Christmas ads 2023: the musical view, part two
DLMDD co-founder Sascha Darroch-Davies gives another sideways look at the musical picks of this year's Christmas crop.
Coca-Cola
Anyone can be Santa! Except for convicted paedophiles and similar vermin presumably?
I must admit I didn’t really get this spot at first. It’s like two ads in one:
Part one - Santa everywhere played by the same guy, normalising the legend, but cost-effective for casting.
Part two - Everyday people being Santa not dressed as Santa.
High five!
Then it was pointed out by a younger person, “it’s simple Sascha, anyone can be Santa, you idiot”, which left me feeling slightly underwhelmed and successfully ruining Christmas forever. It seems Coca-Cola now wants us to channel our inner Santa. Really, people? I neither have nor want Santa in me (see opening line).
The soundtrack is supplied by brother John Connon featuring the excellent but-rather-quiet-of-late Celeste whom you literally couldn’t get away from way back in 2020, before the world went shit. Great vocal, supported by slightly flaccid backing band.
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powered by- Production Company Stink/UK
- Director Traktor
- Production Service Icon Films/Romania
- Editorial Final Cut/London
- Post Production/VFX Framestore/London
- Production Service Icon Films/Romania
- Editorial Final Cut/London
- Post Production/VFX Framestore/London
- Line Producer Lucy Gossage
- Service Producer Millen Nickolov
- Editor Rick Russell
- Edit Executive Producer Michelle Corney
- Edit Producer Nikki Porter
- VFX Producer Alexia Paterson
- Line Producer Lucy Gossage
- Service Producer Millen Nickolov
- Editor Rick Russell
- Edit Executive Producer Michelle Corney
- Edit Producer Nikki Porter
- VFX Producer Alexia Paterson
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powered by- Production Company Stink/UK
- Director Traktor
- Production Service Icon Films/Romania
- Editorial Final Cut/London
- Post Production/VFX Framestore/London
- Production Service Icon Films/Romania
- Editorial Final Cut/London
- Post Production/VFX Framestore/London
- Line Producer Lucy Gossage
- Service Producer Millen Nickolov
- Editor Rick Russell
- Edit Executive Producer Michelle Corney
- Edit Producer Nikki Porter
- VFX Producer Alexia Paterson
- Line Producer Lucy Gossage
- Service Producer Millen Nickolov
- Editor Rick Russell
- Edit Executive Producer Michelle Corney
- Edit Producer Nikki Porter
- VFX Producer Alexia Paterson
Tesco
This is good. Really good.
I guess it resonates with me with a son not too many years younger than the boy in this ad, I see this emerging disinterest in anything good in my near future. The Dad is definitely WAY older than me, though...
I particularly like that this rather surreal idea has emerged from a mainstream brand at Christmas. No one else in Food League has attempted anything this weird with any level of success before. It will split the camps obviously, those who want sentimentality feeling left short from John Lewis, and McDonald’s both wisely moving on from that well-worn, mouldy old chestnut.
OMC’s How Bizarre soundtracks; another non-Christmas song choice and a welcome and growing trend this year.
It's a song that muses upon weirdness that’s yet warm, glowing and feel good. A neat trick by them Kiwis from back in 1996.
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powered by- Agency BBH/London
- Production Company Iconoclast UK
- Director Alaska
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powered by- Agency BBH/London
- Production Company Iconoclast UK
- Director Alaska
- Edit Trim
- Post Production Black Kite Studios
- Sound 750mph
- Chief Creative Officer Alex Grieve
- Deputy Executive Creative Director Felipe Serradourada Guimaraes
- Creative Director Felipe Serradourada Guimaraes
- Senior Copywriter Elliott White
- Senior Art Director Wil Maxey
- Senior Producer Nicole Southey
- Music Supervisor Hywel Evans
- Executive Producer Jean Mougin
- Line Producer Emma Butterworth
- Production Manager Natalie Isaac
- Production Designer Arthur De Borman
- DP Pierre de Kerchove
- Editor Paul Hardcastle
- VFX Supervisor Alex Lovejoy
- Colorist Tom Mangham
- 3D Animator James Hansell
- Executive VFX Producer Paul Branch
- Post Producer Phil Whalley
- Sound Engineer Sam Ashwell
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powered by- Agency BBH/London
- Production Company Iconoclast UK
- Director Alaska
- Edit Trim
- Post Production Black Kite Studios
- Sound 750mph
- Chief Creative Officer Alex Grieve
- Deputy Executive Creative Director Felipe Serradourada Guimaraes
- Creative Director Felipe Serradourada Guimaraes
- Senior Copywriter Elliott White
- Senior Art Director Wil Maxey
- Senior Producer Nicole Southey
- Music Supervisor Hywel Evans
- Executive Producer Jean Mougin
- Line Producer Emma Butterworth
- Production Manager Natalie Isaac
- Production Designer Arthur De Borman
- DP Pierre de Kerchove
- Editor Paul Hardcastle
- VFX Supervisor Alex Lovejoy
- Colorist Tom Mangham
- 3D Animator James Hansell
- Executive VFX Producer Paul Branch
- Post Producer Phil Whalley
- Sound Engineer Sam Ashwell
Barbour
Had Gromit been involved and not his lesser known, less smart, less handsome, less charming stablemate Bitzer, I think this ‘fix the jacket plan’ would have been a roaring success. But then we wouldn’t have as fun a story, and I suppose cross-contaminating Aardman character worlds isn’t allowed. Some union thing, I guess?
Nonetheless, it’s a charming tale featuring a gorgeous and richly produced arrangement of Deck The Halls. What makes this piece even more gratifying is that sound design doesn’t conflict with the score. I mention this mainly because there appears to be an increasing focus on ‘sound design’ over music in our industry.
Can we address this please?
No one ever cried (the right way) over the sound design, now did they?
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- Production Company Aardman Animations
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powered by- Production Company Aardman Animations
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powered by- Production Company Aardman Animations
Greggs
I’ve never seen a Greggs ad before. How has that happened?
Just did a quick dive, they used Professional Widow in their last ad. I mean, what’s not to love about this brand?!
This spot does not disappoint either because, fuck fireworks mate, it’s all about the flying light drones right now - WHAAAAHHOOOOPYAH.
Cue swarms of Unmanned Aerial Vehicles forming colourful shapes of a variety of baked goods in the night sky but mostly to mark the reintroduction of the Festive Bake. Actual tears precipitate from one onlooker, and rightly so, this is the shit we all need to get excited about at Christmas, hot pork and other stuff in Pastry!! I cried, too.
One question: was any of this done in post?
The dramatic soundtrack is Red Dress by Adrián Berenguer (ANBR to his mates) who claims, “There is no Past or Future, everything flows in a constant present.”
Indeed Adrián.
Can I get three Festives please… fresh ones mind.
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powered byMcDonald's
No. I do not fancy a McDonald’s this Christmas, or any other time for that matter. I haven’t eaten that shit since 2001.
I do like McDonalds’ ads though, and this one continues in the current mode (err… would you call that a platform?) of humorous, mildly quirky musings upon this life, punctuated here by dire Christmas parties, train delays, shit nativity plays and a bit more Britain’s Got Talent levels of eyebrow gymnastics.
Cue a mass exodus of everything by everyone in favour of a visit to the arches and a bumper helping of the bad stuff.
Anything soundtracked by Van Halen gets my vote. They are one of the greatest of all time and you should listen to them more.
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powered by- Agency Leo Burnett/London
- Production Company SMUGGLER/London
- Director Shannon Murphy / (Director)
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powered by- Agency Leo Burnett/London
- Production Company SMUGGLER/London
- Director Shannon Murphy / (Director)
- Post Production/VFX Framestore/London
- Senior VFX Producer Alexia Paterson
- VFX Supervisor Jules Janaud
- Color Company 3/London
- Color Producer Chris Anthony / (Color Producer)
- Colorist Steffan Perry
- Audio Post 750mph
- Chief Creative Officer Chaka Sobhani
- Executive Creative Director Mark Elwood
- Producer Lucy Gossage
- Creative Partner Andrew Long
- Editor Billy Mead
- Creative Partner James Millers
- Creative Director Emma Brooke
- Creative Angus Crombie
- Creative Drew Davies
- Designer Danny Flint
- Chief Production Officer (HP) Emily Marr
- Producer Graeme Light
- Song "Jump" Van Halen
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powered by- Agency Leo Burnett/London
- Production Company SMUGGLER/London
- Director Shannon Murphy / (Director)
- Post Production/VFX Framestore/London
- Senior VFX Producer Alexia Paterson
- VFX Supervisor Jules Janaud
- Color Company 3/London
- Color Producer Chris Anthony / (Color Producer)
- Colorist Steffan Perry
- Audio Post 750mph
- Chief Creative Officer Chaka Sobhani
- Executive Creative Director Mark Elwood
- Producer Lucy Gossage
- Creative Partner Andrew Long
- Editor Billy Mead
- Creative Partner James Millers
- Creative Director Emma Brooke
- Creative Angus Crombie
- Creative Drew Davies
- Designer Danny Flint
- Chief Production Officer (HP) Emily Marr
- Producer Graeme Light
- Song "Jump" Van Halen
Morrisons
Glove puppets singing along to Starship’s 1987 smash hit Nothing’s Gonna Stop Us Now, inexplicably sped up by 2 bpm??
Don’t fuck with the groove!
Otherwise, it's quite fun. Am I missing something?
Fun Fact: this song was co-written by Albert Hammond OBE, whose son is Albert Hammond Jnr from The Strokes!
I’ve got loads of this gold.
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powered by- Agency Leo Burnett/London
- Production Company Arts & Sciences/London
- Director Tim McNaughton
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powered by- Agency Leo Burnett/London
- Production Company Arts & Sciences/London
- Director Tim McNaughton
- Executive Producer James Bland
- Puppets Arch Model Studio
- Puppets Andy Gent
- Editing Stitch
- Editor Leo King
- Post Production/Color/VFX Black Kite Studios
- VFX Producer Hannah Ruddleston
- Colorist Richard Fearon
- VFX Supervisor Paul Wilmot
- Song "Nothing's Gonna Stop Us Now" Starship
- Music Supervision Wake The Town
- Audio Post String and Tins
- Audio Producer Alina Miroshnichenko
- Sound Engineer Adam Smyth
- Chief Creative Officer Chaka Sobhani
- Executive Creative Director Mark Elwood
- Producer Ewen Brown
- Chief Production Officer (HP) Emily Marr
- Producer Anna Cartwright
- DP Tom Townend
- Food Stylist Elaine Ngan
- Creative Partner Andrew Long
- Creative Partner James Millers
- Production Designer Olly Williams
- Creative Director/Copywriter Gareth Butters
- Creative Director Design David Allen
- Lead Designer Rupert Knowlden
- Lead Designer Harry Ingrams
- Designer Maddie Rourke
- Designer Roxana Iriciuc
- Motion Designer Carmen Perez
- Music Supervisor David Bass / (Music Supervisor)
- Music Supervisor Ronnie Olubayo
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powered by- Agency Leo Burnett/London
- Production Company Arts & Sciences/London
- Director Tim McNaughton
- Executive Producer James Bland
- Puppets Arch Model Studio
- Puppets Andy Gent
- Editing Stitch
- Editor Leo King
- Post Production/Color/VFX Black Kite Studios
- VFX Producer Hannah Ruddleston
- Colorist Richard Fearon
- VFX Supervisor Paul Wilmot
- Song "Nothing's Gonna Stop Us Now" Starship
- Music Supervision Wake The Town
- Audio Post String and Tins
- Audio Producer Alina Miroshnichenko
- Sound Engineer Adam Smyth
- Chief Creative Officer Chaka Sobhani
- Executive Creative Director Mark Elwood
- Producer Ewen Brown
- Chief Production Officer (HP) Emily Marr
- Producer Anna Cartwright
- DP Tom Townend
- Food Stylist Elaine Ngan
- Creative Partner Andrew Long
- Creative Partner James Millers
- Production Designer Olly Williams
- Creative Director/Copywriter Gareth Butters
- Creative Director Design David Allen
- Lead Designer Rupert Knowlden
- Lead Designer Harry Ingrams
- Designer Maddie Rourke
- Designer Roxana Iriciuc
- Motion Designer Carmen Perez
- Music Supervisor David Bass / (Music Supervisor)
- Music Supervisor Ronnie Olubayo
JD Sports
JD are quite clear about their target audience aren’t they? This is certified rather clumsily early on in the film with your classic London cabby quipping at a wheelieing youth with the most commonly repeated phrase by Daily Mail readers, swiftly rebuked with the most repeated phrase from Top Boy.
In fact, this is basically Top Boy at Christmas, except with a timely ceasefire. Weird.
They’ve even recruited Kano, arguably alpha Top Boy, although he is an Adidas/JD ambassador. There's also the AWESOME Nia Archives, the HUGELY IRKSOME Central Cee, HERO Anthony Joshua, and then the b-list - Bugzee Malone, Ardee, Chloe Kelly, Amria B and some useless YouTubers.
I think this is all trying a bit too hard.
Ironic, is it not, that all this painfully workshopped ‘youthing’ is soundtracked by a 1992 classic cut Sweet Harmony by Liquid? And this is because modern urban music isn’t as good as it used to be. Except, of course, for Simz, Koje, Sampa, Loyle, Swindle, Jme, Kano, Hus… actually, it’s amazing. SO WHY THE FUCK NOT USE ONE OF THEM, EH?
Anyway, Merry Christmas fam.
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powered by- Agency Uncommon/London
- Production Company Iconoclast UK
- Director Amara Abbas
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Credits
powered by- Agency Uncommon/London
- Production Company Iconoclast UK
- Director Amara Abbas
- Editing Trim
- Post Production Electric Theatre Collective
- Sound Design Factory Studios/London
- Music Mr Pape
- Senior Creative Director Connor McManus
- Executive Producer Jean Mougin
- Executive Producer Guy Rolfe
- Head of Production Kate Sharpe
- Producer Luke Plaister
- Production Manager Marian Mikhail
- DP Nicolas Loir
- Production Designer Bon Walsh
- Editor Tom Lindsay
- Producer Polly Kemp
- VFX Lead Hani AlYousif
- Colorist Jason Wallis / (Colorist)
- Producer Oscar Wendt
- Creative Director Anthony Moore
- Sound Designer Michael Haines
- Audio Producer Ciara Wakley
- Music Supervisor Paul Brown
- Producer Liv Johnson
Credits
powered by- Agency Uncommon/London
- Production Company Iconoclast UK
- Director Amara Abbas
- Editing Trim
- Post Production Electric Theatre Collective
- Sound Design Factory Studios/London
- Music Mr Pape
- Senior Creative Director Connor McManus
- Executive Producer Jean Mougin
- Executive Producer Guy Rolfe
- Head of Production Kate Sharpe
- Producer Luke Plaister
- Production Manager Marian Mikhail
- DP Nicolas Loir
- Production Designer Bon Walsh
- Editor Tom Lindsay
- Producer Polly Kemp
- VFX Lead Hani AlYousif
- Colorist Jason Wallis / (Colorist)
- Producer Oscar Wendt
- Creative Director Anthony Moore
- Sound Designer Michael Haines
- Audio Producer Ciara Wakley
- Music Supervisor Paul Brown
- Producer Liv Johnson