Aris signs director Colin Sonner

Commercial production company Aris has signed Colin Sonner for representation in the US and Canada. 

With an interest in intimate, emotional human stories and visual experimentation, Sonner specialises in commercials, promos, and content for lifestyle, sports, outdoors, and industrial product brands. His clients include Mercedes-Benz, Coors Light, Miller Light, Comedy Central, The New York Times, and The New Orleans Saints, among many others. At Aris, Sonner has already commenced on a digital series for Amgen and Edelman, featuring influencer Alexis Nicole Nelson, as well as a VFX-driven brand anthem for Hubbell Inc. 

“From action-driven spots to vignette-style storytelling to fun and snappy comedy, Colin is a versatile director who excels at honouring a script with a cinematic style that’s grounded in believability, a balance that is very hard to pull off in the commercial medium,” remarks Greg Bassenian, Founder/Executive Producer at Aris. 

“Furthermore, Colin represents a new generation of multidisciplinary content creators who possess the hard skills to produce high-quality content independently. That's a huge asset to Aris as we look to keep pace with the demands brands have to produce more content, especially for social media.” 

“Aris has a highly specialised roster with support and resources tailored to everyone’s unique talents,” adds Sonner. “They’re always looking to innovate and take productions to the highest level possible, whether it’s elevating a pitch with a new visual element or exploring new technologies, making it the ideal home for me to evolve my style and grow as a director.” 

Sonner started his career as a documentary filmmaker, covering subjects ranging from music to sociopolitical issues, primarily in the vérité style. Today, his documentary background informs his process of working with talent, as he always seeks honesty and surprise in their performances. 

“Working in docs took me all around the world, places that wouldn't be accessible otherwise, and taught me a lot about life,” says Sonner. “The experience, in many ways, prepared me for my transition to commercials, especially directing content featuring non-actors. Building trust, and making everyone comfortable, is everything.” 

Where documentaries and commercials diverge, however, is what interests Sonner most as a filmmaker today: meticulously planning the right shot, with an emphasis on hyper-intentional storyboards, where framing, lens, and lighting embody narrative purpose. 

“Documentary filmmaking is often inductive by nature, as you’re typically getting as much footage as you can, then piecing the story together in post,” he explains. “Commercials, on the other hand, are an incredible form of poetry, a distillation of symbols, where every piece has to be right, and you've got to nail it in 15 to 30 seconds. It’s a challenge I love tackling as a filmmaker.”