Playlist: Tom Gorst
We chat to director Tom Gorst at Park Village about trying out the Apple Vision Pro, Sora, TikTok and MTV, and being a famous DJ in Thailand...
What’s the best music video you’ve seen recently and why?
Of the last year, Jack Harlow - Gang Gang Gang, directed by Eliel Ford.
It made me view Jack Harlow as an artist through a different lens. It’s great, authentic storytelling and it immerses you in the world of the song.
Credits
powered by-
- Production Company Bucket Pictures
- Director Eliel Ford
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Bucket Pictures
- Director Eliel Ford
- Local Production Hatfield Media
- Producer Brendan Garrett
- DP Emerson Duggan
- Editor Neal Farmer
Credits
powered by- Production Company Bucket Pictures
- Director Eliel Ford
- Local Production Hatfield Media
- Producer Brendan Garrett
- DP Emerson Duggan
- Editor Neal Farmer
What’s the first music video you remember being impressed by?
I stumbled across Jonathan Glazer’s video for UNKLE - Rabbit In Your Headlights aged around 13.
I remember appreciating for the first time that a music video could be much more than coverage of a band performing.
Credits
powered by-
- Production Company Academy
- Director Jonathan Glazer
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-
Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Academy
- Director Jonathan Glazer
- Editor Rick Lawley
- Director of Photography John Mathieson
- Producer Nick Morris
- Artist UNKLE
Credits
powered by- Production Company Academy
- Director Jonathan Glazer
- Editor Rick Lawley
- Director of Photography John Mathieson
- Producer Nick Morris
- Artist UNKLE
And what’s your all-time favourite music video?
M.I.A. - Bad Girls directed by Romain Gavras. I love combining documentary into my work and so I love the way you get to discover an underground car culture like Tafheet (car drifting meet ups in the desert) and then marry that with a theatrical and stylish performance which has a deeper point at the heart of it. It speaks to the tourist and the purist.
Credits
powered by-
- Production Company Iconoclast
- Director Romain Gavras
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Iconoclast
- Director Romain Gavras
- DP Andre Chemetoff
- Editor Walter Mauriot
Credits
powered by- Production Company Iconoclast
- Director Romain Gavras
- DP Andre Chemetoff
- Editor Walter Mauriot
What other directors/artists do you look to for inspiration?
Daniel Wolfe, Ninian Doff, AG Rojas and Vincent Haycock. I can watch their videos over and over again and find something new. They all interpret tracks in unique ways and create rich worlds for them to exist in.
What are you listening to at the moment?
According to my Spotify - Azekel, Ezra Collective, Koffee and Chloe Caillet.
What’s your favourite bit of tech, whether for professional or personal use?
I tried the apple vision pro’s recently which are insane. It might be a while until people’s viewing habits change but I think they could really shift the way we consume content.
What artist(s) would you most like to work with and why?
I’d love to work with Sasha Keable, her voice is incredible and she tells emotive stories with attitude!
How do you feel the promo industry has changed since you started in it?
As TikTok has become a major part of an artist’s success we’re seeing changes to the fabric of the format itself. It’s a fight for scrolling eyeballs and there is more of an emphasis on finding those ‘viral moments’ and creating a sense of event with the artist’s perspective at the forefront.
Credits
powered by-
- Production Company Park Village
- Director Tom Gorst
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Production Company Park Village
- Director Tom Gorst
Credits
powered by- Production Company Park Village
- Director Tom Gorst
Where do you see the music video industry being in five years’ time?
While we’re certainly a world away from sitting down in front of MTV and watching hours of music videos, we do have more eyeballs on screens than ever before. I think we can expect to see demand for videos that present artists really authentically and are reactive to current culture and trends. Resultantly I think there will be more demand for subsidiary formats that drive eyeballs on to an artist.
Skillibeng is an interesting case study as an artist who has created music around current events. When a drug smuggler’s plane crashed into the ocean in front of his home in St Thomas, Jamaica, he recorded a track about it and shot a video sitting on the actual wreckage and released it before news crews had even turned up. I think that reactiveness and aligning with current events creates a reason to watch and stay engaged.
I think we will also see lots of experimentation with AI, particularly with the arrival of Sora. I think that this will democratize the process and put more power in the hands of creators. However there may be even more of a yearning for visceral, organic, human stamped films.
Tell us one thing about yourself that most people won’t know…
It’s a long story but I’m kind of a famous DJ in Thailand...