VFX supervisor Alex Snookes joins Electric Theatre
Snookes is a man who knows on what side to butter his Weetabix...
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Here's a man who knows on what side to butter his Weetabix. It's Alex Snookes.
In a time of plague, uncertainty, and despair, the management at Electric Theatre knew this was no time to be floundering around engaging the services of people who put celery in their drinks. So they turned to Alex, a photographer who brings creative vision and cinematographic muscle to the gladiatorial arena of post production, and uses those attributes to lay waste to any foolish enough to step in his path... which is not what he wrote in his CV, because only a madman would, and Alex is a nice guy who doesn't use his powers for evil.
The fact is, when someone applies for a job with a surname only one consonant away from the greatest sport invented by mankind, you employ them. That's the rule of thumb here at Electric Theatre, although the fact that Alex is a specialist in Nuke and Flame with experience working with some of the top companies in the business, is of course a bonus.
Some of his career highlights include being awarded a VES for compositing for work on John Lewis’ Buster the Boxer and working on spots like Channel 4’s Mr 4 Idents, Ikea’s Ghosts as well as a flurry of Palace Skateboards spots over the past few years. He's also done a lot of Creature jobs, the last being with the great Patrick Daughters for Eurostar. And while Alex says his recent Lynx Africa spot is "still haunting me a bit as it's on tv all the time", well, you better get used to that Alex, because we're on TV all the time, and we wear a lot of Lynx Africa.
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