Why big clients need independent agencies
With GUT winning both Independent Agency and Agency of the Year at Cannes last month, Matthew Robinson, CEO at Joint, argues that client/agency relationships are shifting and that global brands no longer need to be shackled to agencies built in their own image.
Having recently emerged from another Cannes Lions week, and with so much attention on the client/agency relationship and how that bears creative fruit, it’s a good time to look at this dynamic and challenge some entrenched views.
[Big brands] are no longer looking for agencies in their own image.
For where once global clients automatically gravitated toward global networks, now there is increasingly more flexibility in the working relationship and big brands are willing to consider independent agencies more. They are no longer looking for agencies in their own image – to replicate their scale and international spread – and are, instead, looking for experts to partner with, no matter what their size and ownership.
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powered by- Agency Wieden+Kennedy Portland/United States of America
- Production Company Park Pictures
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powered by- Agency Wieden+Kennedy Portland/United States of America
- Production Company Park Pictures
- Director Lance Acord
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powered by- Agency Wieden+Kennedy Portland/United States of America
- Production Company Park Pictures
- Director Lance Acord
Above: Nike's work with the independent Wieden+Kennedy has garnered many awards, including for 2018's Dream Crazy.
If we look at large companies that have been formed in the past 20 years, the way they are set up and their approach to business is entirely different to longer established enterprises. It is in the DNA of digital native companies to be agile and progressive, so independent agencies can be a better fit. These clients haven’t been brought up with 50+ years of heritage of working with network agencies, but even the more traditional clients are now looking to modernise. As their structures become more streamlined and they adapt, they are looking to create great work faster.
Many independent agencies have been founded - and are managed - by people with extensive experience of working with big network agencies.
For all big clients – regardless of their longevity – there is a trend toward marketers and leaders wanting to be closer to the work. This means they are now structuring themselves in a way that allows their senior teams to be more hands on, and this is replicated in the management teams of indie agencies. Management teams in independent agencies don’t turn over every two or three years – they are primarily led by practitioners who want to be close to the work.
That’s why there is often a meeting of minds between senior clients and agency leaders. It’s also worth bearing in mind that many independent agencies have been founded - and are managed - by people with extensive experience of working with big network agencies; they know both sides.
Another trend taking place in our industry is for more project-based work, which can offer opportunities for big clients to work with indies. The nature of this work doesn’t necessarily mean short-term relationships (you can do a series of projects that build into a long-standing relationship) but there is more flexibility which, arguably, is easier for independent agencies to navigate.
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powered by- Agency Joint/UK
- Production Company HLA
- Editing Company The Quarry
- Agency Producer Claudio Gorini
- Director Simon Ratigan
- Producer Mike Wells
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powered by- Agency Joint/UK
- Production Company HLA
- Editing Company The Quarry
- Agency Producer Claudio Gorini
- Director Simon Ratigan
- Producer Mike Wells
Above: Joint's long term relationship with Amazon has helped nurture successful campaigns.
For Joint, one of the great advantages of being independent is the freedom it brings. We are free to do the right thing by the clients we work with and the people who work for us. There is no pressure from a central network to say yes to things that don’t feel right. It means that we can work with more like-minded individuals who are better suited to our way of working and our culture.
Culturally relevant global work can be achieved in a more agile, efficient and effective way.
With fewer departments and shareholders and less hierarchy and politics than networked agencies, people working in indies have more of a chance to present and share work they really believe in, work that hasn’t gone through as many stages. All the things that can get in the way of great ideas, those internal barriers, are stripped right back in independents, and this really bolsters creativity.
For hesitant clients, proof of concept is vital. For us, we can point to our long-established relationship with Amazon, which has been over nine years. Working across multiple parts of the organisation and a huge number of markets. Elsewhere, there’s the hugely impressive long standing Wieden+Kennedy and Nike relationship, for example.
Today global accounts no longer need – nor expect – people in every region. The growth of transcreation companies and cultural agencies mean that independent agencies in one region can easily create global work. Culturally relevant global work can be achieved in a more agile, efficient and effective way.
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powered by- Agency GUT/Sao Paulo
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powered by- Agency GUT/Sao Paulo
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Above: GUT, which won both Independent Agency of the Year and Agency of the Year at Cannes Lions 2023, created award-winning work for brands like Stella Artois.
Looking at indie agencies that have won at Cannes with big client work over the years there are a few that stand out. The aforementioned W+K and Nike is an obvious one as they have won so many awards over the years they have worked together, like their wonderful Dream Crazy work of a few years ago, which built on the stance they had taken with Colin Kaepernick, and celebrated athletes who have pushed change forward using sport. Of course, they have won many other awards at Cannes over the years, the most recent being Home for the Lionesses' success in the Euros.
Rethink has been working with Heinz for a long time now, delivering consistently innovative work including the Cannes-winning Draw Ketchup campaign. We are looking forward to seeing how their more recent Heinz Vintage Drop campaign - vintage clothes with Ketchup stains - performs too.
And, at Cannes this year, GUT winning agency of the year at Cannes is a massive testament to the power of independent agencies and what they can do for big clients. Their Stella Artois Probability work is a really smart and innovative idea, that was always bound to generate a huge amount of noise.
What this all illustrates is the value of independent agencies and what they can bring to big clients. They are all doing amazing work and it is from that trust and freedom and those strong relationships that such great work can be produced.