2025 will be the year of brutal brand honesty
While advertising in the first half of the 2020s was defined by caution, sensitivity and increased public accountability, Paul Prato, ECD of PPK, predicts that 2025 will see a boom in bolder branding.
The early 2020s were characterised by caution and self-editing in the advertising world. During those “uncertain times,” messaging was shaped by a heightened sensitivity—likely influenced by the COVID era and the subsequent culture of scrutinised public accountability.
Every brand has a core truth. It comes not from the inner halls of operations but from the consumer’s mind.
Brands often softened their messaging, and in striving not to offend, they shifted focus from expressing their own identity to addressing their audiences’ preferences. Ironically, in an age of inclusivity, brands somehow excluded their own authentic selves from the narrative.
But as we approach 2025 and the mid-point of this decade, we’re going to see the emergence of brand truths, fearlessly stated.
What’s most true?
Every brand has a core truth. It comes not from the inner halls of operations but from the consumer’s mind—what they associate with them. Good or bad, so long as it’s true, it can be leveraged to make a lasting emotional connection that places the company into the permanent consideration set for consumers. My team and I call this “what’s most true.” But to take advantage of this dynamic takes quite a bit of fearlessness.
This brutal frankness worked, and Domino’s knocked out Pizza Hut to become the #1 pizza chain by 2017.
Take Dominos changing their pizza formula circa 2009, for example. They had gone through testing and realised their product was waning in popularity. In rolling out the all-new Domino’s, they could’ve said they simply improved the recipe.
But that wouldn’t have leaned into what people really thought. Instead, they famously did a mea culpa with ads that admitted the old formula was terrible and the new style was a course correction (which was the most true). This brutal frankness worked, and Domino’s knocked out Pizza Hut to become the #1 pizza chain by 2017 with $5.9 billion in annual sales.
Domino's Pizza Turnaround
The current landscape
Fast forward to today, 2024. Coming out of the first-half of the decade, things have begun to change. With so many saying so little about themselves, this was the year that some clever brands took advantage of this environment. Standing out by stating their core tenets in brutally honest ways. Even if (and especially if) those things had a downside available to dramatise.
When faster isn’t always better
Take 5 Oil Change is a good place to start with their We’re faster than you think campaign. Customers sit in their car working on something they assumed they’d have enough time to complete, only to learn the oil change is already over. Cut to a mishap caused by not completing what they had planned to do during their car being serviced. It’s a brilliant use of aftermath.
With so many saying so little about themselves, this was the year that some clever brands took advantage of this environment.
Originally the agency, Erich & Kallman, had also envisioned positive things happening from it being too fast, but ultimately settled on more dramatic moments of mayhem and inconvenience. Turning a (possibly invented) potential drawback into a memorable attribute.
Take 5 Oil Change's We’re faster than you think campaign
Competition is the point
Nike’s Winning isn’t for everyone campaign, by Wieden + Kennedy, stood out for its unapologetic exploration of competition’s essence. The campaign’s centrepiece, the Willem Dafoe-narrated “Am I a bad person?” spot, captured the raw, uncompromising spirit of athleticism. Highlighting the selfishness and ruthlessness sports often requires.
There followed a torrent of digital and outdoor work that unapologetically spoke to the true nature of meritocracy and competition in sports. Lines like “My dream is to end theirs.” “I don’t want first. I want first ever.” and “They didn’t lose. They got a lesson.” Spoke with a stark boldness that brought Nike back to its core as the voice of unrelenting determination in sports.
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Somesuch/USA
- Director Kim Gehrig
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Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Somesuch/USA
- Director Kim Gehrig
- Editorial Spot Welders
- Color Trafik/Los Angeles
- VFX a52
- Sound Design Field Day Sound
- Music Soundtree Music
- Executive Creative Director Caleb Jensen
- Creative Director Blair Warren
- Creative Director Kevin Steele
- Creative Director Pedro Izique
- Head of Production Orlee Tatarka
- Executive Producer Kerli Teo
- Senior Producer Emily Knight
- Executive Art Producer Grace Petrenka
- Senior Producer Rosie Ollero
- Senior Creative Jacobi Mehringer
- Copywriter Andrew Chhour
- Executive Producer/Managing Director Seth Wilson
- Head of Production Roger Zorovich
- Line Producer Alexandra Lisee
- Production Supervisor Andrew Mardis
- Production Designer Akin McKenzie
- DP Chayse Irvin
- Editor Robert Duffy
- Post Producer Joe Yardley
- Post Producer Edwina Lantigua
- Colorist Mark Gethin
- Head of Production Greer Bratschie
- Creative Director Andy McKenna
- Creative Director Jesse Monsour
- CG Supervisor David Hyatt
- Talent Kobe Bryant
- Talent LeBron James
- Talent Giannis Antetokounmpo
- Talent Kylian Mbappe
- Talent Serena Williams
- Talent Qinwen Zheng
- Talent Cristiano Ronaldo
- Talent Vinicius Junior
- Talent Sabrina Ionescu
- Talent Eliud Kipchoge
Credits
powered by- Agency Wieden + Kennedy/Portland
- Production Company Somesuch/USA
- Director Kim Gehrig
- Editorial Spot Welders
- Color Trafik/Los Angeles
- VFX a52
- Sound Design Field Day Sound
- Music Soundtree Music
- Executive Creative Director Caleb Jensen
- Creative Director Blair Warren
- Creative Director Kevin Steele
- Creative Director Pedro Izique
- Head of Production Orlee Tatarka
- Executive Producer Kerli Teo
- Senior Producer Emily Knight
- Executive Art Producer Grace Petrenka
- Senior Producer Rosie Ollero
- Senior Creative Jacobi Mehringer
- Copywriter Andrew Chhour
- Executive Producer/Managing Director Seth Wilson
- Head of Production Roger Zorovich
- Line Producer Alexandra Lisee
- Production Supervisor Andrew Mardis
- Production Designer Akin McKenzie
- DP Chayse Irvin
- Editor Robert Duffy
- Post Producer Joe Yardley
- Post Producer Edwina Lantigua
- Colorist Mark Gethin
- Head of Production Greer Bratschie
- Creative Director Andy McKenna
- Creative Director Jesse Monsour
- CG Supervisor David Hyatt
- Talent Kobe Bryant
- Talent LeBron James
- Talent Giannis Antetokounmpo
- Talent Kylian Mbappe
- Talent Serena Williams
- Talent Qinwen Zheng
- Talent Cristiano Ronaldo
- Talent Vinicius Junior
- Talent Sabrina Ionescu
- Talent Eliud Kipchoge
Freedom, Unfiltered
Tubi, on the other hand, dramatised its brand truth of being a free streaming platform with the Tubi is for everyone campaign by Mischief @ No Fixed Address. Pairing unlikely—and sometimes morally questionable—duos, they underscored the universal appeal of their subscription-free service.
By digging deep into research—not just as a validation tool but as a cultural compass—brands can identify their core truths and present them in ways that resonate.
Teachers were featured alongside kids who skipped school to vandalise buildings. Shop owners with gang members who shook them down. Firefighters and people who take day naps with so many candles burning, it starts a fire. All to make the point that the FAST channel’s “freeness” was truly an attribute that didn’t discriminate.
Previous work had been more nuanced, addressing the bingeable nature of the content available on the platform. But when research showed 62% of consumers who were familiar with Tubi still didn’t know they were free, they focused on dealing with this core brand attribute in a provocative, but certainly unforgettable way..
Credits
powered by- Agency Mischief At No Fixed Address/New York
- Production Company MJZ/USA
- Director Tom Kuntz
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Unlock full credits and more with a Source + shots membership.
Credits
powered by- Agency Mischief At No Fixed Address/New York
- Production Company MJZ/USA
- Director Tom Kuntz
- Editing Whitehouse Post/New York
- Editor Russell Icke
- Assistant Editor Eric Estevez
- Head of Production Eric Schoen
- VFX/Finishing Untold Studios/Los Angeles
- Colorist Stefan Sonnenfeld
- Audio Post Grayson Music
- Music Hyperballad Music
- Production Service The Lift Mexico
- Executive Creative Director Bianca Guimaraes
- Chief Creative Officer Greg Hahn
- Executive Creative Director Kevin Mulroy
- Associate Creative Director David Spradlin
- Associate Creative Director Craig Shervin
- HP Will Dempster
- Senior Producer Coleman Sweeney
- Associate Producer Will Preston George
- Producer Emily Skinner
- Producer Donald Taylor
- Executive Producer David Zander
- Senior Executive Producer Eriks Krumins
- DP Rodrigo Prieto | (DP)
- VFX Supervisor David Mellor
- Creative Director Paul O'Shea
- Executive Producer Lauren Oldfield
- Executive Producer Nathan Hoad
- Audio Director Mark Domitric
- Executive Audio Producer Kelly McCluskey
- Audio Mixer Vlad Nikolic
- Sound Designer Mike Bisanti
- Sound Designer Ben Swarbrick
- Executive Producer Rob Niederpruem
- Executive Producer/Composer Jonathan Benedict
- Composer Taylor Bense
- Line Producer Fuad Abed
Credits
powered by- Agency Mischief At No Fixed Address/New York
- Production Company MJZ/USA
- Director Tom Kuntz
- Editing Whitehouse Post/New York
- Editor Russell Icke
- Assistant Editor Eric Estevez
- Head of Production Eric Schoen
- VFX/Finishing Untold Studios/Los Angeles
- Colorist Stefan Sonnenfeld
- Audio Post Grayson Music
- Music Hyperballad Music
- Production Service The Lift Mexico
- Executive Creative Director Bianca Guimaraes
- Chief Creative Officer Greg Hahn
- Executive Creative Director Kevin Mulroy
- Associate Creative Director David Spradlin
- Associate Creative Director Craig Shervin
- HP Will Dempster
- Senior Producer Coleman Sweeney
- Associate Producer Will Preston George
- Producer Emily Skinner
- Producer Donald Taylor
- Executive Producer David Zander
- Senior Executive Producer Eriks Krumins
- DP Rodrigo Prieto | (DP)
- VFX Supervisor David Mellor
- Creative Director Paul O'Shea
- Executive Producer Lauren Oldfield
- Executive Producer Nathan Hoad
- Audio Director Mark Domitric
- Executive Audio Producer Kelly McCluskey
- Audio Mixer Vlad Nikolic
- Sound Designer Mike Bisanti
- Sound Designer Ben Swarbrick
- Executive Producer Rob Niederpruem
- Executive Producer/Composer Jonathan Benedict
- Composer Taylor Bense
- Line Producer Fuad Abed
Find What’s Most True, and Embrace It
For brands and their creative partners: it’s never too late to rediscover and embrace your truth. Brands are dynamic, shaped by evolving consumer perceptions and cultural contexts. By digging deep into research—not just as a validation tool but as a cultural compass—brands can identify their core truths and present them in ways that resonate.
Embracing (or even inventing) imperfections can be the key to standing out in an ever-crowded landscape.
Negativity isn’t something to be avoided in messaging. Leaning into the hard, even uncomfortable aspects of a brand’s identity can yield powerful results. When dramatised effectively, these truths captivate audiences and foster lasting connections. Embracing (or even inventing) imperfections can be the key to standing out in an ever-crowded landscape. When it’s connected to what’s most true about the brand and employs bold storytelling, it can be leveraged to make a lasting connection with your audience.