicholas Mugridge
- Executive Producer Clare Sullivan
- Executive Producer Alex Webster
- Chief Creative Officer Laurence Thomson
- Chief Creative Officer Rob Doubal
- Creative Jess Mallet
- Creative Lottie Sole
- Director Lucas Zanotto
- Producer Angelica Polonczyk
- Producer Lisa Hill
- Producer Doireann de Buitlear
- Creative Director Alexei Berwitz
- Creative Director Rob Webster
- Project Manager Amy Murphy
- Head of Integrated Production Sergio Lopez
- Sound Designer Adam Smyth
The story of why all players have to wear white at Wimbledon, told through footage of some of the all-time greats.
Much has changed since the early days of the tournament at the (then) All-England Lawn Tennis and Croquet Club. Female players no longer play in floor-length crinolines, and the spectators for the final have gone from 200 in 1877 to 16,000 at Centre Court and a worldwide audience of millions on TV and online to name just two differences. One thing stays the same, however; all competitors must wear white, and a new content video directed by Lucas Zanotto of Friends Electric for McCann London explains why over photos of over a century of the competition's competitors put together to create a stop-motion effect.
Connections
powered by
- Agency McCann London
- Production Friends Electric
- Sound Design Craft London
- Chief Creative Officer Laurence Thomson
- Chief Creative Officer Rob Doubal
- Creative Director Rob Webster
- Creative Director Alexei Berwitz
- Director Lucas Zanotto
- Executive Producer Clare Sullivan
- Executive Producer Alex Webster
- Head of Integrated Production Sergio Lopez
- Producer Doireann de Buitléar
- Producer Lisa Hill
Unlock this information and more with a Source membership.
