Portrait of a Place: Amsterdam by Quentin van den Bossche
A quiet journey into the heart of Amsterdam in the midst of a global pandemic to explore a typically energetic scene interrupted.
A quiet journey into the heart of Amsterdam in the midst of a global pandemic to explore a typically energetic scene interrupted.
Shot entirely on an iPhone, edited and graded by RadicalMedia director Quentin van den Bossche in accordance with social distancing guidelines, this film is a snapshot of daily life, capturing a unique and unprecedented time, punctuated by gentle bursts of local human activity.
Its style and approach endemic to the restrictive climate independent filmmakers are facing worldwide.
Credits
powered by-
- Production Company RadicalMedia/London
- Director Quentin van den Bossche
-
-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company RadicalMedia/London
- Director Quentin van den Bossche
- Sound Design Wave Recording Studios
- Executive Producer Ben Schneider
- Executive Producer Jodie Brooks
- Production Coordinator Lallie Doyle
- Sound Designer Randall MacDonald
![](https://d17mj1ha1c2g57.cloudfront.net/v1/8j4d0DiSh7nUQpNGPX6l3FVB1WU/1024x576%23/80/shotsmag/production/clips/21674-5eb3df85163fc0.64624129-689f94c7b9d6c8649783d10612c4a957.jpg?v=1&quality=80&format=jpeg)
Credits
powered by- Production Company RadicalMedia/London
- Director Quentin van den Bossche
- Sound Design Wave Recording Studios
- Executive Producer Ben Schneider
- Executive Producer Jodie Brooks
- Production Coordinator Lallie Doyle
- Sound Designer Randall MacDonald
Quentin on the making of film:
More than anything, it was a cathartic exercise. A personal reaction to being suddenly grounded, with nothing to do. With the overwhelming response and messages flooding the media since this began, I personally struggled to find what it is I wanted to say about it. If anything at all. Rather, I walked the streets and observed what I could with what I had. Which somewhat became the goal - to examine, rather than comment. Thematically, it turned into a visual exploration of space and distance as set by our new way of life, which I underlined through wide angled compositions. The empty cobbled streets of one of Europe’s most vibrant cities was an image I hadn’t seen since photographs of the 2nd World War, albeit with less physical destruction. Which in turn inspired the black & white aesthetic. I found that it highlighted the contrast found in this emptiness, and created a paradoxical experience where I was both present and felt removed at the same time.
On the whole, I wanted to convey the sense of eeriness while playing it up into something beautiful that can be appreciated, if only briefly. And create a peaceful meditation on the status quo that invites viewers to just sit back and observe. The oral cover of Claire de Lune by the Swingle Singers, which I was attracted to very early on, was a piece that gave the edit a touch of humanity by filling the void left behind by people.
I was personally moved by the city’s gentle pulse. The calm conveyed more a sense of hibernation rather than an apocalyptic feel. We live in a world that has been set on pause, as opposed to completely switched off - and there’s hope in that.