Cannes Contenders 2026: Brazil
Fabricio Soares, Senior Copywriter at Wieden+Kennedy Sao Paulo, selects renamed cities, sun-soaked bar stools and triangular football haircuts that he believes could lure some lions.
Brazil might be known as a football country, but our creativity goes beyond the pitch.
We grew up making so much out of little, and maybe that’s what reminds us to find happiness in the simple things.
Since the subject is local ideas that have been shining in Brazil, I’d like to highlight a few things that really caught my attention.
Whether it’s a simple insight, a smart pipeline, or just because I genuinely think the idea is great, these are the pieces of work that stood out to me.
Uber UberLÂNDIA
At a time when brands are slapping their names onto everything and turning it into a mess, Uber managed to change everything without really changing anything.
Uberlândia became UberLÂNDIA, and suddenly the entire country was talking about it.
Brazilians went crazy for the idea online, even though it was pulled off by a relatively small team across four divisions.
In my opinion, it is 1-0 to Uber.
An amazing idea.
Amazônia Brand Identity
At a moment when the world’s attention is fixed on one of the planet’s greatest natural treasures, Brazilians themselves can sometimes overlook the beauty of their own culture.
This project feels like an attempt to rewrite that story.
Inspired by the courses of Amazonian rivers, the identity system becomes what could almost be described as the first true brand for the forest itself.
The typeface, shaped by nature, turns the environment into the artist.
A beautiful design project filled with meaning.
Mercado Libre Scratch Your Data
Scammers in Brazil are becoming increasingly sophisticated, from fake calls to phishing emails and suspicious purchase links.
That is what makes this idea feel so smart.
By physically protecting personal data on packaging itself, the campaign turns a simple mechanic into something genuinely useful.
Scratching the surface also unlocks rewards and coupons, adding another layer of engagement.
A simple packaging idea that helps people while still delivering for the brand.
Credits
powered byBEES and Corona Sun Tables
The same sun that draws people onto the streets for a beer can also push them away from certain bar tables during the hottest parts of the day.
This campaign transformed that problem into an opportunity.
Using mapped sunlight data, BEES and Corona identified exactly when tables became exposed and rewarded customers for sitting there and ordering another round.
It is a clever blend of data, behaviour and real-world utility, all built around a very human insight.
Credits
View on- Agency Grey/Sao Paulo
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Grey/Sao Paulo
Doritos The Triangle Theory
Back in 2002, the world thought Ronaldo would miss the World Cup through injury.
Then he appeared with the haircut that stopped everything.
Years later, Doritos found a brilliantly ridiculous way to build a story around it.
Through a “lost storyboard” supposedly explaining the origins of the famous haircut, the campaign turned a piece of football folklore into a playful brand narrative.
It did not just spark conversation in Brazil, it became one of the year’s most entertaining World Cup tie-ins.
Damn, what a GOAT.
Credits
View on- Agency AlmapBBDO/Sao Paulo
- Production Company The Youth
- Director YOUTH
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Credits
View on- Agency AlmapBBDO/Sao Paulo
- Production Company The Youth
- Director YOUTH
- VFX Dopo VFX
- Audio Post Satelite Audio
- Additional Black Madre
- Chief Creative Officer Marco (Pernil) Giannelli
- Creative Director Thiago Bocatto
- Creative Caique Guadanucci
- Creative Gustavo Souza
- Creative Hiroito Takahashi Gomes
- Senior Art Director Isabella Remelli
- Director of Production (HP) Diego Villas Boas
- Producer Aline Silva
- Director of Production Charles Nobili
- Producer Marcia Granja
- Producer Giuliano Enrico Springhetti
- Executive Producer Ezany Brandão
- Assistant Executive Producer Jessica Specht
- Director Bueno
- Executive Producer Carolina Cherobim
- Executive Producer Eduardo Lubiazi
- Art Director Rodrigo Saraiva
- Editor Maria Machado
- Editor Victor Pinguim Matos
- Executive Post Producer Daniel Maia
- Executive Post Producer Mauricio Kazu Yamashita
- VFX Supervisor Juliano Storchi
- Post Producer Jacquelini Lima
- Color Johann Stollmeier
- Creative Director/Co-Founder Roberto Coelho
- Creative Director/Partner Hurso Ambrifi
- Music Producer Daniel Iasbeck
- Music Producer Bruno Zibordi
- Composer/Music Producer Koitty
- Producer Alexandre Avicena
- Music Producer Pedro Pelotas
- Audio Post Producer Luna Francca
- Sound Designer/Audio Mixer Carla Cornea
- Audio Producer Vithor Moraes
- Sound Designer Arthur Dossa
- Sound Designer/Audio Mixer Andre Giannini
- Sound Designer/Audio Mixer Esteban Romero
- Creative Director Andre Maciel
- Producer Laryssa Andrade
- Producer Felipe Ribs
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency AlmapBBDO/Sao Paulo
- Production Company The Youth
- Director YOUTH
- VFX Dopo VFX
- Audio Post Satelite Audio
- Additional Black Madre
- Chief Creative Officer Marco (Pernil) Giannelli
- Creative Director Thiago Bocatto
- Creative Caique Guadanucci
- Creative Gustavo Souza
- Creative Hiroito Takahashi Gomes
- Senior Art Director Isabella Remelli
- Director of Production (HP) Diego Villas Boas
- Producer Aline Silva
- Director of Production Charles Nobili
- Producer Marcia Granja
- Producer Giuliano Enrico Springhetti
- Executive Producer Ezany Brandão
- Assistant Executive Producer Jessica Specht
- Director Bueno
- Executive Producer Carolina Cherobim
- Executive Producer Eduardo Lubiazi
- Art Director Rodrigo Saraiva
- Editor Maria Machado
- Editor Victor Pinguim Matos
- Executive Post Producer Daniel Maia
- Executive Post Producer Mauricio Kazu Yamashita
- VFX Supervisor Juliano Storchi
- Post Producer Jacquelini Lima
- Color Johann Stollmeier
- Creative Director/Co-Founder Roberto Coelho
- Creative Director/Partner Hurso Ambrifi
- Music Producer Daniel Iasbeck
- Music Producer Bruno Zibordi
- Composer/Music Producer Koitty
- Producer Alexandre Avicena
- Music Producer Pedro Pelotas
- Audio Post Producer Luna Francca
- Sound Designer/Audio Mixer Carla Cornea
- Audio Producer Vithor Moraes
- Sound Designer Arthur Dossa
- Sound Designer/Audio Mixer Andre Giannini
- Sound Designer/Audio Mixer Esteban Romero
- Creative Director Andre Maciel
- Producer Laryssa Andrade
- Producer Felipe Ribs