Partiboi69 hits the Redline

Redline was shot with a local crew in a Prague location with a layered history: a chateau once occupied by a senior Nazi figure during the Second World War which later became a communist metal factory. This real-world environment, shaped by cycles of control and industrial use, forms the backdrop to a story centred on extraction and bodily autonomy.

Within the facility, a series of strange scenarios unfold: Partiboi69’s DNA is commodified in a clinical lab; guards become increasingly obsessed; a wax figure in his likeness meets a crazed flamethrower; a group of anonymous children raise questions about their origin. The film traces Partiboi69’s arrival and eventual escape of the facility, balancing confinement with a thread of dark humour to the beat of Redline, its fast, driving pulse underscoring the tension and chaos as the narrative accelerates toward release.

“We did everything for real - the horse, the stunts, the torch. Partiboi69 and his daring energy pushed us all for the best and turned out to be the most fun I've had on set yet.” said PETR.

The production and world-building was approached with an inventive mindset, with many details realised through resourceful, hands-on solutions, such as the wax head made by the director’s mother with no prior experience, or the extraction machine, handcrafted by local art directors out of recycled materials. A balance of improvisation and intent that often underpins music videos.