The Way I See It: Erik Wilson
Cinematographer Erik Wilson's impressive CV includes Paddington, The Secret Life of Walter Mitty, smaller gems like Submarine and the BAFTA-winning Tyrannosaur, music videos for the likes of Elton John and Ed Sheeran, and ads for BT, Sky, Tesco, McDonald's and more. He tells Carol Cooper about hiding from the limelight, avoiding chasms with Ben Stiller and letting the music lead the shoot.
Peer Review: Karol Cybulski
Cheat colourist Karol Cybulski tells us which photographers influence her work, why a cup of tea and a glance at sunlight are necessities and how the impactful grade of Uncut Gems sustains its suffocating density.
Perfect shots: Juliette Wileman
As part of our Cinematography Focus, we speak to artists with an eye for fabulous framing about tableaux that stand out. Here, Juliette Wileman, Junior Colourist at Absolute Post, talks about the camera and grading compositions that aid in capturing powerful women and Mad Maxes.
Framing the funny
Most recently collaborating on the acclaimed TV curiosity, Toast of Tinseltown, director Michael Cumming (L) and DP Peter Edwards (R) have worked together for 15 years shooting various comic offerings, from sitcoms to spots. Here they explain the art of filming for hilarity and wonder if, both being drummers, the secret is... timing.