Super Bowl spots: Stop hiding weak ideas behind famous faces
A celebrity can’t save a bad Super Bowl ad, believes Michael Bucchino, Director of Film Craft at CYLNDR Studios. But the right - or even the wrong - famous face, fronting the right idea, can carry you over the line and have the crowd cheering your name.
Every year, the industry follows a predictable Super Bowl playbook; the brand with the biggest celebrity wins, even if the idea is actually weak.
If this is the trap we fall into year after year, is competing for a Super Bowl slot still a relevant approach?
Is competing for a Super Bowl slot still a relevant approach?
My answer is yes. But not in its current form.
Above: Is competing for a Super Bowl ad slot still relevance today? asks Michael Bucchino.
Years ago, during a quick lunch break on a Super Bowl campaign shoot, I sat with our talent. While it was one of the first brand campaigns he’d ever done, it was someone we’d all refer to as an A-lister. We ate lunch mostly in silence, until he surprised us by asking two important questions we sometimes ask ourselves:
1. Why were we paying him so much?
2. Does his involvement actually help the brand?
[The Super Bowl] has become the place to hide a weak idea behind a famous face.
That’s the real problem with Super Bowl advertising today. Not that the moment has lost relevance, but it has become the place to hide a weak idea behind a famous face. The media budget is what it is, but the production budget is usually much more than an agency typically has to work with for a standard brand campaign. So, with that kind of money, the temptation is obvious; allocate a large sum to a celebrity in order to stand out.
Unfortunately, talent is not the idea. Throwing a celebrity at a half-baked idea because you have the budget does not solve these challenges, it just makes them more expensive. So, make the idea great. Make it clever. Clever has become synonymous with being memorable.
Credits
View on- Agency Mischief/Brooklyn
- Production Company Strike Anywhere
- Director Pete Marquis
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Credits
View on- Agency Mischief/Brooklyn
- Production Company Strike Anywhere
- Director Pete Marquis
- Executive Producer Victoria Guenier
- Editing Friend or Foe
- Editor JP Damboragian
- Senior Producer Adam Zeitlen
- Graphics/Finishing Emily McDevitt
- Executive Creative Director Kevin Robinson
- Executive Producer Bryce Edwards
- Sound Design/Mix Decibel Sound
- Sound Designer/Audio Mixer Patrick Navarre
- Executive Producer Alicia Rodgers
- Colorist Tim Masick
- Chief Creative Officer Greg Hahn
- Executive Creative Director Bianca Guimaraes
- Executive Creative Director Kevin Mulroy
- Senior Copywriter Vanessa de Beaumont
- Senior Art Director Joao Viegas
- HP Will Dempster
- Executive Producer Amy Wertheimer
- DP Julia Swain
- Producer Adam Lawson
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Mischief/Brooklyn
- Production Company Strike Anywhere
- Director Pete Marquis
- Executive Producer Victoria Guenier
- Editing Friend or Foe
- Editor JP Damboragian
- Senior Producer Adam Zeitlen
- Graphics/Finishing Emily McDevitt
- Executive Creative Director Kevin Robinson
- Executive Producer Bryce Edwards
- Sound Design/Mix Decibel Sound
- Sound Designer/Audio Mixer Patrick Navarre
- Executive Producer Alicia Rodgers
- Colorist Tim Masick
- Chief Creative Officer Greg Hahn
- Executive Creative Director Bianca Guimaraes
- Executive Creative Director Kevin Mulroy
- Senior Copywriter Vanessa de Beaumont
- Senior Art Director Joao Viegas
- HP Will Dempster
- Executive Producer Amy Wertheimer
- DP Julia Swain
- Producer Adam Lawson
Above: Tubi's 2023 Super Bowl spot impacted viewers and was memorable because of it.
Don’t get me wrong, we love a good celebrity spot. Especially when the celebrity is right for the brand. And when a celebrity is not right for the brand, come up with an idea that makes them being so wrong, so right! That’s when it gets fun. Recent Super Bowls prove the moment is still relevant when the thinking is right.
Tubi’s Interface Interruption [above] stole the spotlight during the 2023 Super Bowl. The streaming service used its 15-second ad spot to prank viewers by pretending there was a disruption happening on their broadcast. It started with broadcasters reporting on the game, then cut to their interface and someone scrolling through Tubi’s programming. The internet erupted in real-time. The idea’s impact was felt beyond the screen, as people thought their remote was broken or someone was messing with them.
[Michael Cera] was a perfect example of a celebrity who is not right for the brand, but they had a great idea that made him right.
I also love the famous Coinbase QR Code spot from the 2022 Super Bowl. Simple. Clever. Highly impactful. It was mentioned more than any other campaign in social media with almost 80,000 mentions.
And we all remember Michael Cera kill it in the CeraVe campaign in 2024 [below]. That was a perfect example of a celebrity who is not right for the brand, but they had a great idea that made him right. The only way in — his name. Michael Cera is famously known to be low maintenance, so a partnership with a beauty brand is as unexpected as you can get. CeraVe borrowed his voice rather than the brand’s to make a compelling and incredibly memorable campaign.
Credits
View on- Agency Ogilvy/New York
- Production Company PRETTYBIRD
- Director Tim & Eric
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Unlock full credits and more with a shots membership
Credits
View on- Agency Ogilvy/New York
- Production Company PRETTYBIRD
- Director Tim & Eric
- Executive Producer Suzanne Hargrove
- Editing Mackcut
- Executive Post Producer Gina Pagano
- Senior Post Producer Kayla Robinson/(Post Producer)
- Editor Ian Mackenzie
- Assistant Editor Zach Gentry
- Color Producer Adam Vevang
- Colorist Mikey Pehanich
- Assistant Colorist Sam Howells
- VFX/Color Blacksmith VFX/New York
- Executive VFX Producer/Partner Charlotte Arnold
- Head of VFX Production Perry Tate
- VFX Supervisor/2D Lead Robert Bruce
- VFX Supervisor/3D Lead Ben Elliot
- Lead CG Artist Kushal Das
- Sound Heard City
- Head of Sound Production Jackie James
- Sound Producer Liana Rosenberg
- Sound Designer/Audio Mixer Mike Vitacco
- Music Supervision Leland Music
- Music Supervisor Toby Williams
- Chief Creative Officer North America Chris Beresford-Hill
- Managing Director Tina Galley
- Creative Director Alexander Holm
- Creative Director Avi Steinbach
- Group Executive Producer Marisa Bursteen
- Senior Producer Regan Wallace
- HP Jessica Nugent
- Line Producer Dennis Beier
- Assistant Colorist Matt Gehl
- VFX Producer Sophie Mitchell
- Composer Jordan Crisp
- Talent Michael Cera
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Ogilvy/New York
- Production Company PRETTYBIRD
- Director Tim & Eric
- Executive Producer Suzanne Hargrove
- Editing Mackcut
- Executive Post Producer Gina Pagano
- Senior Post Producer Kayla Robinson/(Post Producer)
- Editor Ian Mackenzie
- Assistant Editor Zach Gentry
- Color Producer Adam Vevang
- Colorist Mikey Pehanich
- Assistant Colorist Sam Howells
- VFX/Color Blacksmith VFX/New York
- Executive VFX Producer/Partner Charlotte Arnold
- Head of VFX Production Perry Tate
- VFX Supervisor/2D Lead Robert Bruce
- VFX Supervisor/3D Lead Ben Elliot
- Lead CG Artist Kushal Das
- Sound Heard City
- Head of Sound Production Jackie James
- Sound Producer Liana Rosenberg
- Sound Designer/Audio Mixer Mike Vitacco
- Music Supervision Leland Music
- Music Supervisor Toby Williams
- Chief Creative Officer North America Chris Beresford-Hill
- Managing Director Tina Galley
- Creative Director Alexander Holm
- Creative Director Avi Steinbach
- Group Executive Producer Marisa Bursteen
- Senior Producer Regan Wallace
- HP Jessica Nugent
- Line Producer Dennis Beier
- Assistant Colorist Matt Gehl
- VFX Producer Sophie Mitchell
- Composer Jordan Crisp
- Talent Michael Cera
Above: Michael Cera was the perfectly wrong choice for CeraVe's 2024 Super Bowl campaign.
There is a great quote from the prolific film producer, Amy Pascal; "When you give the audience something that they haven't seen before, they are going to like it.” That should be the brief for every Super Bowl campaign.
We owe it to each other to push the limits of what story a brand can tell and the way in which they tell it.
So, what does all of this mean for brands flirting with the idea of creating a Super Bowl campaign? Lead with the idea. Make it undeniably memorable. And if a celebrity fits into that idea, great, but they shouldn’t do the heavy lifting.
A Super Bowl campaign is the pinnacle of why we do what we do. We owe it to each other to push the limits of what story a brand can tell and the way in which they tell it. The Super Bowl will always be a relevant approach for brands to gain real emotional equity at that level of reach.
You don’t need a billion dollars or an A-list celebrity to stand out. You just need a memorable idea.