Craft, chemistry and collaboration: What clients really value in production partners
To in-house, or not to in-house, that is the question. Or is it? asks Mark Harrison, Head of Creative at Postcode Lottery. The format, the technology and the people are just some of the things which need to be considered, and as long as great work is the destination, the route can alter.
In-house creative teams are now a standard part of how major brands operate. But, as they’ve grown, so has the debate about what role external production partners should play.
From a client perspective, that debate misses the point.
External partners bring fresh perspectives, creative challenge and specialist expertise.
The best work rarely comes from choosing between in-house and external teams, it comes from knowing when to bring external craft in, how to collaborate and how to create the conditions for great work to happen.
Above: Like a jigsaw, you sometimes need to find the right approach for the right strategy.
The false binary: in-house vs external
Our in-house team knows more about the Postcode Lottery and our players than anybody, so it makes sense for us to develop and produce much of the work we deliver across our media channels. But in-house teams can’t - and shouldn’t - try to do everything.
The real issue isn’t around in-house versus external teams, it’s around finding the right people who care about making brilliant work.
External partners bring fresh perspectives, creative challenge and specialist expertise. As a client overseeing a high volume of production, I know the right partners will enhance our creativity and, crucially, help us maintain the pace and scale needed to deliver a cohesive, multi-channel presence year-round. The real issue isn’t around in-house versus external teams, it’s around finding the right people who care about making brilliant work and giving them the clarity and trust to deliver it.
At Postcode Lottery we create work across TV, entertainment formats and brand storytelling. Our fit-for-format creative strategy means no single production model fits every brief. Different ideas require different expertise. That variety reflects the scale of what the format supports. The Postcode Lottery was created to raise funds for charities and, in the UK alone, players have already helped generate more than £1.7 billion. Every campaign contributes in some small way to that wider mission.
Above: The Postcode Lottery partnered with gameshow creators Hello Dolly for its ITV show, Win Win.
When external production is essential
After more than 30 years working in agencies and now as a client, I’ve seen how quickly teams can become comfortable. When that happens, the work inevitably starts to feel dated. External partners help prevent that and great directors bring craft and creative instinct that push teams outside their comfort zone.
For example, working with Vincent Peone brought a level of storytelling and visual craft that really elevated the work. On one shoot we even had two drone operators who had worked on The Lord of the Rings, capturing our latest campaign from the cloudy skies of Brighton. Sometimes the value lies in specialist expertise. When we launched Win Win, our primetime ITV quiz show, we partnered with gameshow creators Hello Dolly, whose knowledge of interactive entertainment was integral to shaping the format.
As AI increasingly becomes part of the production process, the value of people who are exceptional at their craft will only increase.
In other cases, the value is efficiency and execution. Production specialists like BLOC help us deliver high volumes of OOH and social content quickly while still adding creative polish. As AI increasingly becomes part of the production process, the value of people who are exceptional at their craft will only increase. It’s about finding people who understand your brand, deliver distinctiveness and know which lane to swim in. It’s this combination that has allowed us to develop an instantly recognisable creative platform that is also fit-for-format across all channels, balancing consistency with freshness.
Credits
View on- Agency Client Direct
- Production Company The Gate Films
- Director Vincent Peone
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Credits
View on- Agency Client Direct
- Production Company The Gate Films
- Director Vincent Peone
- Head of Creative
- Talent
- Talent
- Talent
- Talent
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Client Direct
- Production Company The Gate Films
- Director Vincent Peone
- Head of Creative
- Talent
- Talent
- Talent
- Talent
Above: The Postcode Lottery worked with Vincent Peone on recent campaigns.
What clients value in production partners today
As a 52-year-old ex-agency suit-turned-client, I’ve spent years working with some of the best production companies in the world. The fundamentals of great production partnerships haven’t changed, but expectations around them have sharpened.
Alongside every brilliant director, you still need an amazing producer. That hasn’t changed. Working with producers like Chris Cable and James Shannon reduces everyone’s blood pressure because they make things happen without fuss. Chemistry matters too - the strongest collaborations come from people who genuinely enjoy working together.
Budgets are tighter. Media is fragmented. Technology moves at speed. But passion, having a great eye, listening more than you speak and genuinely enjoying the job still matter more than anything.
And while directors and production companies still bring the magic, what clients value most today goes beyond technical craft. The best partners genuinely care about the work. They challenge ideas, bring creative energy to the process and want to make something brilliant rather than simply complete a job. Transparency is equally important. In 2026, clients understand production, so rather than treating the craft like a dark art, be clear about the value you bring. The best relationships are built on openness about both value and cost.
Budgets are tighter. Media is fragmented. Technology moves at speed. But passion, having a great eye, listening more than you speak and genuinely enjoying the job still matter more than anything. The strongest creative work doesn’t come from choosing between in-house or external production, it comes from partnerships where everyone understands their role, respects each other’s expertise and is trusted to do what they do best.
Production partners bring new ideas, specialist knowledge and the ability to scale creative output across increasingly complex media environments, but the qualities that create the most valuable long-term collaborations are simpler than that: a passion for the craft and a shared ambition to make great work.